Armed with an acoustic guitar and a head full of songs, Sal Belloise set out in a VW bus on his musical journey back in the hazy 60s. He's been traveling that road ever since, performing thousands of shows and meeting millions of faces. In the process, his music, like his rich, melodic guitar work and vocals, has deepened with life experiences along the way. Belloise's fans span the globe and are an intricate part of his creative process, as it is his audience who determines which songs get recorded.

"I let the people dictate which songs are keepers and which ones are sleepers by the initial response they receive from applause," Belloise says of the importance of his fans' participation and preferences. Although one tune might go over better in Ireland than another in New York City, his acoustically driven music finds its rhythmic groove somewhere between powerful folkish rock and trans-pop.

Belloise was weaned on vocal harmonies of the late psychedelic era – Crosby, Stills and Nash, Neil Young, James Taylor – and his guitar style is steeped in those sounds mixed with the spirit of Jimi Hendrix and flavored with the warm southern nights of living on a small island off the west coast of Florida – Clearwater Beach – where he came of musical age.

A prolific songwriter for decades, Belloise, encouraged by his peers and audiences, decided to release his debut album in February 2008 entitled "Nothing But Love". His music has received considerable airtime on independent radio in the U.S., U.K., and abroad. As the first album continues to garner accolades and downloads, Belloise is preparing to release his second album, "The South in Me" this summer 2008.

Belloise writes from the heart, with uplifting notes and stories most can relate to. He aspires to transform life's everyday mediocrity into experiences that elevate his listeners.

I want everyone to walk away feeling good," he confesses – and believes, "There are pivotal songs in everyone's lives, songs that have special meaning and stay with you." And this is what he hopes to achieve through his art – to reach as many people as possible and through the universal language of song, perhaps find a way to unite people in peace through music.

To his fans he says, "Thank you, thank you, thank you for listening."

•  "Shadow of love" is a...

Composer, Sound Design, Filmmaker, Songwriting and General Mayhem.

Born in San Diego, California in 1980, Devin Anderson has studied classical piano, composition with Prix de Rome winner Jim Heinke, film music with composer Hummie Mann and attended The Seattle Film Institutes 40 week Total Immersion program. Twice. He also plays bass with former PCP Berzerker members, Eric Hunter and Rod Bailey, in a currently unnamed rock group, and frequently collaborates with his wife, singer and saxophonist J. Marie Anderson.

As a composer, in addition to scoring his own directorial debut, a short entitled ‘Folie à Deux’, he has composed music for several independent pictures, including but not limited to Wisconsin born filmmaker Jack Bennett’s surrealist film ‘Synthetik’ (which received it’s award-winning World Premiere at The Beloit International Film Festival in January of 2008) and Tim Boyd’s film ‘Uniforms’ which starred members of popular group Death Cab for Cutie.

He has provided music for two promotional films produced by The Northwest Film Forum, the regions first and only non-profit organization for the film arts. He has composed concert works in various genres, including solo instrumental works, vocal works, and chamber ensemble, and recently was commissioned to compose for an Art Exhibition of egg tempura painter Nathan DiPietro.

He has just completed musical duties on a short film, again for director Jack Bennett, entitled ‘The Neu Transients’. The picture runs 5 minutes and is a memorial to the City of old now over-run by condos and commercial construction, and uses the Seattle cityscape, the music, and the film’s two lead actors (Benjamin Moody and Astrid Benet) to explore ideas of reflection, space, rhythm and transformation. The work premiered at the Northwest Film Forum as part of their City Symphony program on November 19th.

His score to ‘Folie à Deux’ was awarded the Gold Medal for Excellence at the 2008 Park City Film Music Festival under the catagory Best Original Music - Short Film.

His particular type of electronic-rock (?) songs are strange, somewhat crude, and personal - rough first-take all-to-human vocals, with consistantly surreal lyrics, laid over intricately crafted, orchestral-like backing music and boiled to a simmer.

He hopes to continue being involved in film and music until his death.

Admiral Twin is a pop rock group from Tulsa, Oklahoma. The band consists of three singer/songwriters who blend rich harmonies with catchy melodies over a variety of music styles.