AFTER RECEIVING 2005'S "RAP ARTIST OF THE YEAR" TITLE BY THE ATLANTA UNDERGROUND AWARDS, STARR FOUND HERSELF IN A WEB OF UNFORTUNATE EVENTS THAT WOULD EVENTUALLY CAUSE HER TO SERVE TIME IN THE COUNTY JAIL. THIS WOULD BE THE WAKE UP CALL THAT CHANGED HER OUTLOOK ON LIFE. SHE BEGAN RECORDING WITH ANTONIO "FOREVER" MOBLÉY, CREATING A CATALOGUE THAT WOULD TURN ANY SERIOUS MUSIC PUBLISHER'S HEAD.

THE MAXI-SINGLE, 151, WITH 3 BONUS TRACKS IS AVAILABLE FOR DOWNLOAD ON MYSPACE'S SNOCAP STORE JUNE 4TH AND IN STORES JULY 1, 2008 THROUGH HER COMPANY, BROADZ WAY ENTERTAINMENT. STARR VOCALS ARE A PITCH HIGHER THAN HER NORMAL LAID-BACK TONE ON 151, GIVING THE SONG A NEW SIDE TO HER PORTFOLIO. THIS RE-INTRODUCTION TO THE INDUSTRY, FOLLOWING THE UNDERGROUND SUCCESS, "DA KANDI LADI," IS MUCH ANTICIPATED AND HAS SUMMER-TIME CLASSIC WRITTEN ALL OVER IT. WHEN ASKED ABOUT HOW THE SONG CAME TO LIFE, STARR REPLIED, " WE CAME UP WITH THE CATCHY CONCEPT OF 151 DUE TO THE NEIGHBORHOOD'S MOOD- MOST PEOPLE WANT TO BRIEFLY ESCAPE... EITHER AT THE CLUB, A RIDE IN THE CAR, OR A SOCIAL SETTING WITH FRIENDS."

THE SHORT
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-the man cable- is the pseudonym that I use in my guise as a music producer and electronic music artist. For my drumming gigs, I usually just go by Robert Cummings.

In recent years, I’ve worked deeply with Steinberg Nuendo, my current favourite audio platform in the digital realm. My expertise includes mixing (digital/analog) and mastering, group and vocal tracking, live and studio drumming, drum programming, arranging and editing. I also have contacts to a wide range of pro musicians around the world. The music projects I’ve worked on or performed with have ranged from electronics to rock to jazz to everything in between ... even childrens’ CDs!

THE LONG
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Born and raised in winter-blasted Winnipeg in Manitoba, Canada, I began drumming in 1983. I studied privately there until 1986 when I moved to the mild coastal climes of Vancouver, BC. After studying with jazz drum instructors there (Jim Chivers), I gained initial playing experience with touring/recording acts such as People Playing Music and Juno award-winning Alpha Yaya Diallo from Guinea, Africa. After an intermediate stop in Paris, France, I moved to Berlin, Germany in 1992 where I continued working as a drummer/percussionist in several groups.
In Berlin, I recorded percussion on two CDs by Genetic Drugs (”Karma Club” in 1993 and “Karma Pharma” in 1996) and became interested in the possibilities of electronics in music through work with Janek Siegele (Jayrope, Hardman, Girls United, The Sighs, klikklak records). The two co-founded the half-live, half-electronic avant pop band Rope in 1996 and completed “Rope Hotel” in 1997 for Alec Empire’s Geist imprint. A follow-up CD, “It’s No Fun To Compute”, was released in 2000. In the meantime, he started his solo project as the man cable and released a debut CD entitled “derouting” in 2000. This project continues to this day and a new release is planned for 2005.
From 1999 to 2001, I performed and recorded as drummer/percussionist with the renowned Die Geschwister Pfister, a comedy and music act that played to full houses throughout Germany, Austria and Switzerland. “The Voice of Snow White” was released in 2000 on Traumton records. During this period, I also contributed live electronics to the well-known 17 Hippies on their project The Sexy Ambient Hippies. This culminated in the release “17 Hippies Play Sexy Ambient Hippies” (Hipster Records/ Soul Food) in 2003.
I joined Klaus Janek’s electro-acoustic jazz-dancefloor project DeeQ in 2001 and worked on the CD “Fresher Than Air” in 2002. Also in 2002, I started production on Alpendub—a wild mixture of German alpine sounds with dubbed-out grooves that has aroused interest throughout the world. Alpendub has two releases thus far: “the man cable presents Alpendub” in 2003 and “Jo-Delay” in 2004.
I perform live on a regular basis as a drummer/ percussionist in settings ranging from jazz trio (Matias König Trio) to cajun/zydeco (Colinda) to straight-of-the-saddle country (The Maplewood Boys) to live electronic collaborations (the man cable vs. NBI) to crooner swing jazz (The Swingin Bohemians). As of fall/winter 2006, I will be performing with Denis Fischer in Six Strings That Drew Blood.

Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big Band during college. After graduating from UPENN with a B.A. in Economics, Vinson came to New York City in the early 90's to study music at the Mannes College of Music in Manhattan, where he studied with Marvin "Smitty" Smith (of The Tonight Show Band), Vernel Fournier, and Norm Freeman (of the New York Philharmonic).

Vinson has performed in many clubs in the New York Metropolitan area, including the Blue Note, Smoke, Sweet Rhythm, 55 Bar, Birdland, Smalls, Detour, Cornelia Street Cafe, Cleopatra's Needle, and Trumpets of Montclair, NJ. An avid composer, Vinson also teaches privately and served on the staff of the Stanford Jazz Workshop in California from 1999-2001. He has toured throughout North America and Europe with his groups and others, and he appears on Matthew Fries' CD, Song For Today (TCB) and the Ganz Brother's release, First Steps (Extravaganza). Vinson also has three CDs out as a leader, Live@147, Consilience, and Awake.

In addition, Vinson has also worked with or played alongside with many of the great musicians in jazz, such as Grover Washington, Jr., Dakota Staton, Clarke Terry, James Williams, Donald Brown, Harold Mabern, Jr., Jamil Nasser, Ron McClure, Bob Mintzer, Russell Malone, Peter Bernstein, Mark Turner, Terell Stafford, Eric Alexander, Jim Rotundi, David Hazeltine, Joel Frahm, Dena DeRose, and Vincent Herring, and Candido Camero, among others.