Lana Palmer was born in Saskatoon, Saskatchewan, and her earliest musical influences include fretting over the fate of the Nowhere Man, a ‘Graceland’ tape that was stuck in the family car’s cassette player for three years, and far too many viewings of the movie Labrynth. Neil Young, Joni Mitchell and Wilco are on constant playlist rotation, and her songs reflect both her early influences and current infatuations. While she primarily considers herself a lyricist she also plays piano, guitar and harmonica. Now living in Banff, Alberta, Lana is writing and recording new songs.

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Formed haphazardly in 2003 at an apartment above Hot Wax in Kensington, Calgary. Originally just some songs and fragments of songs that were shoved through some wires connected to an 8 track recorder that had a convenient USB output for connecting to a computer. Less than a year later a few more friends climbed on board what will heretofore be known ominously as 'the harrisonford project' and Ian's love for Billy Bragg, trumpets, keyboards and female singers amalgamated into a solid nugget of pure, unadulturated rock goodness.

Goodbye, living room.

•  Peaceful and warm

Love and Mathematics

Stage lights illuminate Love and Mathematics. Squalls of effects-dappled guitar wash over an unsuspecting crowd. Swelling keyboards rise forth and create a kaleidoscope of dizzying sonics. As the lush atmospherics begin to lure listeners towards a dark place, a jubilantly melodic bass guitar intercedes. Drums join the fray, bashing out tribal beats and creating a pulsing rhythm that sets the dance floor writhing. A vocalist wracked with twitching intensity takes to the microphone and casts a hypnotic spell. A second voice chimes in. Working in tandem, they conjure a choir of celestial songbirds.

Esoteric yet immediate, cataclysmic but celebratory, paradoxical Love and Mathematics play spacey psych-pop at its most apocalyptic.

The Vancouver band can trace their beginnings to a longstanding partnership between Ian Somers (vocals/guitar/keyboards) and Shane Turner (bass/vocals). When the pair recruited Lucas Rose (guitar/keyboards), they found his monolithic, dissonant guitar work muddying their pristine pop stylings. Rather than reining Rose in, they embraced the opportunity to reinvent themselves entirely and explore a dynamic new direction. The sea change was complete once the three collaborators discovered talismanic drummer Kyle Koenig. Koenig’s controlled-chaos kit attack brought an urgent energy to the group. Christened Love and Mathematics, the four-piece drew from Built to Spill’s angular melodies, Mogwai’s textured mediations and Animal Collective’s spaced-out oddity to forge a sound distinctly their own.

Adjourning to Vancouver’s storied Hive studio, the band worked with producer Colin Stewart (Black Mountain, Pretty Girls Make Graves) to record a four-song, self-titled EP. Rather than duplicating their oceanic live sound, Love and Mathematics opted to explore a more nuanced approach with the recordings. The final result reflects a band invigorated and inspired by the wealth of new ideas and possibilities presented to them.

Out of the gates, the propulsive “Remember to Masticate” lashes into the listener with discordant guitars, lilting harmonies and rhythms that turn on a whim. “Copper Coin Bikini” brims and bristles with skittish energy as lyrics sketch out an abstract rebellion: “You are the emissary; I am the socialist; Gather the troops and rally outside the capital.” The disc’s most cathartic track, “Plan for a Better Year,” punctuates its emotion-saturated vocals with wails of buzzsaw instrumentation. Finally, the swirling “A Fight Between a Crow and a Seagull” ascends and cascades with an airy grace.

At present, Love and Mathematics are at work self-recording their full-length debut. On their off-nights, they can likely be found upon a darkened stage. With a live set hailed by Exclaim! and The Georgia Straight, the band has shared the limelight with Vancouver’s finest bands – The Book of Lists, You Say Party! We Say Die! and They Shoot Horses, Don’t They? – as well as touring acts Nada Surf, Okkervil River, The Rosebuds and The Appleseed Cast.

Having established themselves as fixtures of the Vancouver scene, Love and Mathematics have only begun to explore their potential as a band. The remainder of that self-discovery should prove equally enthralling for both the musicians and their listeners.

THE SHORT
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-the man cable- is the pseudonym that I use in my guise as a music producer and electronic music artist. For my drumming gigs, I usually just go by Robert Cummings.

In recent years, I’ve worked deeply with Steinberg Nuendo, my current favourite audio platform in the digital realm. My expertise includes mixing (digital/analog) and mastering, group and vocal tracking, live and studio drumming, drum programming, arranging and editing. I also have contacts to a wide range of pro musicians around the world. The music projects I’ve worked on or performed with have ranged from electronics to rock to jazz to everything in between ... even childrens’ CDs!

THE LONG
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Born and raised in winter-blasted Winnipeg in Manitoba, Canada, I began drumming in 1983. I studied privately there until 1986 when I moved to the mild coastal climes of Vancouver, BC. After studying with jazz drum instructors there (Jim Chivers), I gained initial playing experience with touring/recording acts such as People Playing Music and Juno award-winning Alpha Yaya Diallo from Guinea, Africa. After an intermediate stop in Paris, France, I moved to Berlin, Germany in 1992 where I continued working as a drummer/percussionist in several groups.
In Berlin, I recorded percussion on two CDs by Genetic Drugs (”Karma Club” in 1993 and “Karma Pharma” in 1996) and became interested in the possibilities of electronics in music through work with Janek Siegele (Jayrope, Hardman, Girls United, The Sighs, klikklak records). The two co-founded the half-live, half-electronic avant pop band Rope in 1996 and completed “Rope Hotel” in 1997 for Alec Empire’s Geist imprint. A follow-up CD, “It’s No Fun To Compute”, was released in 2000. In the meantime, he started his solo project as the man cable and released a debut CD entitled “derouting” in 2000. This project continues to this day and a new release is planned for 2005.
From 1999 to 2001, I performed and recorded as drummer/percussionist with the renowned Die Geschwister Pfister, a comedy and music act that played to full houses throughout Germany, Austria and Switzerland. “The Voice of Snow White” was released in 2000 on Traumton records. During this period, I also contributed live electronics to the well-known 17 Hippies on their project The Sexy Ambient Hippies. This culminated in the release “17 Hippies Play Sexy Ambient Hippies” (Hipster Records/ Soul Food) in 2003.
I joined Klaus Janek’s electro-acoustic jazz-dancefloor project DeeQ in 2001 and worked on the CD “Fresher Than Air” in 2002. Also in 2002, I started production on Alpendub—a wild mixture of German alpine sounds with dubbed-out grooves that has aroused interest throughout the world. Alpendub has two releases thus far: “the man cable presents Alpendub” in 2003 and “Jo-Delay” in 2004.
I perform live on a regular basis as a drummer/ percussionist in settings ranging from jazz trio (Matias König Trio) to cajun/zydeco (Colinda) to straight-of-the-saddle country (The Maplewood Boys) to live electronic collaborations (the man cable vs. NBI) to crooner swing jazz (The Swingin Bohemians). As of fall/winter 2006, I will be performing with Denis Fischer in Six Strings That Drew Blood.

Admiral Twin is a pop rock group from Tulsa, Oklahoma. The band consists of three singer/songwriters who blend rich harmonies with catchy melodies over a variety of music styles.

Biography

Matt Harlan is a songwriter's songwriter. He composes scenic landscapes and pointed statements disguised as songs. Often non-linear, but always melodic, Harlan's works confront social norms, celebrate lives overlooked, or just wax poetic about coffee and bus stops. Whatever the inspiration, the music is always heartfelt and genuine.

Born and raised in Texas, Harlan soaked up the richness of the state and its song-smiths while bouncing between big cities and small towns. Always in love with music, he eventually learned to play and write it. From '60s pop in kindergarten to alt-country in college and all the angst in between, Harlan draws from a range of influences, interpreting a generation steeped in plastic and filtered through the Hill Country limestone.

After gigging in rock bands around San Antonio and Austin, Harlan dropped the pick and the power chords to develop his own unique fingerstyle guitar technique. Now back in Houston he is working to promote his earthy, socially conscious sound, which is continually evolving.

Accomplishments

In 2003 Matt Harlan won the Kerrville Folk Festival's Texas University Songwriters Competition based on the merit of his songs “Suitcase Blues,” “Warm November,” and “The Optimist.” Winning the competition allowed him to play on the Threadgill's Stage at the Festival along with other songwriters from Texas universities.

The Houston Fort Bend Songwriter's Association (HFBSA) has nominated Matt Harlan's “Heavy Steel and Spinning Wheels” for their 2006 Song of the Year award.

Matt Harlan was recently offered the chance to play at the legendary Anderson Fair for its songwriters showcase series. Details can be found on Matt Harlan's websites and at www.andersonfair.com.

•  Good Folk Story
•  Thoughful folk song

As a child, Elizabeth Bruce was told to grow a thicker skin. She chose, instead, to write music. She was an avid choirgirl in grade school, and by high school was using her self-taught piano skills to accompany herself and compose simple tunes. Folk sounds too wholesome and pop too flashy to describe her sound. This alt/folk/pop musician's inventive yet accessible songs aim to blur the boundaries between genres. Writing her own songs from an early age has allowed her ample time to perfect an original style which might accurately be described as sultry, intelligent and quirky.

Elizabeth has performed in a variety of venues, principally in Montreal and her hometown of Ottawa, notably at Montreal's Cafe Esperanza and Casa del Popolo.

Formerly a regular at Montreal's Yellow Door coffeehouse, Elizabeth has slowly started to branch out recently, working with other young artists around Montreal. All of her music to this point has been solo, but recently has begun seeking members for a band. In November she recorded a three song mini-cd titled Handmaden.

Elizabeth's work is not limited to the pop side. She has performed in several high-calibre choirs in Montreal, including Cantare and the choir at the Church of St. Andrew and St. Paul. She received a B.A. in music from McGill University, and her grade 10 piano from the Royal Conservatory of Music. She is currently teaching music and working towards her graduate diploma in voice performance at Concordia University.