Biography
From Grandpa I got my storytelling. His visits were rare, as he and grandma lived in St. Catherines Ontario, and we lived just outside Calgary, Alberta. They spoiled all 8 of us children (according to my dad) but the biggest gift Grandpa always gave us was to tell us bedtime stories of the “olden days”.

Grandpa’s stories usually involved exciting stuff like runaway teams of horses, shooting at wolves, or somebody getting body parts torn off. His tales were filled with gestures and sound effects. He really had a way of bringing them to life. And he listened when a kid told him a story. He made you feel your stories were important.

From Mom and Dad I got music. My Dad and my other Grandpa were both musicians. Grandpa Hubele (of whom I knew very little) was a very good organ player. My dad played fiddle in his early years, touring around southern Alberta with a country dance band. He and Mom would, very occasionally, play duets on fiddle and piano when we were little kids.

I can remember waiting til my parents went out. Since I was the oldest, I often babysat my brothers and sisters. I would sneak into Dad’s fiddle case to take out the fiddle and play it. Except I was always trying to make it sound like a guitar, and I played it like one.

We moved back and forth across the country, from Ontario to Alberta and back many times as I grew up. Dad kept trading up for jobs, and I was in a new school almost every year. I became a loner and a rebel. I turned to humor to make up for my small size. I’d find the biggest kid in class, figure out how to make him laugh, and I didn’t have to worry about the rest of the bullies. It pays to have friends in high places.

I believe I had an undiagnosed hearing problem caused by a trauma (now confirmed as a severe hearing loss). I never could quite understand the lyrics on the radio which was always on in our house, so I made up my own.

My earliest memories were of crossing the big empty fields which made up the neighborhoods of my youth, singing at the top of my lungs and making up words as I went along. My mom says she could pick me out of the flocks of kids coming home from school. I’d be waving my arms and singing to myself as I walked across the prairie.

I started writing songs in a serious way when I was 21 years old. A friend, who had been showing me how to play guitar, and I went out to live on the beach on Vancouver Island at Pacific Rim Park. I was picking away when a simple line kept repeating itself in my head. I wrote it down, and in ten minutes I had a song. It seemed to open flood gates, and for the next 2 or 3 years I wrote a song or two a week. I average about a song a month now. But, they are better songs.

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Biography, page 2

To write successfully, I usually have to be alone, have all my chores done and time on my hands. Words and melody most often develop at the same time. It takes from 10 minutes to 1 hour to write a song. It takes me two weeks to learn it. I like to wrap a song around a good story line. They always come from my own experiences.

I was fascinated with the blues from the get-go. I came in through the back door. J.J. Cale, then Hot Tuna. Then B.B. King, Freddy King, and Muddy Waters.

When I heard Bonnie Raitt play slide guitar, I was gone. I had to learn how to do that. I followed her trail back to Mississippi Fred McDowell. “You want rock, you gonna have to put me in a rockin’ chair. I plays the straight and natural blues.”

I also paid attention to the songwriters, my favorites being Paul Simon, Harry Nillson, Willie Dixon, and Tom Waits.

My interest in jazz developed through my association with other musicians like Calgary’s late Chuck Tracy, a gruff, funny, kind of crazy lounge musician. He introduced me to Tom Waits, Mose Allison, and Fats Waller amongst others.

As well, it became a habit to listen to the great Alberta radio station CKUA on Saturdays. Bill Coull’s Jazz Show was a fifteen year course in ‘Everything You Should Know About Jazz’.

I also have a life-long addiction to comedy movies and comic books. One of my Dad’s jobs was as a projectionist in a small town. Once a week on Saturday night the local community hall was turned into a theatre. I was very young (3 years til 7 years old) but those old black and white 16mm movies of the Marx Bros, Chaplin, and W.C. Fields remain deep in my psyche.

I think this was a great influence on my writing. Most of my songs have a little humor and a strange twist to them.

I have worked as a laborer and heavy equipment operator and truck driver since leaving the University of Calgary after 4 years of unrelated courses and wandering interests. Previous to that, I had worked at the CPR as a ticket clerk. I began working at age 14 at the steel mill where my father worked. I did not graduate from high school.

I have written songs for 32 years. Recording began for me in 1978 with the Acme Sausage Company with Holger Petersen broadcast on CKUA. Since then, I have been on countless radio and tv programs. I have recorded 6 albums of original material, and I just finished recording my demo for the 7th, and most exciting, CD - ‘Down In Davis Bay’.

•  Somewhere down the midnight cafe

Fred Eaglesmith
Fred was born, as he sings in Indian Motorcycles, "in the springtime of the '57 Chevy." Growing up on a series of farms in southern Ontario, Eaglesmith recalls spending his childhood in two places: working on the farm, or going to church.

He started writing and playing music, influenced by Elvis and the sounds of roots music drifting into Ontario from far-away radio stations. By age sixteen, Eaglesmith had left home, hopped freight trains out west and made his way back east to the farms of Ontario.

His songs are populated with people he has been and has known: tried-but-true blue-collar guys, tired cowboys, young boys in love, bare-knuckled farmers, heartbreakingly good women, beautifully bad women, lonesome good guys, bravura bad guys and Friday-night criminals. Say Eaglesmith, "I think the bottom of the barrel is where the answers are." In Eaglesmith's sure hands, a song about a dreamless small-town snowplow driver is a song about you.

Eaglesmith's songs have been covered by a steadily growing list of artists: The Cowboy Junkies, Chris Knight, Dar Williams, Kasey Chambers, among others, and James King. Film director Martin Scorsese has used his songs, as have others including James Caan in his movie "Viva Los Nowhere." Fred has also had feature roles in several film productions.

Eaglesmith won The Juno Award for Best Roots and Traditional Album - Solo, a winner of the Canadian Independent Music Award and was a finalist in the 2006 International Songwriting Competition for his song, "Alcohol and Pills." Two tribute albums of Eaglesmith's work have been recorded, and Fred and regularly scores on critics' top ten lists on both sides of the border, in Europe and in Australia, and on Americana charts.

Whether you are a "Fredhead," or more of a fan of 50 Cent, if you enjoy music at all (and a good laugh), Fred Eaglesmith is not to be missed.
- The Courier Online
Since first hitting the road in 1996, Fred Eaglesmith and his amazingly versatile band have received critical acclaim from almost every major and minor newspaper in Canada and the US. Eaglesmith is also accompanied by one of the most devoted fan bases since The Grateful Dead. "Fredheads" faithfully trek thousands of miles to participate in one of Fred's fests, and to hear the outstanding alt-country and roots artists who share bills with Eaglesmith.

A Fred Eaglesmith show features a mix of passionate, funny and moving music, ridiculously funny comedy, honest tears and poignant observations all at once. Eaglesmith's commentary on affairs -- current ones as well as those of the heart -- is hilarious, uproarious, and provocative, as are his plainspoken zen observations. As one reviewer said, "It takes a jaded soul to leave a Fred Eaglesmith show unaffected."

•  Now this is banter!
•  Memorable. Catchy. Sad.
•  Carmelita painful and angst ridden
•  There really are songs about...
•  Sometimes you wanna shoot somethin