Bands that sound like Rolling Stones ...
| On Project Opus since: | July 12, 2006 |
| Last seen: | never |
| Biography: | Tim and Dave , close childhood friends, grew up in Victoria and then moved to Vancouver to pursue music. To make ends meet we began to work in the film industry as lighting technicians. I also picked up some minor acting roles.We got to work with the likes of Robin Williams, Robert de Niro, Al Pacino, and even my favorites Ringo Starr and Jack Nicholson. During this time I gained the experience of lighting rock videos (one of which went to number one on Much Music). Anyway, because of this we were able to buy recording gear and teach ourselves the art of recording music. In the process of recording we were robbed of most of our recording equipment. We worked to replace the gear and eventually produced this C D, Never Leave it Too Late, by Mojo Filter. Can you dig it? We now have written over 100 songs. a lot of our new material is even more centered on the vocals and harmonies. We are currently producing a video for Sunset Blvd. We started this while in Los Angeles, shooting scenes along Sunset Boulevard. Completing the principal photography in Vancouver on 35 mm film. We are now collecting our nickels to develop the film and edit the video. Thanks for listening, Tim Heller (Vocals and Guitar) |
| Albums: | Never Leave it Too Late |
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| On Project Opus since: | February 14, 2008 |
| Last seen: | never |
| Biography: | With life spinning out of control on tour in the UK as "The Ryecatchers," Danny and Mark decided it was time for a change… Returning to Vancouver, Danny bumped into an old flame, Shannon, and after a few drinks she decided she would rather be in a band than a relationship with him. Danny reluctantly agreed, phoned Mark, and formed Danny Echo in the fall of 2005! Since then the Vancouver music scene has embraced the incredible vibe of Danny Echos’ rock and rollio presence. “Half the audience knows the words better than I do,” Danny said at a recent Railway club show. And even if they don’t know the songs, audiences still get into the energy and sounds of Danny Echo. With influences drawing from the greats like The Rolling Stones, The Who, The Beatles, Radiohead, Oasis, and U2, Danny Echo reverberates with all that is melodic, all that is catchy, and all that is rock and roll. As Mark observed, "it's all that it should be, damn it!! In between rockin' out around Western Canada and playing around Vancouver, a 5 song EP has been recorded and is now available for download at dannyecho.com. The full length album is currently being written and arranged, and will be out in time for Christmas - but only if you behave yourselves, you spoiled little brats! |
| Albums: | Danny Echo EP |
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| On Project Opus since: | March 3, 2006 |
| Last seen: | never |
| Biography: | The Southern Urge was born on Vancouver Island in a basement near the University of Victoria in early summer, 2005. Three local musicians were at their campus pub having beers and checking out the open mic players. They were already in a band known around Victoria but “creative differences” in the band had led to their search for a new singer. There they found Ryan Evans and asked him to come out to front the band. After a few practices in the basement they hit the bars at UVIC and in downtown Victoria. The story continues to unfold today… The Southern Urge is Ryan Evans (vocals/guitar), Tony Garossino (lead guitar), Jonny Milstein (bass/congas/clave/harmonica/backup vocals), and Cameron Duron (drums). Ryan, who was living in Halifax, had been frequenting the L.A. scene meeting with producer and friend Sheila E after she had taken notice of his songwrting skill a few years previous. During the summer in B.C., and after a couple of rehearsals with the Southern Urge, it was undeniable that there was a definite chemistry between the friends who embraced his songwriting; the L.A. scene would just have to wait. With the speed of Jimmy Page and the originality of Trey Anastasio, Tony was able to add energy to the solid progressions penned by Ryan. Cam’s drumming style, reminiscent of Jazz-Fusion masters like Carter Beauford, Dennis Chambers, and Steve Gadd, is a rhythmic extension of Ryan’s aggressive acoustic playing. Add solid bass grooves locked to the beat by Jonny and you have an original song by The Southern Urge. The band’s first EP entitled “…until it hurts” was recorded over one night at Vancouver’s Art Institute, and is scheduled for release this summer. The disc includes the songs, “I am a rolling wind”, “Gimme all your love”, “See you move”, “Better time”, and “Been around”. All of the songs offer a diverse range of sounds, which is representative of the diversity in the group. From a rocker out of Halifax, to a guitar wizard from Texas, to a drumming inferno from Toronto, to a killer bass player from Vancouver – They all come together to produce something very special. The band has had extensive experience in Victoria's live music scene. As a band with a social conscience they have headlined benefit concerts around Victoria for such organizations as: Rock for Rwanda, The Tsunami Relief Effort, Engineers Without Borders and Children of War. After securing an opening spot at Steamer’s Pub, one of the biggest and best know live music venues in the heart of downtown, the band has been a monthly headliner on Wednesday, Thursday, and Friday nights. Felicita’s, Uvic’s campus pub, has been a local home for the band. On January 21st 2006, UVic hosted it’s first ever winter SUB party. The entire Student Union Building was converted into a five-stage venue for 2,500 people. Some performers featured were Moka Only, Mobile, and The Armchair Cynics. The Southern Urge was given the longest time slot that night, playing for three full hours and ending the night for a sold out crowd. Individual members have different amounts of recording experience. Ryan has recorded his own demo as a solo artist, working with session players and recording his own compositions. Jonny has had experience recording with two previous bands, as well as many other small session projects. Tony is familiar with home recording, and cam’s first major experience was the current EP. Upcoming shows: April 11 – Darcy’s pub (Victoria) Additional info/songs/pics: visit www.ryanevansmusic.com |
| Albums: | ...until it hurts |
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| On Project Opus since: | April 10, 2007 |
| Last seen: | never |
| Biography: | So, what is this 21st Century blues? This is how a bear looks on life. It is kind of a mixture of sushi made with a whole salmon and the view from the top of a tree. Sounds crazy? Well, come on, we are all allowed a little bit of lateral thinking, surely? This is a very personal project. Just one guy putting his own thoughts into music in his own way and playing everything him self; whether that is a good idea or not is probably debatable, but it kept the musical differences to a minimum! So why do it like this? Well, I have spent most of my life doing it for others. Creating soundscapes for this museum, writing music for that documentary, playing in this band, singing for that person. It has been creative, I'll give you that, but it hasn't been one hundred percent, undiluted, straight out of the forest bear. And this is. So we have a song about global warming, we have one about losing your way, we have one about a broken relationship and yet another mourning a dying pet rat. And there are others. Certainly no one else would have written this particular collection of songs, and no one else would have written and performed them this way. By definition, therefore, this collection is as unique as it is eclectic. Interestingly enough, in putting them up on myspace I have found a very large number of people who are not only very sympathetic with what I am doing, but busily doing it themselves too. With a very large range of abilities and success. I have surprised myself that I have enjoyed some absolutely dreadfully played music as much as I have enjoyed the most skillful. Why? Because it is played by people who really want to play. Who really want to say something. You know, these guys should get a chart all of their own and the pop stars can stay in their rehab clinics and fade away. So, enjoy the 21st Century. I don't know how much of it either you or I will see, but it is happening anyway. We just have to deal with it. |
| Albums: | Oohs Ahhs and Nice Guitars |
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