AFTER RECEIVING 2005'S "RAP ARTIST OF THE YEAR" TITLE BY THE ATLANTA UNDERGROUND AWARDS, STARR FOUND HERSELF IN A WEB OF UNFORTUNATE EVENTS THAT WOULD EVENTUALLY CAUSE HER TO SERVE TIME IN THE COUNTY JAIL. THIS WOULD BE THE WAKE UP CALL THAT CHANGED HER OUTLOOK ON LIFE. SHE BEGAN RECORDING WITH ANTONIO "FOREVER" MOBLÉY, CREATING A CATALOGUE THAT WOULD TURN ANY SERIOUS MUSIC PUBLISHER'S HEAD.

THE MAXI-SINGLE, 151, WITH 3 BONUS TRACKS IS AVAILABLE FOR DOWNLOAD ON MYSPACE'S SNOCAP STORE JUNE 4TH AND IN STORES JULY 1, 2008 THROUGH HER COMPANY, BROADZ WAY ENTERTAINMENT. STARR VOCALS ARE A PITCH HIGHER THAN HER NORMAL LAID-BACK TONE ON 151, GIVING THE SONG A NEW SIDE TO HER PORTFOLIO. THIS RE-INTRODUCTION TO THE INDUSTRY, FOLLOWING THE UNDERGROUND SUCCESS, "DA KANDI LADI," IS MUCH ANTICIPATED AND HAS SUMMER-TIME CLASSIC WRITTEN ALL OVER IT. WHEN ASKED ABOUT HOW THE SONG CAME TO LIFE, STARR REPLIED, " WE CAME UP WITH THE CATCHY CONCEPT OF 151 DUE TO THE NEIGHBORHOOD'S MOOD- MOST PEOPLE WANT TO BRIEFLY ESCAPE... EITHER AT THE CLUB, A RIDE IN THE CAR, OR A SOCIAL SETTING WITH FRIENDS."

It all started with a impressionable youngster (myself at the time) in about 1995 with two experimental wizards that would become our producers in the 90's which where both named Tony therefore T-N-T productions (Dynamite Records) was established, I was asked by a local known rock artist/producer if i could rap and was interested in making a demo because he had been playing with some new equipment (Drum machine, etc.) and wanted to try some then along the hip hop avenue and needed a artist; so i started trying to write rhymes and that's how i got my break, I was venturing alone until I got one of my cousins to join in on lyrics and another cousin helping making beats, later in the millennium a temporary replacement named special-k joined for a few songs and by then I was producing my own material. So here we are now with Old & New School material for the Underground masses..