• Awesome track
• I agree, this song rocks!
• Great industrial sound
• Word
• Folky goodness

Wade Mosher has made music his life since he was only 12 years old. He is known for his songwriting & guitar skills and he’s also a respected producer, singer & programmer. Starting in the early ‘80’s, Wade has toured Canada, the US & Europe playing in Rock, Country, Blues, Skiffle and Punk bands.

In 1995, Wade Mosher released his debut, self-titled CD that received airplay in Canada, Turkey & Arkansas. Promoting the album & touring followed until 1997. Sales have reached over 3500 thus far, mostly from word of mouth. This record has been likened to John Hiatt, Steve Earle, Bruce Springsteen, Dire Straits, Warren Zevon and Lyle Lovett.

Wade’s fans have been asking for recordings of his guitar playing for years, so in 2001 recording began for his next CD ‘Doesn’t Play Well With Others’. The instrumental record of 12 cuts was released in 2002. The record has gotten some great reviews & feedback. It’s been available online since 2006 and is selling well. Though Wade’s style is undeniable, nods to Danny Gatton, Brian Setzer, Mark Knopfler, Chopin, Brian May, Dick Dale & Scotty Moore can be heard throughout. As Wade humbly puts it, “I just take what those guys did, simplify the difficult parts & hope nobody notices.”

In 2003 Wade disappeared into his studio to work on his latest album. A lot of life got in the way during the making of this much anticipated CD, but in 2007 ‘Everything Will Be Just Fine’ was released. It’s more of a collection of songs than a definitive album, moving seamlessly through genres without losing momentum. Songs like ‘Canadian Folk Song’ and ‘Hollywood is Burning’ are cutthroat takes on culture & politics with sardonic humor. Great stabs at love, religion and psychosis are found in ‘Love Makes You Stupid’ & ‘Lose This Skin’. ‘She’s Got A Heart’ & ‘Don’t Let The Highway Get You Lost’ are first class country songs that will take you back to the days of Merle Haggard & Steve Earle. This is a CD that will leave its mark.

Wade Mosher has never been convicted of murder, but the night is still young.

END OF SET 3

Just A Personal Note

Hi Folks- Wade here. Thanks for stopping by and having a listen. I appreciate your time, I know how limited it can be. There are a lot of songs here, so feel free to poke around & play snippets as you please. I’ve requested that they allow the prices of the songs to come down a bit here. We’ll see what happens. In the meantime I’ll be allowing free downloads randomly so keep an eye out. Some of the genres I’ve chosen can obviously cross over into others & it’s hard to categorize your own material, but I believe I’ve gotten close with my choices. If you hear something that turns your crank, feel free to contact me. I’m very friendly, (except early in the morning.) I’ll be keeping this section as up to date as I can. Thanks again.
Take care,
Wade

• Intresting
•  Coolest Dude Alive
•  Beautiful Country

DAPPADON is an up-and-coming Hip Hop/R&B/Dance music producer with serious skills.

DAPPA'S musical journey started early in life with the piano. After graduating High School he made the decision to further his studies in Audio Engineering and Contemporary Jazz Music. Through this education he developed the necessary skills which later evolved into the high art of music production.

DAPPADON enjoyed the close tutelage of the renowned Singer/Composer/Producer BOBBY TAYLOR, who was a driving force behind the success of Michael Jackson, The Jackson 5 and countless other R&B pioneers. With Bobby's guidence, Dappa continued to temper his skills towards becoming a consummate Composer/Songwriter/Producer/Artist.

DAPPA'S Past & Current credentials include a Remix project for The Rap group BRAND NUBIAN. He has done remixes for Universal Recording Artist CARLOS MORGAN, GHETTO CONCEPT, Laface Recording Artist SHANICE WILSON, and TLC.

DAPPADON is currently working on music projects with several very talented up and coming Rap Artist & Singers under his own umbrella production company, as well as putting together a compilation album to showcase all of the existing talent he is working with.

DAPPADON is also available for hire as a producer as well as liscencing his music/beat catalog!! If you wish to contact DappaDon in regards to any business you can email him at:

BE ON THE LOOKOUT FOR THIS RISING STAR IN THE INDUSTRY!

•  Girl got some pipes...
•  Hot, hot track!

Dead Rock West

Tour Dates
9/02/08 – US Tour – Coming Soon!
9/14/08 – UK Tour – Coming Soon!
9/17-20/08 – Americana Music Festival – Nashville, TN
9/25/08 – Germany Tour – Coming Soon!

**Stay tuned for more tour updates to be announced soon…

The best music tends to hit a listener from seemingly out of nowhere, fully formed and ready to infiltrate the psyche. Of course even the newest discovery has paid their dues somewhere, which means there are often real treasures right under our very noses. So it is with Dead Rock West.

With a name like Dead Rock West, you would be correct in assuming there are occasional country and folk influences, but really, that’s just skimming the surface of the bands capabilities which span Country Music, Americana, and Roots Rock sounds to give you that music that keeps you dancing and singing along. Dashes of garage, power pop jangle, and rock n roll populate the set list, played with passion to match the tight song craft and perfectly blended vocal harmonies provided by the band’s founders, Cindy Wasserman and Frank Drennen. Their voices are a seamless mix that adds melody to already impressive hooks, like icing on an already pretty tasty cake.

Dead Rock West the group is really a culmination of years of work in Southern California nightspots. Drennen spent time playing the acoustic clubs in San Diego, teaming up in with former Alarm guitarist Dave Sharp and forming pop group Loam shortly thereafter. They would go on to release two albums in the U.S. and Spain, and win a San Diego Music Award in the process for their song “Telephone” - later recast by Dead Rock West as an amphetamine fueled Byrds flavored rock number.

For her part, Wasserman is no stranger to either stage or studio. Most recently she has toured and recorded with Grant Lee Phillips, John Doe, and Mark Olson. In fact, all the members have extensive touring backgrounds. Bassist David J.Carpenter has toured and recorded with Toni Childs as well as John Doe and Phillips. Drummer Bryan Head does double duty with his band Abandoned Pools, and has toured with Shelby Lynne. Most impressively, pianist Phil Parlapiano was previously in Geffen Records act The Brothers Figaro and has performed with Grant Lee Buffalo, Tracy Chapman, Lucinda Williams, Rod Stewart and Social Distortion, amongst many others.

All that experience is used to great effect on Dead Rock West’s debut album on the Populuxe label, Honey & Salt. Recorded at Grandmas Warehouse in Echo Park, the disc was recorded in tribute to older recording methods using a 2" tape, 24 tracks, and no click tracks or pitch correction machines. In addition to the members of Dead Rock West, the genesis of the album involves a few other key players. The Section Quartet (Sam Phillips, etc.) provide strings and pedal steel player Greg Leisz also contributes, with the album mixed by Grammy winner Richard Dodd (Tom Petty, George Harrison, Steve Earle, Traveling Wilburys etc.).

“Basically I contacted Richard Dodd via his web site,” Drennen recalls. “I told him about ourselves, that we were recording to tape and I asked if he ever mixed any one who was not rich or famous. To my surprise Dodd responded saying he was interested in hearing our works in progress. Nervously, I sent him the songs. We weren’t even finished overdubbing at this point. After a couple of long phone conversations, I was convinced that this man was in love with music and wanted to be a part of projects he can be proud to put his name on. Needless to say we ended up in Nashville and spent six wonderful days hearing our songs come alive and listening to his stories.”

The end result are the Honey & Salt tracks, as catchy and varied a collection of songs as you’re likely to come across. Whether it’s Wasserman or Drennen taking the lead, Dead Rock West’s way with a melody cannot be denied.

www.deadrockwest.com
www.myspace.com/deadrockwest

Formed haphazardly in 2003 at an apartment above Hot Wax in Kensington, Calgary. Originally just some songs and fragments of songs that were shoved through some wires connected to an 8 track recorder that had a convenient USB output for connecting to a computer. Less than a year later a few more friends climbed on board what will heretofore be known ominously as 'the harrisonford project' and Ian's love for Billy Bragg, trumpets, keyboards and female singers amalgamated into a solid nugget of pure, unadulturated rock goodness.

Goodbye, living room.

•  Peaceful and warm

Ryan McMahon grew up in Ladysmith, Vancouver Island, British Columbia, Canada, where he began playing in local bars on Vancouver Island at the age of 17, under the moniker “Citizen Strange.”

There, he befriended several promoters that allowed him opening support slots for bands coming through town such as Nickelback and Wide Mouth Mason, allowing him the opportunity to hone his craft alongside those already established.

In 2003, Ryan moved to Vancouver and began playing with two musicians who would become his best friends, Mike Rogerson (who produces all of Ryan’s material) and Dustin Young, both of whom still play guitars for him to this day. Together they formed the band, “Ryan McMahon & the Dirty Five,” along with drummer Jesse Smith and bassist Thomas Dowding, and the band toured throughout British Columbia and Alberta, but was never really afforded the opportunity to take it further.

Wanting change, and a more diversified sound, Ryan, Mike, and Dustin stuck together and headed to Baker Street Studios in North Vancouver, to begin work on what would become Ryan’s first solo album, “Better Days Gone By.” They recruited several friends throughout the music industry, including Hamish Thomson (the Hermit), Jon Frederiksen (the Hermit), Doug Elliott (the Odds), Pat Steward (Bryan Adams, Matthew Good, the Odds), Jesse Smith (Jeff Johnson, the Dirty Five), Thomas Dowding (the Dirty Five), and Craig Northey (the Odds).

The result? A 12-song rock n’roll roots album that showcases Ryan’s love for playing rough, honest music, which people of all walks can easily relate to.

With themes ranging from infidelities (“Liar”) to the music industry itself (“Song Says So”), “Better Days Gone By” is a well-rounded honest album that will surely communicate well in both the rock and acoustic formats.

Rye’s dynamic, genuine personality, combined with his unique emotional style will definitely offer fans of roots rock a true kindred spirit.

For a better tomorrow, vote Ryan McMahon.

Contact Information:
Geoff Goddard @ Fronstide Promotions - 604-648-2782
Ryan McMahon - 778-892-6974

www.ryanmcmahon.com
www.myspace.com/mcmahonryan

•  Like it lots
•  just found it again
•  This scratches my musical itch
•  A wonderful song!
•  Catchy

The Southern Urge was born on Vancouver Island in a basement near the University of Victoria in early summer, 2005. Three local musicians were at their campus pub having beers and checking out the open mic players. They were already in a band known around Victoria but “creative differences” in the band had led to their search for a new singer. There they found Ryan Evans and asked him to come out to front the band. After a few practices in the basement they hit the bars at UVIC and in downtown Victoria. The story continues to unfold today…

The Southern Urge is Ryan Evans (vocals/guitar), Tony Garossino (lead guitar), Jonny Milstein (bass/congas/clave/harmonica/backup vocals), and Cameron Duron (drums).

Ryan, who was living in Halifax, had been frequenting the L.A. scene meeting with producer and friend Sheila E after she had taken notice of his songwrting skill a few years previous. During the summer in B.C., and after a couple of rehearsals with the Southern Urge, it was undeniable that there was a definite chemistry between the friends who embraced his songwriting; the L.A. scene would just have to wait.

With the speed of Jimmy Page and the originality of Trey Anastasio, Tony was able to add energy to the solid progressions penned by Ryan. Cam’s drumming style, reminiscent of Jazz-Fusion masters like Carter Beauford, Dennis Chambers, and Steve Gadd, is a rhythmic extension of Ryan’s aggressive acoustic playing. Add solid bass grooves locked to the beat by Jonny and you have an original song by The Southern Urge.

The band’s first EP entitled “…until it hurts” was recorded over one night at Vancouver’s Art Institute, and is scheduled for release this summer. The disc includes the songs, “I am a rolling wind”, “Gimme all your love”, “See you move”, “Better time”, and “Been around”.

All of the songs offer a diverse range of sounds, which is representative of the diversity in the group. From a rocker out of Halifax, to a guitar wizard from Texas, to a drumming inferno from Toronto, to a killer bass player from Vancouver – They all come together to produce something very special.

The band has had extensive experience in Victoria's live music scene. As a band with a social conscience they have headlined benefit concerts around Victoria for such organizations as: Rock for Rwanda, The Tsunami Relief Effort, Engineers Without Borders and Children of War. After securing an opening spot at Steamer’s Pub, one of the biggest and best know live music venues in the heart of downtown, the band has been a monthly headliner on Wednesday, Thursday, and Friday nights. Felicita’s, Uvic’s campus pub, has been a local home for the band. On January 21st 2006, UVic hosted it’s first ever winter SUB party. The entire Student Union Building was converted into a five-stage venue for 2,500 people. Some performers featured were Moka Only, Mobile, and The Armchair Cynics. The Southern Urge was given the longest time slot that night, playing for three full hours and ending the night for a sold out crowd.

Individual members have different amounts of recording experience. Ryan has recorded his own demo as a solo artist, working with session players and recording his own compositions. Jonny has had experience recording with two previous bands, as well as many other small session projects. Tony is familiar with home recording, and cam’s first major experience was the current EP.

Upcoming shows: April 11 – Darcy’s pub (Victoria)

Additional info/songs/pics: visit www.ryanevansmusic.com

•  Hard rock. Great Hook.
•  Great lyrics
•  Great song - mediocre recording

Hello, Lovies, and welcome!

I'm a nutty musician who somehow got herself known in the European metal scene, even though I'm not really a super-mega-metal-diva girl. But that's not a secret. Not one I'm keeping, anyway!

You might know me from the various work I've done with other bands, but you might be surprised at what else I have to offer and I invite you to look around, have a listen and let me know what you think!

OK, now on to the more serious, official stuff. Enjoy!

xx
Amanda

Singer-songwriter with a razorblade edge.

In a business where image often overshadows substance, Amanda Somerville gives the industry CPR with a breath of sincerity through music that is so real, it's goosebump-inducing. The windows to this songwriter's soul are her songs, which are ambient and groovy, yet extremely radio-friendly. Combining heart and soul with hit songwriting, you're bound to be moved.

Since 2000, Amanda has resided and worked mainly in Germany and the Netherlands . In that time, she has independently sold over 7,000 CDs of her solo work and gained thousands of fans all over the world. She is currently engaged in both studio and live work in Europe and is exploring options for her latest solo album, "Windows."

Discography

Solo:
-In the Beginning there was... (Debut Album, 2000)
-Blue Nothing (EP, 2000)
-Never Alone (EP, 2003) sold approx. 5,000 copies in Germany .
-Aina: Days of Rising Doom (2003) - wrote concept and all lyrics, co-wrote music, worked as vocalist, vocal coach. Sold approx. 40,000 copies and garnered many new fans world-wide. Included several famous guest musicians such as Glenn Hughes, Sass Jordan, T.M. Stevens.
-Windows (release date unspecified) new solo album currently being finished

Other bands & projects:
-HDK - System Overload (due in 2008); co-writer, vocalist, co-producer, engineer
-Avantasia - The Scarecrow (due in 2007); vocalist
-Andre Matos - Time To Be Free (due in 2007); worked as vocalist, engineer
-Epica - The Phantom Agony (2003), We Will Take You With Us (2004), Consign To Oblivion (2005), The Road to Paradiso (due in 2007), The Divine Conspiracy (due in 2007); worked as vocal coach, vocalist, co-writer, engineer, producer
-After Forever - Invisible Circles (2004), Remagine (2005); worked as lyric editor, co-writer, vocal coach, vocalist, producer; After Forever (2007); worked as lyric editor and vocalist.
-Asrai - Touch in the Dark (2004): worked as lyrical editor; Pearls In Dirt (due in 2007); worked as songwriter, vocalist
-Ebony Ark - Decoder (2006); worked as vocalist, producer
-Kamelot - Black Halo (2005), Ghost Opera (2007); worked as vocalist, lyrical editor
-Phaeno Science Center (2005); commissioned to write and perform song about and for the grand opening of science center by Zaha Hadid, Frank Oppenheimer and Joe Ansel
-Boehringer Ingelheim (2005); commissioned to write 2 jingles for new swine vaccine:)
-Edguy - Hellfire Club (2003), Rocket Ride (2005); worked as vocalist, lyrical editor
-Shaman - Ritual (2002), Reason (2005); worked as vocalist, lyrical editor
-Mob Rules - Hallowed Be Thy Name (2002), Ethnolution A.D. (2006); worked as vocalist
-Luca Turilli (Rhapsody) - Prophet of the Last Eclipse (2002); worked as vocalist
-Virgo - Virgo (2001); worked as vocalist, lyrical editor
-Various other bands (Felony, Reverend Right Time and the First Cousins of Funk, Lunatica, Brainstorm, etc.)

• great song
•  Amazingly powerful
•  Haunting, yet sincere

Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big Band during college. After graduating from UPENN with a B.A. in Economics, Vinson came to New York City in the early 90's to study music at the Mannes College of Music in Manhattan, where he studied with Marvin "Smitty" Smith (of The Tonight Show Band), Vernel Fournier, and Norm Freeman (of the New York Philharmonic).

Vinson has performed in many clubs in the New York Metropolitan area, including the Blue Note, Smoke, Sweet Rhythm, 55 Bar, Birdland, Smalls, Detour, Cornelia Street Cafe, Cleopatra's Needle, and Trumpets of Montclair, NJ. An avid composer, Vinson also teaches privately and served on the staff of the Stanford Jazz Workshop in California from 1999-2001. He has toured throughout North America and Europe with his groups and others, and he appears on Matthew Fries' CD, Song For Today (TCB) and the Ganz Brother's release, First Steps (Extravaganza). Vinson also has three CDs out as a leader, Live@147, Consilience, and Awake.

In addition, Vinson has also worked with or played alongside with many of the great musicians in jazz, such as Grover Washington, Jr., Dakota Staton, Clarke Terry, James Williams, Donald Brown, Harold Mabern, Jr., Jamil Nasser, Ron McClure, Bob Mintzer, Russell Malone, Peter Bernstein, Mark Turner, Terell Stafford, Eric Alexander, Jim Rotundi, David Hazeltine, Joel Frahm, Dena DeRose, and Vincent Herring, and Candido Camero, among others.

Tom Howie is a singer/songwriter from Vancouver, BC. After releasing his debut EP Stepping Stones to great reviews and eager audiences in September 2005, he has gone on to play many of the premier clubs in Vancouver while completing his final year of high school.

Now 18 and graduated, Tom is taking on music full time, including recording a full length album with producer/musician Ashwin Sood (Sarah McLachlan) and engineer Chris Potter (Bryan Adams, Sarah McLachlan). Also on board is Vancouver/San Francisco based composer/producer/musician Jason Nett (composer in residence, Vancouver Island Symphony Orchestra).

After being the lead singer and songwriter in many bands throughout high school, Tom decided to go out on his own and play the music that came most naturally to him. “I want to be able to write a band tune or a little soulful ballad, or whatever else, and just let it be what it is. I'm enjoying the freedom of experimentation."

With that thought in mind, Tom sat down with friend/producer Josh Bluman to record Stepping Stones at the studio of highly acclaimed producer Garth Richardson (Rage Against The Machine, Hedley, Red Hot Chili Peppers). The EP features stripped down versions of four soulful, satisfying songs. YouThink Magazine had this to say: “The ability to spin out four tracks that have yet to be boring, complete with lyrics that are startlingly affecting, isn’t just dumb luck. Howie’s observations about life and its joys and sorrows, combined with his acoustic, mellow sound, build a strong sample of what he has yet to give.”

Looking ahead, Tom is filled with great excitement about recording new material, which he says has lots more to offer; from simple, haunting, poetic songs, to full out rockers. “Things are just starting to work out for me, and there is nothing else I’d rather be doing. I love playing, singing and writing more than anything. Busy? Bring it on!”

Be sure to see Tom Howie live in concert, either with his band or on his own. Visit myspace.com/tomhowie for tour dates and streaming audio.

•  Awesome track
•  Great voice
•  Stop and listen and chllin'

Biography

Matt Harlan is a songwriter's songwriter. He composes scenic landscapes and pointed statements disguised as songs. Often non-linear, but always melodic, Harlan's works confront social norms, celebrate lives overlooked, or just wax poetic about coffee and bus stops. Whatever the inspiration, the music is always heartfelt and genuine.

Born and raised in Texas, Harlan soaked up the richness of the state and its song-smiths while bouncing between big cities and small towns. Always in love with music, he eventually learned to play and write it. From '60s pop in kindergarten to alt-country in college and all the angst in between, Harlan draws from a range of influences, interpreting a generation steeped in plastic and filtered through the Hill Country limestone.

After gigging in rock bands around San Antonio and Austin, Harlan dropped the pick and the power chords to develop his own unique fingerstyle guitar technique. Now back in Houston he is working to promote his earthy, socially conscious sound, which is continually evolving.

Accomplishments

In 2003 Matt Harlan won the Kerrville Folk Festival's Texas University Songwriters Competition based on the merit of his songs “Suitcase Blues,” “Warm November,” and “The Optimist.” Winning the competition allowed him to play on the Threadgill's Stage at the Festival along with other songwriters from Texas universities.

The Houston Fort Bend Songwriter's Association (HFBSA) has nominated Matt Harlan's “Heavy Steel and Spinning Wheels” for their 2006 Song of the Year award.

Matt Harlan was recently offered the chance to play at the legendary Anderson Fair for its songwriters showcase series. Details can be found on Matt Harlan's websites and at www.andersonfair.com.

•  Good Folk Story
•  Thoughful folk song

What do you say about a band that says, straight-faced, that it's two principal influences are the Beatles and the Sex Pistols?

Try: "It's about fucking time"?

Let's face it - the Pistols, for all their yobbo nihilism, were a brilliant pop band and Never Mind the Bollocks is less an album than a hit singles collection. The Fabs, as dear dead George called them, were not only the last century's most respected, creative and successful songsmiths, they were god-damned ferocious, paint-peeling noise merchants when the mood struck them; don't believe me? The rehearsal versions of Helter Skelter make the Velvet's Sister Ray sound positively tame.

So the Philharmonic are not only canny enough to recognize these little-uttered facts but adept enough to carry off the not-inconsiderable trick of marrying legit musical chops and frankly brilliant songwriting to savage musicianship and pure-punk stage delivery. Everything the pop-punk hybrid from XTC and the Pixies on down to the least of what the genre aspires to, the Philharmonic are, and more than that, somewhat frighteningly, still well short of their potential.

If these people had been around back in '77 for the first wave of punk the Eagles and their wretched brethren would have been sent packing for good and the world would today be a better place for all of us.

About fucking time? Damn straight, and better now than never.

-- Buck Cherry
Vancouver, summer '05