LamRatLazIt1st is a half-British, half South American three piece progressive / post punk band comprising Wagner (drums/vocals), Matthew (guitar/vocals) and Keith (bass/vocals).

The band was formed around September 2006 and immediately embarked on a punishing rehearsal / writing schedule. A series of shows across the south of England, though chiefly in London, followed, before a short tour of Brazil in March 2007. Since then, the band have been hard at work completing their debut recording, "Viver Sem Fronteiras?" which is now available on Tuneless Records. The record collates much of the original material written by the band and weaves this together with a series of audio samples and graphics culled from the aforementioned Brazilian tour.

At the time of writing, the band are promoting "Viver Sem Fronteiras" and preparing to regroup, once the inherent logistical difficulties have been addressed. Keep checking the MySpace page for further updates!

Tag: lamratlazitist

“The artist is the creator of beautiful things. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty.”
- Wilde, Oscar.

Dorian’s Gray exists to reveal beauty, truth, and art. Their lyrics are often sexually liberating, at other times satirical, and often designed to expose religious hypocrisy. While their music is not designed for any grand socio-political purpose, the artists are not afraid to speak out for what they believe in. With passionate lyrics, gut-wrenching vocals, pulsing synths, devastating bass-lines, and blood-spattering beats, the beauty that is Dorian’s Gray is music for the elect, to whom beautiful things mean only beauty. Dorian’s Gray is a group of artistic individuals working together to create something beautiful through their musical talents. The result is a sound that is entirely their own, somewhere in the gray area between industrial rock, electro, EBM (Electronic Body Music), and trip hop.

"All art is at once surface and symbol"
- Wilde, Oscar.

Dorian’s Gray represents the shadow of Dorian Gray, a man whose soul is not reflected by his body, but by a portrait of his very soul. With the upcoming release of their double album, A Picture of Sin and The Sin Itself, Dorian’s Gray creates a picture of life’s shadows, sorrows, its trials and tribulations, with some hint of its pleasures, and beauty

"All art is quite useless."
- Wilde, Oscar (The Picture of Dorian Gray)

Vincent Van Gogh “loved life so bad, his paintings had twice the color other paintings had”. So sings Jonathan Richman (on Rockin’ and Romance).

And that tells you something about musician Allison Crowe.

A modern lover of music, blogger Muruch frames it like this: "There's really no way to convey through mere words how much the music... moves me, or how I want other people to listen to and adore it as much as I do. Allison sings with such an intensity of emotion, it's easy to see why she's often quoted as saying 'Why music? Why breathing?'... that kind of artistic passion seems extremely rare these days."

"I love singing for people," says Allison Crowe. "It's a way to connect and share with others. Communication is crucial. Just being able to do what I do, to write and sing and perform, makes me feel not only alive, but incredibly lucky. Knowing at any moment everything could change, I don't take one second for granted."

Born 26 years ago, on an island, in the harbour city of Nanaimo, B.C., today Crowe's reach is global. The audience for her music videos and song downloads numbers in the millions.

"Allison Crowe has a voice to fall in love with," says UK music industry journal Record of the Day. "She is from Vancouver Island in Canada, descended from Scottish, Irish and Manx stock. She's exactly the sort of artist who can make serious headway on her own label and that's just what she's doing."

When this phenomenon 'from the islands' reached the mainland she steered a path clear of what Joni Mitchell knowingly calls the record industry’s “style inventions”. With Ani DiFranco and Loreena McKennitt as models Crowe created her own label. Since 2003, Rubenesque Records Ltd has released five critically and commercially successful albums: Lisa's Song+ 6 Songs; Secrets; Tidings; Live at Wood Hall; and This Little Bird.

"The first thing you notice about Allison Crowe is her voice. Rich and dark, it seems to come from a place most singers can only dream of accessing. Then there are the songs. Filled with raw passion and accompanied by Crowe's eloquent piano playing," writes Clodagh O'Connell (The Courier). Hers is a joyous sound: "Elton John meets Edith Piaf."

A sensation at the UK’s John Lennon Northern Lights Festival, “Canadian angel Alison Crowe gave one of the weekend's most magical moments," says The Scotsman. Festival Director Mike Merritt describes Crowe as "awesome" and "spine-tingling", noting her performance “put hairs on the back of your neck! She brought the house down."

A true grassroots success, Crowe’s praised not only as a singularly talented songwriter - on themes personal as well as worldly - and as a visceral performer, but, also, as a supreme interpreter of song. Her vital takes on such 21st century standards as Leonard Cohen's "Hallelujah" and Joni Mitchell's "River" are applauded as "truly transcendent". Her Tidings CD, a mix of traditional carols plus songs of joy, peace, and redemption from the secular songbook, is an emerging classic: "music for the season and all time".

"Her voice celebrates the music with a bluesy rock-gospel intensity; her controlled vibrato, silken rasp, and powerful projection rivet your attention. This is no casual background music. be prepared to be amazed," says Hamline University Professor Of Law - and CD reviewer - Carol Swanson. "Every song radiates sincerity, creative flair, and emotional intensity."

”It takes a lot of self-confidence to tackle Aretha (Franklin)'s version of 'I Never Loved a Man...' but Allison does and nails it just as good as the Queen of Soul herself. Her piano playing is equally exquisite," says Bob Muller, curator of song covers at JoniMitchell.com in his review of Crowe’s newest album, This Little Bird. He sums up: "Treat yourself to one of the mightiest talents on the singer-songwriter scene today."

David Powell, Welsh-based tech writes: "I'm listening to 'Effortless' on (Allison Crowe's) This Little Bird album with my Pro-Ject headphone amplifier turned up about a quarter more than on most modern records. It sounds fantastic because unlike most modern records it hasn't had the **** compressed out of it to raise the loudness."

Vocalist, pianist, guitarist, songwriter, engineer, producer and arranger, Allison Crowe now lives in Nanaimo, British Columbia and Corner Brook, Newfoundland. From these home-bases, (spanning the full 7000 km breadth of Canada), she tours steadily, earning a reputation for exciting live shows that stir together her original songs with much-loved interpretations in an organic blend of rock, jazz, folk, Broadway, gospel and soul.

"Ever wonder what it would have been like to listen to a gifted singer/songwriter from Saskatchewan in a small, intimate hall before she became Joni Mitchell? Don't fret the missed opportunity. There's no need to turn back the clock. Check out Allison Crowe," says Robert Reid in The Record.

"Allison has a special gift that is so very rare in musicians today. She is true to her mind, heart and spirit," says Ross Hocker, long-time public broadcaster with NPR affiliate WGTE. Hocker, whose musical taste embraces Thelonious Monk, Bela Bartok and Charles Gounod, calls Allison Crowe's live performance "the most honest, heartfelt, and directly intimate concert in my entire life."

"In an entertainment world that increasingly genuflects at the altar of instant fame, Crowe seems an anomaly, building her career slowly and carefully," notes Adrian Chamberlain, of Canada's Times Colonist newspaper.

"Soulful. Alive. Joyous. Grievous. Real, true, music is what I want to make," says Allison Crowe.

You can lend an ear...

Hello! I'm Jake Waidelich... I've been writing and recording songs since 1990. Prefering to usually create songs with acoustic guitar and then layering with electric and bass, sometimes keyboards and other psychedelic embellishments. In the mid 90's I actually stopped playing with myself for awhile and was co-songwriter, guitarist, and backing vocalist for the band SOOT GENRE which played many parties and a coffee shop in Old Town Lansing MI. After our main vocalist left to travel on the Art Train then we tried to keep it together as 80 Cubic Inches for a year or so. This didn't develop into much and we never refound the magic that once was. I still remember the dreams that we once shared and 'what could have been'... you can visit my myspace... http://www.myspace.com/jakewaidelich

Br.·. John works in electroacoustic and computer-assisted music composition. His works, composed for traditional and experimental media, have been broadcast and performed internationally. He taught music theory, composition, counterpoint, and electronic music at Miami University and the University of Illinois at Urbana/Champaign. John has over thirty years of saxophone performance experience, including work in blues, jazz, avante-garde, and experimental idioms. He has performed with the US Navy Band, Crane Saxophone Quartet, and The Cajun Connection, and traveled extensively as an instrumental performer throughout the Pacific Marianas and Marshall Islands, Caribbean, and Central and South America. He has studied composition with Salvatore Martirano, C. James Sheppard, Paul Steinberg, G. Roger Davis, John Melby, Paul Martin Zonn, Morgan Powell, and Elliott DelBorgo. John is a level-1 Healing Touch practitioner, and was Director of Pegasus Healing Systems (2000). He also was a s6k producer for Real University News. John lives in a cave in the Shatagee Woods, where he has become transformed into a mysterious Adirondack hermit. He is Founder of The Shatagee Museum of Unnatural History, where he researches esoterika, audio synthesis, algorithmic composition, produces psychedelic techno, develops music composition software, and enjoys the woods.

FMTA initially formed in 2001 with Andrew Matecha and Steve Springman collaborating musically, working towards creating music of a unique, meaningful and notable heavy-industrial style.

After a few years of fairly reclusive songwriting and recording, FMTA gained a new member, Tyler Davidson, who brought the sound of his well-distorted guitars into the mix.

FMTA later released their debut studio-recorded EP, entitled "In The End, You Don't Exist", on December 8th, 2006.

At the beginning of 2007, singer Jen Langille was recruited to join the band, in a step to bring the band further realization of their musical & artistic goals.

More recently, the band have parted ways with guitarist Tyler Davidson but continue to write new material in anticipation of their next release.

Dead Rock West

Tour Dates
9/02/08 – US Tour – Coming Soon!
9/14/08 – UK Tour – Coming Soon!
9/17-20/08 – Americana Music Festival – Nashville, TN
9/25/08 – Germany Tour – Coming Soon!

**Stay tuned for more tour updates to be announced soon…

The best music tends to hit a listener from seemingly out of nowhere, fully formed and ready to infiltrate the psyche. Of course even the newest discovery has paid their dues somewhere, which means there are often real treasures right under our very noses. So it is with Dead Rock West.

With a name like Dead Rock West, you would be correct in assuming there are occasional country and folk influences, but really, that’s just skimming the surface of the bands capabilities which span Country Music, Americana, and Roots Rock sounds to give you that music that keeps you dancing and singing along. Dashes of garage, power pop jangle, and rock n roll populate the set list, played with passion to match the tight song craft and perfectly blended vocal harmonies provided by the band’s founders, Cindy Wasserman and Frank Drennen. Their voices are a seamless mix that adds melody to already impressive hooks, like icing on an already pretty tasty cake.

Dead Rock West the group is really a culmination of years of work in Southern California nightspots. Drennen spent time playing the acoustic clubs in San Diego, teaming up in with former Alarm guitarist Dave Sharp and forming pop group Loam shortly thereafter. They would go on to release two albums in the U.S. and Spain, and win a San Diego Music Award in the process for their song “Telephone” - later recast by Dead Rock West as an amphetamine fueled Byrds flavored rock number.

For her part, Wasserman is no stranger to either stage or studio. Most recently she has toured and recorded with Grant Lee Phillips, John Doe, and Mark Olson. In fact, all the members have extensive touring backgrounds. Bassist David J.Carpenter has toured and recorded with Toni Childs as well as John Doe and Phillips. Drummer Bryan Head does double duty with his band Abandoned Pools, and has toured with Shelby Lynne. Most impressively, pianist Phil Parlapiano was previously in Geffen Records act The Brothers Figaro and has performed with Grant Lee Buffalo, Tracy Chapman, Lucinda Williams, Rod Stewart and Social Distortion, amongst many others.

All that experience is used to great effect on Dead Rock West’s debut album on the Populuxe label, Honey & Salt. Recorded at Grandmas Warehouse in Echo Park, the disc was recorded in tribute to older recording methods using a 2" tape, 24 tracks, and no click tracks or pitch correction machines. In addition to the members of Dead Rock West, the genesis of the album involves a few other key players. The Section Quartet (Sam Phillips, etc.) provide strings and pedal steel player Greg Leisz also contributes, with the album mixed by Grammy winner Richard Dodd (Tom Petty, George Harrison, Steve Earle, Traveling Wilburys etc.).

“Basically I contacted Richard Dodd via his web site,” Drennen recalls. “I told him about ourselves, that we were recording to tape and I asked if he ever mixed any one who was not rich or famous. To my surprise Dodd responded saying he was interested in hearing our works in progress. Nervously, I sent him the songs. We weren’t even finished overdubbing at this point. After a couple of long phone conversations, I was convinced that this man was in love with music and wanted to be a part of projects he can be proud to put his name on. Needless to say we ended up in Nashville and spent six wonderful days hearing our songs come alive and listening to his stories.”

The end result are the Honey & Salt tracks, as catchy and varied a collection of songs as you’re likely to come across. Whether it’s Wasserman or Drennen taking the lead, Dead Rock West’s way with a melody cannot be denied.

www.deadrockwest.com
www.myspace.com/deadrockwest

Gravity Angel is a music project consisting of poet/painter Aaron Osgood Eliad. His self-titled genre called "Slip," is composed of numerous types of underground electronic music such as agrotech, e.b.m, and industrial. His music is ripe with obsessive distortion and overwhelming keyboard modulation in hopes to devastate and recreate the landscape of sound. Gravity Angel has recently released his first album to iTunes, and is currently working on a book of poetry.

Etherdust started as an outlet of a musician trying to make electronic music but coming from grunge roots. Understandably, the act has quickly grown into more of a rock act which uses electronic and industrial music elements. Of a few people who have heard Etherdust's music tend to describe it as a mix of Nine Inch Nails, Radiohead, and Breaking Benjamin. Maybe after more feedback this description will change to something more relevant.

Born the summer of ‘04, the Dirty Works are a 3 piece Southern Punk/Dirty Rock n Roll band out to take over the Goddamn World.
Frogwater Injection, the Band’s first E.P. came out in the fall of their first year and even though it was never officially released the band managed to sell over 400 copies of the CD.
Taking the show on the road almost immediately the Dirty Works made friends and fans all over the South and South East managing to create a Buzz around themselves.
At an especially chaotic show in a small town in TN the Dirty Works caught the eyes and ears of Atlanta Film Makers Worldstorm (Arts Lab) Productions. Long story made short, after following The Band to hell and back for over 2 years Worldstorm has a finished documentary on The Dirty Works titled Rebel Scum The Movie.
The bands first full length C.D. Biscuits and Liquor was independently released in the spring of 2006. Independent by choice as the guys stepped away from several Indie labels because of artistic differences. The Album, still selling has sold over 800 copies to date. Their next release is expected summer/fall of ‘08.
Rebel Scum The Movie is also expected for release in late ‘08 early ‘09
The Dirty Works, Piled in their totally rebuilt Ford Econoline aptly titled the Biscuit as it’s tan with Brown trim are hitting the Rd. again this march and will hopefully rumble into your city soon. If so, get out and see them, they’re definitely an act to catch!
The Dirty Works are
Steven Crime-Guitarist/Backing Vocals
B. Riot-Drums/Backing Vocals
Christopher Scum-Bass/Lead Vocals

There is a New Kid in Town...And he's Smokin' Ray Burnt. He is a Smokin' young guitarist from the highest peaks of the Smokey Mountains. He is a real throwback to the good ol' days of the Instrumental Blues. Is he the next crazy Hendrix or the younger soul of a B.B. King? Maybe.. Go on, Find Out for yourselfAnd So it Begins...Smokin' Ray was born on June 1, 1977, high on top of Smokey Mountain. His Mother and Father were both musicians ( His father played the fiddle, his mother played the accordion.) They had a decent life, poor but not without. As the story goes, Ray was struck by lightning and burnt nothing but his soul. Something came inside of him and now he is what he is. He wasn't hurt...He was just destined for something... He was destined to play the guitar. So from high upon the tree tops the first song he ever heard was the soft/heavy tone of B.B. King's, 'The Thrill is Gone'. That was like magic to his ears. The next? Jimi Hendrix, 'Red House'. 'WOW! He thought to himself, 'I have to do that'. And so he did. He studied all the greats, even as far back as the great Robert Johnson. He learned from John Lee Hooker, SRV, Leadbelly, Chuck Berry, and many others. Lightning Hopkins, 'Lonesome Dog Blues' scared him to shivers. Tucked away in a little studio he recorded by himself. No one could ever guess what would come out of there next. His tone could fall a mountain, his playing could hypnotise you. His brain...insane.Over his short span of playing I think that he really developed his own style. Is he Chicago? Maybe more Texas Style? Perhaps Modern Electric Blues? I don't know, Whatever it is, He calls it the 'Smokey Mountain Style'. Whether SRB is playing clean or dirty you can tell it's him. As you can tell from his acoustic picture and the way he plays, he likes Heavy Metal, Rock and Punk. He is very much influenced by such bands as Metallica, Megadeth, Nirvana, Green Day, AC/DC, Guns & Roses and more. But his true calling is the blues. All you have to do is hear his songs and you will be shown.Where does all this lead up to? I don't know. Maybe something new or maybe just a blip on the radar. We will have to see.Some day his Guitar will quit burning,But until then... Keep on Smokin' Ray Burnt.Available music is Awesome

Composer, Sound Design, Filmmaker, Songwriting and General Mayhem.

Born in San Diego, California in 1980, Devin Anderson has studied classical piano, composition with Prix de Rome winner Jim Heinke, film music with composer Hummie Mann and attended The Seattle Film Institutes 40 week Total Immersion program. Twice. He also plays bass with former PCP Berzerker members, Eric Hunter and Rod Bailey, in a currently unnamed rock group, and frequently collaborates with his wife, singer and saxophonist J. Marie Anderson.

As a composer, in addition to scoring his own directorial debut, a short entitled ‘Folie à Deux’, he has composed music for several independent pictures, including but not limited to Wisconsin born filmmaker Jack Bennett’s surrealist film ‘Synthetik’ (which received it’s award-winning World Premiere at The Beloit International Film Festival in January of 2008) and Tim Boyd’s film ‘Uniforms’ which starred members of popular group Death Cab for Cutie.

He has provided music for two promotional films produced by The Northwest Film Forum, the regions first and only non-profit organization for the film arts. He has composed concert works in various genres, including solo instrumental works, vocal works, and chamber ensemble, and recently was commissioned to compose for an Art Exhibition of egg tempura painter Nathan DiPietro.

He has just completed musical duties on a short film, again for director Jack Bennett, entitled ‘The Neu Transients’. The picture runs 5 minutes and is a memorial to the City of old now over-run by condos and commercial construction, and uses the Seattle cityscape, the music, and the film’s two lead actors (Benjamin Moody and Astrid Benet) to explore ideas of reflection, space, rhythm and transformation. The work premiered at the Northwest Film Forum as part of their City Symphony program on November 19th.

His score to ‘Folie à Deux’ was awarded the Gold Medal for Excellence at the 2008 Park City Film Music Festival under the catagory Best Original Music - Short Film.

His particular type of electronic-rock (?) songs are strange, somewhat crude, and personal - rough first-take all-to-human vocals, with consistantly surreal lyrics, laid over intricately crafted, orchestral-like backing music and boiled to a simmer.

He hopes to continue being involved in film and music until his death.

My names Brad. I've been in many bands, but for now am choosing to do my own work on my computer just for fun. I play my own guitar/bass, and I'm a vocalist overall so I sing, of course. I also play keyboard, rather, I (try) to play keyboard lol. I just use drum loops for some songs and then make the songs around the beats and write lyrics and there I go...another song!!

I am all over the map with styles! I do Metal, Heavy Rock, Rock, Mellow, Depressing, and on and on! I love it all!! I can scream as well as sing! I always enjoy music and my life revolves around making music!! I hope you enjoy the tunes! Take care!
Never be afraid to talk to me, I love to talk...sometimes too much.. :P

• The End is good
•  Real lyrics and Real music
•  Sombre but not sad
•  Made me smile
•  I'm loving this song.

Kasper Martyr Phantom's Debut Solo Album "The Phantom" is out now! This 12-song Album Features Production by Jelts of Wild Life Refuge fame, Delano Sounds (PLA!N J.A.N.E.'s producer) and Yours Truly, Kasper Martyr Phantom. It features Nuze on 2 tracks as well, and includes a hidden bonus track. Clocking in at around 1 hour and including color inserts, "The Phantom" is well worth the $6.95 you will spend. Also out now is Kasper's InstruMENTAL Album "Martyr Mayhem." This 23-track experimental album will give you over an hour of tripped-out listening pleasure. Make sure to pick up both albums for a total of $14.00. These albums are available at Access and will be available at Lou's Records. You may also download the album through the opus player below.

Terra Mortim. Dead world. This world is a joke, and so is modern society. Terra Mortim was created in late 2005 by vocalist December, and song writer/unProducer Lucian, as an exploration in heavy electronic based mayhem. Terra Mortim is a mish-mash of genres and textures and sounds, with one goal: The society that we are forced into must be destroyed at all costs! Since the birthing of the band, this society has continued on it's swift elevator ride right to hell, and we have been more than happy to provide the soundtrack.

Alpha Q is a 23 year old DnB producer based in Brighton, UK.

For more information email:

•  awesome sub

My name is scott b. and I am the Worthing. I live in San Francisco, but thanks to sites like Insomnia Radio, LastFM, and of course Myspace I have found friends and fans in places as far away Germany & Japan. I hope to find new friends/fans here as well... Thanks for stopping by. Full bio below:

"In a world that's full of wholes…"

So states one of the lines in the Worthing's song 'The Picture Show.' To singer/songwriter Scott Basta that line means much more than just the irony it evokes. "I write songs about acceptance... And often times accepting things for how they are is a painful process. Like existing just outside the whole of life."

While the Worthing's music is rich in dark expression of emotional turmoil, upon further exploration the listener finds the songs are really more about the life within us and innocence in a world that does it's best to take it from you. Scott traveled extensively across America in his late teens and early 20's trying to find the place that he could best fit into to. "No matter where I was I always had at the very least an acoustic guitar to keep me sane. I have always felt like the odd man out in most social situations... I think my songwriting reflects that." Indeed, most of The Worthing's songs are works that anyone who has ever felt lost in life can relate to. They are songs are about dealing with a world that we truly don't understand but are doing the best we can to adapt as we move along day to day.

Scott first began writing songs at an early age and ultimately ended up in San Francisco where he met other like minded individuals and formed a band called The Innocents. As often happens in the early stages of a musical group, members came and went, but all the while Scott was writing music with the same insistent sound... After a time the name of the group changed to The Worthing but the sounds remained the same. Now, with The Worthing at a full creative throttle Scott feels he just may have found a 'Whole' that he can fit into.