I was born in Saskatoon, Saskatchewan, and my earliest musical influences include fretting over the fate of the Nowhere Man, a ‘Graceland' tape that was stuck in the family car's cassette player for three years, and far too many viewings of the movie Labrynth. I'm now living in Banff, Alberta - jamming on hallway pianos, doing a radio show on Radio90 fm, and writing and recording new songs.

Vincent Van Gogh “loved life so bad, his paintings had twice the color other paintings had”. So sings Jonathan Richman (on Rockin’ and Romance).

And that tells you something about musician Allison Crowe.

A modern lover of music, blogger Muruch frames it like this: "There's really no way to convey through mere words how much the music... moves me, or how I want other people to listen to and adore it as much as I do. Allison sings with such an intensity of emotion, it's easy to see why she's often quoted as saying 'Why music? Why breathing?'... that kind of artistic passion seems extremely rare these days."

"I love singing for people," says Allison Crowe. "It's a way to connect and share with others. Communication is crucial. Just being able to do what I do, to write and sing and perform, makes me feel not only alive, but incredibly lucky. Knowing at any moment everything could change, I don't take one second for granted."

Born 28 years ago, on an island, in the harbour city of Nanaimo, B.C., today Crowe's reach is global. The audience for her music videos and song downloads numbers in the millions.

"Allison Crowe has a voice to fall in love with," says UK music industry journal Record of the Day. "She is from Vancouver Island in Canada, descended from Scottish, Irish and Manx stock. She's exactly the sort of artist who can make serious headway on her own label and that's just what she's doing."

When this phenomenon 'from the islands' reached the mainland she steered a path clear of what Joni Mitchell knowingly calls the record industry’s “style inventions”. With Ani DiFranco as a model of integrity, and Creative Commons licensing changing the "game" for resourceful musicians, Crowe created her own label. Since 2003, Rubenesque Records Ltd has released six critically and commercially successful albums: Lisa's Song+ 6 Songs; Secrets; Tidings; Live at Wood Hall; This Little Bird; and Little Light.

"The first thing you notice about Allison Crowe is her voice. Rich and dark, it seems to come from a place most singers can only dream of accessing. Then there are the songs. Filled with raw passion and accompanied by Crowe's eloquent piano playing," writes Clodagh O'Connell (The Courier). Hers is a joyous sound: "Elton John meets Edith Piaf."

A sensation at the UK’s John Lennon Northern Lights Festival, “Canadian angel Alison Crowe gave one of the weekend's most magical moments," says The Scotsman. Festival Director Mike Merritt describes Crowe as "awesome" and "spine-tingling", noting her performance “put hairs on the back of your neck! She brought the house down."

A true grassroots success, Crowe’s praised not only as a singularly talented songwriter - on themes personal as well as worldly - and as a visceral performer, but, also, as a supreme interpreter of song. Her vital takes on such 21st century standards as Leonard Cohen's "Hallelujah" and Joni Mitchell's "River" are applauded as "truly transcendent" and her singular covers have achieved broad, even mainstream, popularity, featured by BBC Radio, MOJO magazine and by acclaimed Hollywood director Zack Snyder (300, The Watchmen). Her Tidings CD, a mix of traditional carols plus songs of joy, peace, and redemption from the secular songbook, is an emerging classic: "music for the season and all time".

"Her voice celebrates the music with a bluesy rock-gospel intensity; her controlled vibrato, silken rasp, and powerful projection rivet your attention. This is no casual background music. be prepared to be amazed," says Hamline University Professor Of Law - and CD reviewer - Carol Swanson. "Every song radiates sincerity, creative flair, and emotional intensity."

”It takes a lot of self-confidence to tackle Aretha (Franklin)'s version of 'I Never Loved a Man...' but Allison does and nails it just as good as the Queen of Soul herself. Her piano playing is equally exquisite," says Bob Muller, curator of song covers at JoniMitchell.com in his review of Crowe’s newest album, This Little Bird. He sums up: "Treat yourself to one of the mightiest talents on the singer-songwriter scene today."

David Powell, Welsh-based tech writes: "I'm listening to 'Effortless' on (Allison Crowe's) This Little Bird album with my Pro-Ject headphone amplifier turned up about a quarter more than on most modern records. It sounds fantastic because unlike most modern records it hasn't had the **** compressed out of it to raise the loudness."

Vocalist, pianist, guitarist, songwriter, engineer, producer and arranger, Allison Crowe now lives in Nanaimo, British Columbia and Corner Brook, Newfoundland. From these home-bases, (spanning the full 7000 km breadth of Canada), she tours steadily, earning a reputation for exciting live shows that stir together her original songs with much-loved interpretations in an organic blend of rock, jazz, folk, Broadway, gospel and soul.

"Ever wonder what it would have been like to listen to a gifted singer/songwriter from Saskatchewan in a small, intimate hall before she became Joni Mitchell? Don't fret the missed opportunity. There's no need to turn back the clock. Check out Allison Crowe," says Robert Reid in The Record.

"Allison has a special gift that is so very rare in musicians today. She is true to her mind, heart and spirit," says Ross Hocker, long-time public broadcaster with NPR affiliate WGTE. Hocker, whose musical taste embraces Thelonious Monk, Bela Bartok and Charles Gounod, calls Allison Crowe's live performance "the most honest, heartfelt, and directly intimate concert in my entire life."

"In an entertainment world that increasingly genuflects at the altar of instant fame, Crowe seems an anomaly, building her career slowly and carefully," notes Adrian Chamberlain, of Canada's Times Colonist newspaper.

"Soulful. Alive. Joyous. Grievous. Real, true, music is what I want to make," says Allison Crowe.

You can lend an ear...

Armed with an acoustic guitar and a head full of songs, Sal Belloise set out in a VW bus on his musical journey back in the hazy 60s. He's been traveling that road ever since, performing thousands of shows and meeting millions of faces. In the process, his music, like his rich, melodic guitar work and vocals, has deepened with life experiences along the way. Belloise's fans span the globe and are an intricate part of his creative process, as it is his audience who determines which songs get recorded.

"I let the people dictate which songs are keepers and which ones are sleepers by the initial response they receive from applause," Belloise says of the importance of his fans' participation and preferences. Although one tune might go over better in Ireland than another in New York City, his acoustically driven music finds its rhythmic groove somewhere between powerful folkish rock and trans-pop.

Belloise was weaned on vocal harmonies of the late psychedelic era – Crosby, Stills and Nash, Neil Young, James Taylor – and his guitar style is steeped in those sounds mixed with the spirit of Jimi Hendrix and flavored with the warm southern nights of living on a small island off the west coast of Florida – Clearwater Beach – where he came of musical age.

A prolific songwriter for decades, Belloise, encouraged by his peers and audiences, decided to release his debut album in February 2008 entitled "Nothing But Love". His music has received considerable airtime on independent radio in the U.S., U.K., and abroad. As the first album continues to garner accolades and downloads, Belloise is preparing to release his second album, "The South in Me" this summer 2008.

Belloise writes from the heart, with uplifting notes and stories most can relate to. He aspires to transform life's everyday mediocrity into experiences that elevate his listeners.

I want everyone to walk away feeling good," he confesses – and believes, "There are pivotal songs in everyone's lives, songs that have special meaning and stay with you." And this is what he hopes to achieve through his art – to reach as many people as possible and through the universal language of song, perhaps find a way to unite people in peace through music.

To his fans he says, "Thank you, thank you, thank you for listening."

•  "Shadow of love" is a...