Br.·. John works in electroacoustic and computer-assisted music composition. His works, composed for traditional and experimental media, have been broadcast and performed internationally. He taught music theory, composition, counterpoint, and electronic music at Miami University and the University of Illinois at Urbana/Champaign. John has over thirty years of saxophone performance experience, including work in blues, jazz, avante-garde, and experimental idioms. He has performed with the US Navy Band, Crane Saxophone Quartet, and The Cajun Connection, and traveled extensively as an instrumental performer throughout the Pacific Marianas and Marshall Islands, Caribbean, and Central and South America. He has studied composition with Salvatore Martirano, C. James Sheppard, Paul Steinberg, G. Roger Davis, John Melby, Paul Martin Zonn, Morgan Powell, and Elliott DelBorgo. John is a level-1 Healing Touch practitioner, and was Director of Pegasus Healing Systems (2000). He also was a s6k producer for Real University News. John lives in a cave in the Shatagee Woods, where he has become transformed into a mysterious Adirondack hermit. He is Founder of The Shatagee Museum of Unnatural History, where he researches esoterika, audio synthesis, algorithmic composition, produces psychedelic techno, develops music composition software, and enjoys the woods.

Wade Mosher has made music his life since he was only 12 years old. He is known for his songwriting & guitar skills and he’s also a respected producer, singer & programmer. Starting in the early ‘80’s, Wade has toured Canada, the US & Europe playing in Rock, Country, Blues, Skiffle and Punk bands.

In 1995, Wade Mosher released his debut, self-titled CD that received airplay in Canada, Turkey & Arkansas. Promoting the album & touring followed until 1997. Sales have reached over 3500 thus far, mostly from word of mouth. This record has been likened to John Hiatt, Steve Earle, Bruce Springsteen, Dire Straits, Warren Zevon and Lyle Lovett.

Wade’s fans have been asking for recordings of his guitar playing for years, so in 2001 recording began for his next CD ‘Doesn’t Play Well With Others’. The instrumental record of 12 cuts was released in 2002. The record has gotten some great reviews & feedback. It’s been available online since 2006 and is selling well. Though Wade’s style is undeniable, nods to Danny Gatton, Brian Setzer, Mark Knopfler, Chopin, Brian May, Dick Dale & Scotty Moore can be heard throughout. As Wade humbly puts it, “I just take what those guys did, simplify the difficult parts & hope nobody notices.”

In 2003 Wade disappeared into his studio to work on his latest album. A lot of life got in the way during the making of this much anticipated CD, but in 2007 ‘Everything Will Be Just Fine’ was released. It’s more of a collection of songs than a definitive album, moving seamlessly through genres without losing momentum. Songs like ‘Canadian Folk Song’ and ‘Hollywood is Burning’ are cutthroat takes on culture & politics with sardonic humor. Great stabs at love, religion and psychosis are found in ‘Love Makes You Stupid’ & ‘Lose This Skin’. ‘She’s Got A Heart’ & ‘Don’t Let The Highway Get You Lost’ are first class country songs that will take you back to the days of Merle Haggard & Steve Earle. This is a CD that will leave its mark.

Wade Mosher has never been convicted of murder, but the night is still young.

END OF SET 3

Just A Personal Note

Hi Folks- Wade here. Thanks for stopping by and having a listen. I appreciate your time, I know how limited it can be. There are a lot of songs here, so feel free to poke around & play snippets as you please. I’ve requested that they allow the prices of the songs to come down a bit here. We’ll see what happens. In the meantime I’ll be allowing free downloads randomly so keep an eye out. Some of the genres I’ve chosen can obviously cross over into others & it’s hard to categorize your own material, but I believe I’ve gotten close with my choices. If you hear something that turns your crank, feel free to contact me. I’m very friendly, (except early in the morning.) I’ll be keeping this section as up to date as I can. Thanks again.
Take care,
Wade

• Intresting
•  Coolest Dude Alive
•  Beautiful Country

Terra Mortim. Dead world. This world is a joke, and so is modern society. Terra Mortim was created in late 2005 by vocalist December, and song writer/unProducer Lucian, as an exploration in heavy electronic based mayhem. Terra Mortim is a mish-mash of genres and textures and sounds, with one goal: The society that we are forced into must be destroyed at all costs! Since the birthing of the band, this society has continued on it's swift elevator ride right to hell, and we have been more than happy to provide the soundtrack.

Johnny Katchoolik is an independent musician & recording artist of many colors, personalities, sounds, and eccentricities. His sonic adventures began with the guitar but quickly progressed to include the bass, keyboard, percussion, synthesizer, various software & electronic instruments, and who knows what else Katchoolik will fancy next. Katchoolik thrives on breaking the rules, chopping up the conventional elements, inventing new concoctions, and exploring as many sonic dimensions as possible. For Katchoolik, an artist who inhales and exhales music 24/7, music is a way of life and an expression of the self. Although Katchoolik has performed with various progressive and alternative rock bands during the days of Seattle grunge, the Katchoolik of today composes and records solely in the Ghetto Sound Studio - his true playground and sanctuary, and that’s where quirky ideas and offbeat creations are surgically extracted from his cerebral cortex. Color your life with music!

What do you say about a band that says, straight-faced, that it's two principal influences are the Beatles and the Sex Pistols?

Try: "It's about fucking time"?

Let's face it - the Pistols, for all their yobbo nihilism, were a brilliant pop band and Never Mind the Bollocks is less an album than a hit singles collection. The Fabs, as dear dead George called them, were not only the last century's most respected, creative and successful songsmiths, they were god-damned ferocious, paint-peeling noise merchants when the mood struck them; don't believe me? The rehearsal versions of Helter Skelter make the Velvet's Sister Ray sound positively tame.

So the Philharmonic are not only canny enough to recognize these little-uttered facts but adept enough to carry off the not-inconsiderable trick of marrying legit musical chops and frankly brilliant songwriting to savage musicianship and pure-punk stage delivery. Everything the pop-punk hybrid from XTC and the Pixies on down to the least of what the genre aspires to, the Philharmonic are, and more than that, somewhat frighteningly, still well short of their potential.

If these people had been around back in '77 for the first wave of punk the Eagles and their wretched brethren would have been sent packing for good and the world would today be a better place for all of us.

About fucking time? Damn straight, and better now than never.

-- Buck Cherry
Vancouver, summer '05