Armed with an acoustic guitar and a head full of songs, Sal Belloise set out in a VW bus on his musical journey back in the hazy 60s. He's been traveling that road ever since, performing thousands of shows and meeting millions of faces. In the process, his music, like his rich, melodic guitar work and vocals, has deepened with life experiences along the way. Belloise's fans span the globe and are an intricate part of his creative process, as it is his audience who determines which songs get recorded.

"I let the people dictate which songs are keepers and which ones are sleepers by the initial response they receive from applause," Belloise says of the importance of his fans' participation and preferences. Although one tune might go over better in Ireland than another in New York City, his acoustically driven music finds its rhythmic groove somewhere between powerful folkish rock and trans-pop.

Belloise was weaned on vocal harmonies of the late psychedelic era – Crosby, Stills and Nash, Neil Young, James Taylor – and his guitar style is steeped in those sounds mixed with the spirit of Jimi Hendrix and flavored with the warm southern nights of living on a small island off the west coast of Florida – Clearwater Beach – where he came of musical age.

A prolific songwriter for decades, Belloise, encouraged by his peers and audiences, decided to release his debut album in February 2008 entitled "Nothing But Love". His music has received considerable airtime on independent radio in the U.S., U.K., and abroad. As the first album continues to garner accolades and downloads, Belloise is preparing to release his second album, "The South in Me" this summer 2008.

Belloise writes from the heart, with uplifting notes and stories most can relate to. He aspires to transform life's everyday mediocrity into experiences that elevate his listeners.

I want everyone to walk away feeling good," he confesses – and believes, "There are pivotal songs in everyone's lives, songs that have special meaning and stay with you." And this is what he hopes to achieve through his art – to reach as many people as possible and through the universal language of song, perhaps find a way to unite people in peace through music.

To his fans he says, "Thank you, thank you, thank you for listening."

It started on a Sunday in 1981, in Budapest, Hungary. Then nothing much happened for 16 years, when, hit by the peaking britpop hysteria, I decided that I want to play the guitar.

The first band I joined - founded together with classmates, of course - didn't even have a name, and lasted for about 4 rehearsal sessions. The second one - later to be known as Bob Detroit (http://www.myspace.com/bobdetroit) - is proving much more resilient, although it is currently somewhat hybernated, with myself staying in Finland and the rest of the band in Hungary.

These songs - I know there's only one - update: TWO - so far, but others are coming - were recorded in a living room, using a Linux-powered laptop. I hope you'll like them.

newport @ freemail . hu

Dead Rock West

Tour Dates
9/02/08 – US Tour – Coming Soon!
9/14/08 – UK Tour – Coming Soon!
9/17-20/08 – Americana Music Festival – Nashville, TN
9/25/08 – Germany Tour – Coming Soon!

**Stay tuned for more tour updates to be announced soon…

The best music tends to hit a listener from seemingly out of nowhere, fully formed and ready to infiltrate the psyche. Of course even the newest discovery has paid their dues somewhere, which means there are often real treasures right under our very noses. So it is with Dead Rock West.

With a name like Dead Rock West, you would be correct in assuming there are occasional country and folk influences, but really, that’s just skimming the surface of the bands capabilities which span Country Music, Americana, and Roots Rock sounds to give you that music that keeps you dancing and singing along. Dashes of garage, power pop jangle, and rock n roll populate the set list, played with passion to match the tight song craft and perfectly blended vocal harmonies provided by the band’s founders, Cindy Wasserman and Frank Drennen. Their voices are a seamless mix that adds melody to already impressive hooks, like icing on an already pretty tasty cake.

Dead Rock West the group is really a culmination of years of work in Southern California nightspots. Drennen spent time playing the acoustic clubs in San Diego, teaming up in with former Alarm guitarist Dave Sharp and forming pop group Loam shortly thereafter. They would go on to release two albums in the U.S. and Spain, and win a San Diego Music Award in the process for their song “Telephone” - later recast by Dead Rock West as an amphetamine fueled Byrds flavored rock number.

For her part, Wasserman is no stranger to either stage or studio. Most recently she has toured and recorded with Grant Lee Phillips, John Doe, and Mark Olson. In fact, all the members have extensive touring backgrounds. Bassist David J.Carpenter has toured and recorded with Toni Childs as well as John Doe and Phillips. Drummer Bryan Head does double duty with his band Abandoned Pools, and has toured with Shelby Lynne. Most impressively, pianist Phil Parlapiano was previously in Geffen Records act The Brothers Figaro and has performed with Grant Lee Buffalo, Tracy Chapman, Lucinda Williams, Rod Stewart and Social Distortion, amongst many others.

All that experience is used to great effect on Dead Rock West’s debut album on the Populuxe label, Honey & Salt. Recorded at Grandmas Warehouse in Echo Park, the disc was recorded in tribute to older recording methods using a 2" tape, 24 tracks, and no click tracks or pitch correction machines. In addition to the members of Dead Rock West, the genesis of the album involves a few other key players. The Section Quartet (Sam Phillips, etc.) provide strings and pedal steel player Greg Leisz also contributes, with the album mixed by Grammy winner Richard Dodd (Tom Petty, George Harrison, Steve Earle, Traveling Wilburys etc.).

“Basically I contacted Richard Dodd via his web site,” Drennen recalls. “I told him about ourselves, that we were recording to tape and I asked if he ever mixed any one who was not rich or famous. To my surprise Dodd responded saying he was interested in hearing our works in progress. Nervously, I sent him the songs. We weren’t even finished overdubbing at this point. After a couple of long phone conversations, I was convinced that this man was in love with music and wanted to be a part of projects he can be proud to put his name on. Needless to say we ended up in Nashville and spent six wonderful days hearing our songs come alive and listening to his stories.”

The end result are the Honey & Salt tracks, as catchy and varied a collection of songs as you’re likely to come across. Whether it’s Wasserman or Drennen taking the lead, Dead Rock West’s way with a melody cannot be denied.

www.deadrockwest.com
www.myspace.com/deadrockwest

Tim and Dave , close childhood friends, grew up in Victoria and then moved to Vancouver to pursue music. To make ends meet we began to work in the film industry as lighting technicians. I also picked up some minor acting roles.We got to work with the likes of Robin Williams, Robert de Niro, Al Pacino, and even my favorites Ringo Starr and Jack Nicholson. During this time I gained the experience of lighting rock videos (one of which went to number one on Much Music). Anyway, because of this we were able to buy recording gear and teach ourselves the art of recording music. In the process of recording we were robbed of most of our recording equipment. We worked to replace the gear and eventually produced this C D, Never Leave it Too Late, by Mojo Filter. Can you dig it?


1 Sparks in the Ashes (modern blues rock with some groovy tempo changes at the end)


2 Sunset Blvd (LA Rock)


3 Remember That Girl (Rock n Roll)


4 Sleepless Nights (Fast Rocker)


5 News of the Day (Heavy re-write interpretation of a "Day in the Life", by the Beatles


6 How Can Love Be Wrong (Garage rock punk)


7 If Not For You (funky clean guitars with dual vocal harmony)


8 Do You Feel Like Talking (funk rock)


9 You're On Drugs (rockin boppin comedy number with sax)


10 Too Much (Clean and jazzy but it still rocks)


11 War Song (I want You) (Heavy war rock with a nice rippin guitar solo at the end)


12 The Universe (Ballad with a big ending)

We now have written over 100 songs. a lot of our new material is even more centered on the vocals and harmonies. We are currently producing a video for Sunset Blvd. We started this while in Los Angeles, shooting scenes along Sunset Boulevard. Completing the principal photography in Vancouver on 35 mm film. We are now collecting our nickels to develop the film and edit the video.

Thanks for listening, Tim Heller (Vocals and Guitar)
Dave Innes (Vocals and Bass)
These are some of the influences filtered through the
MojoFilter
Beatles, Jimi Hendrix, Cream, Black Sabbath, Sly Stone, Led Zeppelin, Iggy Pop, Ramones, Talking Heads, Cars, Devo, David Bowie, Pink Floyd, Alex Harvey, STP, CCR, Ray Charles,, Marilyn Manson, Weezer and Britney Spears (just kidding).

Saturday, February 23, 2008
Album Review: Antiqcool Review by 17 Seconds

Album Review: Antiqcool -'Songs Of Hope And Despair' (Sicknote Records)

This is Antiqcool's second release, the follow-up to 2007's Digging For Gold. Who Antiqcool are is a mystery, neither the sleeve nor their MySpace suggest as to whether it is a one-man project or a band, the sleeves mention Pete but that is all. It is hard to know where they are based, though I'm guessing the north of England.

And what of the music? The sticker on front of the CD reads 'THe Police arrest Fleetwood Mac defended by Crosby, Stills and Nash in Simon and Garfunkel's Crowded House.' This is quite an accurate description; there are no kriss-krossing guitars here, nor apocalyptic beats or howling demonic exhortions to burn in hell.

Still reading? Good. This thirteen track collection of songs is a gorgeous, initiallly slight but more and more enticing and addictive with each listen. This is truly independent music, not because it has guitars on it, or isn't on a major label, but is genuinely music that exists for its own sake, out of time, and all the better for it. I've played it several times since it arrived in the post several days ago, and not only do I enjoy it more with every listen, but Mrs. 17 Seconds is also enjoying it too.

If there is one thing that detracts from this album for me, it's that while the album is pretty sublime, the record appears to have been produced so carefully that you start to miss the absence of a few rough edges that might actually add even more to this record.

No matter. I've been enjoying listening to this, and I think come the summer it will be on the stereo even more frequently.

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..> ..>

Antiqcool CD Review

http://bristolrock.co.uk/ By Moose

Two full length CD's to review here, 2007's Digging For Gold, and the brand new release Songs Of Hope And Despair.
Last years collection of 14 songs is chock full of simple chilled out grooves, jazzy guitar refrains and multi-tracked vocals - the sort of thing that would be perfect while lazing by a pool with a jug of Pimms just trying to forget about work/debt/war (delete as appropriate…..). There's a distinct 60's feel to the vocals on occasions, reminding me from time to time of early period Pink Floyd, or perhaps very early Genesis - but with the dramatic keyboards and pounding drums removed.

The guitars drift into Dave Gilmore territory on more than one occasion, while there are a couple of tracks on which Andy Summers-esq arpeggio type runs pop out as well - and that's before the Police-like reggae of Getting On Back To You kicks in. The material has a very personal feel, with themes generally having a very uplifting quality to them, if perhaps lacking a little in the "excitement" department.

Songs Of Hope And Despair shifts the focus slightly to the vocals, with a more pronounced harmony to most of the lead parts. There's definitely a Beach Boys influence in there somewhere - especially on Vows Were Made Of Glass, with a couple of the backing vocal arrangements reminding me of Good Vibrations, but again minus the excitement or energy the boys from the West Coast of the USA managed to produce. The Mamas & The Papas increasingly popped into my head too - you know, California Dreaming?? Pearl has a slightly more modern pop feel to it, while I'm Getting Love also departs slightly from the nearly horizontal laid back stuff that makes up the majority of the 13 songs on offer.

At the end of an extended listen I'm left kinda feeling that the main Antiqcool man Pete could do with a couple of not quite like minded muso's to collaborate with - someone that could inject a touch of variation to the material, and perhaps a shift of gear or two now and again. Don't get me wrong, there's some quality writing going on here, and the performance and recording can't be faulted either. It just all feels a bit too self indulgent, which I know probably sounds more of a criticism than I'm really intending.
If songs to chill out to are your bag, check out either of these CD's. If you need your music to get your heart racing, as I generally do, then look elsewhere……..

Moose.

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>

Saturday, January 26, 2008

Review by Paul from Leeds Music Scene

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=61472460

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..> ..> ANTIQCOOL

For any artist/band to produce two full albums in two years, is a credit
to their work ethic, include the quality of each album and you become
aware of the passion and belief of the artists involved.

The band in question is Antiqcool, their first CD "Digging For Gold"
combines smooth and slick guitar-work, with consistent vocals. The
influences of Fleetwood Mac and Crosby, Stills and Nash shine
throughout, while the band still retain an originality within their music.

The recently released second album "Songs Of Hope And Despair"
gives a feeling for this reviewer of the late sixties and summer of love
harmonies. With the emphasis taken away from the guitar, and handed
more to the vocals, this brings a "feel" of a Simon and Garfunkel /
The Beach Boys experience, which can never be a bad thing.

The strength of their lyrics is shown throughout the CD, especially
on the track "I Can See Where You're Coming From" which would
be relevant in any decade.

Both albums are an ideal antidote to the stressful world we try to
survive in, let the harmonious tracks drift you to a better and more
welcoming oasis.

In a take, take world, it makes a refreshing change to see an up and
coming band not losing site of reality, with 100% of artist profits,
generated by the sale of "Digging For Gold" and "Songs of Hope and Despair"
to be donated to the
Great Ormonds Street Childrens Hospital Charity.

Their CDs are inspired by the people and places of the north east, the
north east should be proud of this band and their music.

Antiqcool
Album:Songs Of Hope And Despair
Label:Sicknote
Website: http://www.antiqcool.co.uk
The profits from both this album and the band's previous release are going to Great Ormond
Street Hospital Children's Charity, but don't let that be the only reason you go for

"Songs Of Hope And Despair".

You might also want to consider the 60s west coast folk
sensibilities, the almost Simon
and Garfunklesque vocals. This is the second album
from Antiqcool in as many years, some 27 songs in total and
not a duffer in hearing distance.
Modern Americana with a California flavour.
It's a bit of summer sun to blow away the chills
of winter. Forty years out of time and as fresh as yesterday.

Review by Neil at Fatea Records

http://www.fatea-records.co.uk/

Featured Artist 2/2008

ANTIQCOOL
For this month, we're taking it down a notch and enjoying some
sweet, smooth sounds courtesy of ANTIQCOOL. Kiddies, I can pretty much
guarantee your parents will not only like you listening to this
music, but they will try to swipe your albums. It's something to
bond over, and no one will scream at you to turn it down; in
fact, listening to them on my computer generally gets me
requests to turn it up! This group hails from the
United Kingdom, and whoever it was that told them to write
about what they know did a great thing. All of their songs are
meaningful and intelligent, and they all come straight from
the heart.

Also a credit to the group is the fact that they have released
two albums in two years: the first being Digging for Gold; the
second being their brand-spanking-new, just-released
Songs of Hope and Despair. It is a credit to both their aesthetic
and their work ethic that they have done this with absolutely no
sacrifice to quality and meaning in their music. If I was a mother
to any single one of them, I would be exceptionally proud. The
music realm is a very cutthroat business, and you have to admire
those in it who not only make it, but make it on merit and hard
work like ANTIQCOOL has!

As for their sound, it is very reminiscent of the Beatles and Beach
Boys, with a slight jazz and reggae along with the classic rock. This
group is an aural holiday to the realm of vintage. Just like their
name, they are the best of the antique and modern, beautifully
blended with a twist and cool! Retro is in, and this group is
definitely partaking in full-on musical retro-joy with charmingly
(and deceptively) simple melodies that sooth the savage beast
and calm the soul. If you're having a lousy day, if you feel a
little blue, if you're running ragged... take a minute and listen
to ANTIQCOOL! Your nerves will soothe, your heart will stop
racing, and pretty soon you'll find a smile on your face and
peace in your mind. This is a great band to listen to to prevent
road rage, and a wonderful group to meditate to.

Your humble web-mistress' faves? "The Storm" with it's deep
baseline, rock-n-roll top riffs, and Fleetwood Mac sound is at
the top of my list! Following close behind that are
"Brothers Are Made This Way", "Beautiful Mind", and
"Oh Mary" from Digging for Gold, and "My Avatar" and
"Englishman Out in the Midday Sun" from their new
release Songs of Hope and Despair. While we've yet to
see if ANTIQCOOL will be the next British Invasion, they
are well on their way to a shining star of a career!

Review by Mousie

http://www.angelfire.com/indie/mousie/spooky/deathsong.html

Links for ANTIQCOOL:

Digging For Gold on CDBaby.com
Songs of Hope and Despair on CDBaby.com
ANTIQCOOL on GarageBand.com
ANTIQCOOL on Podshow.com
ANTIQCOOL's MySpace Blog
ANTIQCOOL on MySpace
Don't forget to look for their CD Digging for Gold on iTunes!

..>

Monday, February 25, 2008

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..> ..> Antiqcool

Review by Demo's Reviewed

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=177407807&blogID=361230828

With the fantastic album 'Songs of Hope and Despair' this jazzy rock band could
be on to something here, and manage to produce an album that not
only has a high level of quality throughout, but puts across several different
sounds, styles and songs.

'Englishman Out In The Midday Sun' sits comfortably in the Beatles
deep groove of easy going, feel good music, whereas
'Vows Were Made Of Glass' comes across in a slightly catchier vein, with
a clever opening and an enjoyable feel.

With 'Just Another Groove On A Forty Five', however, the album has
its first stand-out track. This is majestic, and the quality of the track
cannot be ignored.

There are some rockier tracks to compliment the more opo inspired
gems elsewhere here, with 'Pearl' and 'Got To Make That Call' showing
promise, and with 'I'm Getting Love' they possess a funky, stylish number.
Their repertoire is quite vast.

However, all previous tracks are trumped by the album's end track.
'My Avatar' is fantastic, boasting hypnotic drumming and a simply
fantastic vibe. It's a great way to end the album.

Their MySpace page features tracks that underline their talent, so
it's well worth checking out for yourself. If you can get your hands
on this album, go for it.

Antiqcool - Drifting Through My Mind

Review by ONE LONELY HORN

http://onelonelyhorn.blogspot.com/

Placing a prominent sticker on the front of your new
release that lists the bands that have influenced the
recording does you no favours at all. It practically invites
the listener to spend their time spotting the references
rather than actually listening to the music. A particular
shame in the case of Antiqcool for Songs Of Hope And
Despair is anything but a lazy re-tread of already familiar
sounds.

The driving force behind Antiqcool is singer, song writer and
guitarist Pete Smith - further details are hard to come by -
but, as the album is inspired by the people and places of the
North East it seems entirely possible that he hails from that
particular neck of the woods.

The opening track - 'Englishman Out In The Midday Sun' sets the tone with
ethereal vocals layered upon lyrical guitar lines that put me in mind of the Isley's
Summer Breeze, and this relaxed, chilled out feel is maintained throughout.
Herein lies one of potential problems that Antiqcool face in their quest to be
noticed. Their airy, breathily light music just sort of drifts through your
consciousness on a first listen and, in the frantic, instant world in which we live,
runs the real risk of being ignored.

It is only on second, third and subsequent listenings that the strength of Pete
Smith's writing becomes evident. There is a lyrical strength here that is worth
exploring. And, if sometimes the imagery is a little naïve ('I was a pearl in the
middle of an empty shell, found me a home in the bosom of a girl who casts a
spell'), this is more than balanced by a fair share of honesty and tenderness
('Going home, now I'm feeling alone, Got Some pictures in my head to call my
own'). Add to this a strong melodic talent and the vision to experiment with
chord structure and texture and you have much to admire and like.

Songs Of Hope And Despair is not yet the finished article. The production
does not always hang together as well as it could - and neither, more
worryingly do some the songs. This is best illustrated by 'Just Another Groove
On A Forty Five' - perhaps my favourite song and yet the most frustrating. It
has an inviting guitar intro, a strong opening verse, a powerfully understated
hook and a pleasantly melodic guitar outro, but too frequently meanders away
from the road it set out upon and, at over 6 minutes is too long.

The more I have played this album, the more delights I have found on it and the
more I have enjoyed it. If Antiqcool could find a sympathetic hand to lend a
little more focus to their ideas then the future could look very bright indeed.

Message to Publishers

Publishers wishing to contact me regarding exploitation of ANTIQCOOL songs
please leave a message and I will get back to you .

Email :

Web : www.antiqcool.co.uk

Follow the links to hear ANTIQCOOL tracks

http://cdbaby.com/cd/antiqcool2

http://cdbaby.com/cd/antiqcool

Need music for your podcast or radio show? Many Antiqcool tracks are free to
download from the Podsafe Music Network PMN

http://music.podshow.com/music/listeners/searchResults.php?SearchString=ANTIQCOOL

•  Blah, blah, blah...

With life spinning out of control on tour in the UK as "The Ryecatchers," Danny and Mark decided it was time for a change… Returning to Vancouver, Danny bumped into an old flame, Shannon, and after a few drinks she decided she would rather be in a band than a relationship with him. Danny reluctantly agreed, phoned Mark, and formed Danny Echo in the fall of 2005! Since then the Vancouver music scene has embraced the incredible vibe of Danny Echos’ rock and rollio presence. “Half the audience knows the words better than I do,” Danny said at a recent Railway club show. And even if they don’t know the songs, audiences still get into the energy and sounds of Danny Echo. With influences drawing from the greats like The Rolling Stones, The Who, The Beatles, Radiohead, Oasis, and U2, Danny Echo reverberates with all that is melodic, all that is catchy, and all that is rock and roll. As Mark observed, "it's all that it should be, damn it!! In between rockin' out around Western Canada and playing around Vancouver, a 5 song EP has been recorded and is now available for download at dannyecho.com. The full length album is currently being written and arranged, and will be out in time for Christmas - but only if you behave yourselves, you spoiled little brats!

Plunkett: an English boy and an Italian girl.
Both Ian and Lara had a love for music from a very early age.
After studying music at Rome, writing and recording with the ambient project Ex Machina and alternative electro pop group Otero, Lara became a partner and A&R of the Dune Records, an independent italian label based in Florence.
Ian had always played in bands and after finally finding like minded musicians the electro pop/rock band ‘Pukromo' was born. In late 1999 Pukromo signed to Dune Records recording their debut album ‘Promise Me Kill Me' during 2000.
Life’s funny sometimes and although the label and band folded, Ian and Lara got together.
Frustrated by the mechanisms and ties of the music biz and tired of their ‘electronic’ past, they focused on their emotions, on themselves. Without any thought or the pressure of trying be anything other than that. Themselves.
In 2006 their debut album ’14 Days’ was released. An acoustic orientated, intimate album of alternative contemporary folk rock. The album received an unexpected critic and listener's acclaim through the internet leading them to being featured artists on some of the most important independent music sites throughout the world. Many of the songs have also since been used in two American independent films: Dave's Date (Forbidden Foot) by Natasha Guruleva (Accent Works) and A Hell Shared by Karl Rose (Current Production).
2008 sees the release of Plunkett’s second album ‘Folk Songs’. Contrasting its predecessor, although still remaining alternative contemporary folk rock, the sound and feeling of the album is much more direct with as much emphasis on the lyrics as on the music.

With a desire to only write songs and move people, Plunkett choose to remain independent artists and work outside of the mainstream music business.

Plunkett make Independent music for independent minds.

To know more about Plunkett and their upcoming releases visit their website www.plunkett-music.com.

•  Short and Sweet.
•  Simon and Garfunkle Like
• cool river

The Southern Urge was born on Vancouver Island in a basement near the University of Victoria in early summer, 2005. Three local musicians were at their campus pub having beers and checking out the open mic players. They were already in a band known around Victoria but “creative differences” in the band had led to their search for a new singer. There they found Ryan Evans and asked him to come out to front the band. After a few practices in the basement they hit the bars at UVIC and in downtown Victoria. The story continues to unfold today…

The Southern Urge is Ryan Evans (vocals/guitar), Tony Garossino (lead guitar), Jonny Milstein (bass/congas/clave/harmonica/backup vocals), and Cameron Duron (drums).

Ryan, who was living in Halifax, had been frequenting the L.A. scene meeting with producer and friend Sheila E after she had taken notice of his songwrting skill a few years previous. During the summer in B.C., and after a couple of rehearsals with the Southern Urge, it was undeniable that there was a definite chemistry between the friends who embraced his songwriting; the L.A. scene would just have to wait.

With the speed of Jimmy Page and the originality of Trey Anastasio, Tony was able to add energy to the solid progressions penned by Ryan. Cam’s drumming style, reminiscent of Jazz-Fusion masters like Carter Beauford, Dennis Chambers, and Steve Gadd, is a rhythmic extension of Ryan’s aggressive acoustic playing. Add solid bass grooves locked to the beat by Jonny and you have an original song by The Southern Urge.

The band’s first EP entitled “…until it hurts” was recorded over one night at Vancouver’s Art Institute, and is scheduled for release this summer. The disc includes the songs, “I am a rolling wind”, “Gimme all your love”, “See you move”, “Better time”, and “Been around”.

All of the songs offer a diverse range of sounds, which is representative of the diversity in the group. From a rocker out of Halifax, to a guitar wizard from Texas, to a drumming inferno from Toronto, to a killer bass player from Vancouver – They all come together to produce something very special.

The band has had extensive experience in Victoria's live music scene. As a band with a social conscience they have headlined benefit concerts around Victoria for such organizations as: Rock for Rwanda, The Tsunami Relief Effort, Engineers Without Borders and Children of War. After securing an opening spot at Steamer’s Pub, one of the biggest and best know live music venues in the heart of downtown, the band has been a monthly headliner on Wednesday, Thursday, and Friday nights. Felicita’s, Uvic’s campus pub, has been a local home for the band. On January 21st 2006, UVic hosted it’s first ever winter SUB party. The entire Student Union Building was converted into a five-stage venue for 2,500 people. Some performers featured were Moka Only, Mobile, and The Armchair Cynics. The Southern Urge was given the longest time slot that night, playing for three full hours and ending the night for a sold out crowd.

Individual members have different amounts of recording experience. Ryan has recorded his own demo as a solo artist, working with session players and recording his own compositions. Jonny has had experience recording with two previous bands, as well as many other small session projects. Tony is familiar with home recording, and cam’s first major experience was the current EP.

Upcoming shows: April 11 – Darcy’s pub (Victoria)

Additional info/songs/pics: visit www.ryanevansmusic.com

•  Hard rock. Great Hook.
•  Great lyrics
•  Great song - mediocre recording

Here are a few things people might want to know about me.

1. I rock
2. All songs are written, produced, arranged and performed by me, Todd Steinhilber.
3. My philosophy is one of expansion, adventure and humour.
4. My focus is radiating an energy of joy through my musical endeavours.
5. I hail from Earth, a small blue planet tucked away in a cozy little corner of the universe. Actually I'm from a little city located on the coast of one of the northern continents, it's called New York.
6. I am musically inspired by The Beatles, Bruce Springsteen, U2, The Clash, Frank Sinatra, Elvis Costello & Radiohead among many others.
7. The point of all of this is to communicate.To create a space, unrelated to daily civilized routine, where people can find something new, can look into a mirror, can laugh for no reason.

•  Flow

SkyRyder was created as a jam band in the summer of 2006 when Greg Pierson on bass, Kevin Pierson on lead guitar and Cody Campbell on drums got together. After a year of searching Tanner archer added the last piece of the puzzle on vocals. We have recently started doing more live shows and hope to expand our fanbase as much as possible. SkyRyder combines old school classic rock licks and vocals with new age and more aggresive percussion. We are here to bring back the legitimacy of Rock and Roll in this world.

So, what is this 21st Century blues?

This is how a bear looks on life. It is kind of a mixture of sushi made with a whole salmon and the view from the top of a tree. Sounds crazy? Well, come on, we are all allowed a little bit of lateral thinking, surely?

This is a very personal project. Just one guy putting his own thoughts into music in his own way and playing everything him self; whether that is a good idea or not is probably debatable, but it kept the musical differences to a minimum!

So why do it like this? Well, I have spent most of my life doing it for others. Creating soundscapes for this museum, writing music for that documentary, playing in this band, singing for that person. It has been creative, I'll give you that, but it hasn't been one hundred percent, undiluted, straight out of the forest bear. And this is.

So we have a song about global warming, we have one about losing your way, we have one about a broken relationship and yet another mourning a dying pet rat. And there are others. Certainly no one else would have written this particular collection of songs, and no one else would have written and performed them this way. By definition, therefore, this collection is as unique as it is eclectic.

Interestingly enough, in putting them up on myspace I have found a very large number of people who are not only very sympathetic with what I am doing, but busily doing it themselves too. With a very large range of abilities and success. I have surprised myself that I have enjoyed some absolutely dreadfully played music as much as I have enjoyed the most skillful. Why? Because it is played by people who really want to play. Who really want to say something. You know, these guys should get a chart all of their own and the pop stars can stay in their rehab clinics and fade away.

So, enjoy the 21st Century. I don't know how much of it either you or I will see, but it is happening anyway. We just have to deal with it.

•  21st Century Classic

Admiral Twin is a pop rock group from Tulsa, Oklahoma. The band consists of three singer/songwriters who blend rich harmonies with catchy melodies over a variety of music styles.

What do you say about a band that says, straight-faced, that it's two principal influences are the Beatles and the Sex Pistols?

Try: "It's about fucking time"?

Let's face it - the Pistols, for all their yobbo nihilism, were a brilliant pop band and Never Mind the Bollocks is less an album than a hit singles collection. The Fabs, as dear dead George called them, were not only the last century's most respected, creative and successful songsmiths, they were god-damned ferocious, paint-peeling noise merchants when the mood struck them; don't believe me? The rehearsal versions of Helter Skelter make the Velvet's Sister Ray sound positively tame.

So the Philharmonic are not only canny enough to recognize these little-uttered facts but adept enough to carry off the not-inconsiderable trick of marrying legit musical chops and frankly brilliant songwriting to savage musicianship and pure-punk stage delivery. Everything the pop-punk hybrid from XTC and the Pixies on down to the least of what the genre aspires to, the Philharmonic are, and more than that, somewhat frighteningly, still well short of their potential.

If these people had been around back in '77 for the first wave of punk the Eagles and their wretched brethren would have been sent packing for good and the world would today be a better place for all of us.

About fucking time? Damn straight, and better now than never.

-- Buck Cherry
Vancouver, summer '05

• Fun 100!
• YEasboodoo wpop
• Phil Collins, is he still...
• Sounds good
• Nice voice...not bad