Wade Mosher has made music his life since he was only 12 years old. He is known for his songwriting & guitar skills and he’s also a respected producer, singer & programmer. Starting in the early ‘80’s, Wade has toured Canada, the US & Europe playing in Rock, Country, Blues, Skiffle and Punk bands.

In 1995, Wade Mosher released his debut, self-titled CD that received airplay in Canada, Turkey & Arkansas. Promoting the album & touring followed until 1997. Sales have reached over 3500 thus far, mostly from word of mouth. This record has been likened to John Hiatt, Steve Earle, Bruce Springsteen, Dire Straits, Warren Zevon and Lyle Lovett.

Wade’s fans have been asking for recordings of his guitar playing for years, so in 2001 recording began for his next CD ‘Doesn’t Play Well With Others’. The instrumental record of 12 cuts was released in 2002. The record has gotten some great reviews & feedback. It’s been available online since 2006 and is selling well. Though Wade’s style is undeniable, nods to Danny Gatton, Brian Setzer, Mark Knopfler, Chopin, Brian May, Dick Dale & Scotty Moore can be heard throughout. As Wade humbly puts it, “I just take what those guys did, simplify the difficult parts & hope nobody notices.”

In 2003 Wade disappeared into his studio to work on his latest album. A lot of life got in the way during the making of this much anticipated CD, but in 2007 ‘Everything Will Be Just Fine’ was released. It’s more of a collection of songs than a definitive album, moving seamlessly through genres without losing momentum. Songs like ‘Canadian Folk Song’ and ‘Hollywood is Burning’ are cutthroat takes on culture & politics with sardonic humor. Great stabs at love, religion and psychosis are found in ‘Love Makes You Stupid’ & ‘Lose This Skin’. ‘She’s Got A Heart’ & ‘Don’t Let The Highway Get You Lost’ are first class country songs that will take you back to the days of Merle Haggard & Steve Earle. This is a CD that will leave its mark.

Wade Mosher has never been convicted of murder, but the night is still young.

END OF SET 3

Just A Personal Note

Hi Folks- Wade here. Thanks for stopping by and having a listen. I appreciate your time, I know how limited it can be. There are a lot of songs here, so feel free to poke around & play snippets as you please. I’ve requested that they allow the prices of the songs to come down a bit here. We’ll see what happens. In the meantime I’ll be allowing free downloads randomly so keep an eye out. Some of the genres I’ve chosen can obviously cross over into others & it’s hard to categorize your own material, but I believe I’ve gotten close with my choices. If you hear something that turns your crank, feel free to contact me. I’m very friendly, (except early in the morning.) I’ll be keeping this section as up to date as I can. Thanks again.
Take care,
Wade

• Intresting
•  Coolest Dude Alive
•  Beautiful Country

An autonomous collective of unsurpassed musical genius, Groovy Julia has appeared in many incarnations over the years. From acoustic buskers to formless jazz combo to horn-driven R’n’B outfit to roots rock ruffians, Groovy Julia has played to thousands, even entertaining some. Although some have said that Groovy Julia is the kind of band that gives rock a bad name, it’s an extreme characterization that isn’t entirely true. Best known for their hits… well… best known for their legendary… umm… best known for generally arriving at gigs on time, Groovy Julia continues to carry on in the tradition of The Who, in that they don’t know when it’s time to give up. Building momentum on sales numbering in the tens of their seminal opus, “Cry Like a Man,” the GJs play live sporadically, record occasionally and always rock with the best of intentions.

WHAT THE CRITICS SAID

“Groovy Julia – A band best served cold.”
- Rolling Stone

“The sound of jackhammers smashing up the sidewalk outside my apartment was more pleasant.”
- Lloyd Bridges (Scuba World)

“Turn the volume down – way down - and wait for the enhanced DVD retrospective of these pretty boy gadflies.”
- “Q”

“We want them for the next swimsuit issue.”
- Sports Illustrated

“They’re nothing but a disagreeable mélange of syrupy treacle and discordant din. But with a doily here, some potpourri there and a few scented candles, they’d be a welcome addition at your next festive occasion. And that’s a good thing.”
- Martha Stewart

Boomchix was originally formed in 2002 by Janice Dunbar (vocals, & guitar) and Barb Wilkins (vocals & mandolin) with their great friend Shelley Brown (bass & vocals). They played together for a few years as a trio until (sadly) Shelley made her decision to move away from Vancouver.

Before she left, Janice and Barb decided to go into the studio and record the bed tracks to what would become their debut CD "Surprise Surprize".

While preparing for the release of their CD, they re-invented Boomchix with Gord (Gorehound) Smithers on electric guitar and dobro, John Werner on bass, Benny Strylove on drums and sometimes Meredith Bates on violin. You can catch a show at various venues around Vancouver.

Please visit them at www.boomchix.ca for more information.

•  Cool country lilt
•  Great harmonies
•  sweet slide guitar