Bands that sound like Santana ...
| On Project Opus since: | November 14, 2006 |
| Last seen: | never |
| Biography: | There is a New Kid in Town...And he's Smokin' Ray Burnt. He is a Smokin' young guitarist from the highest peaks of the Smokey Mountains. He is a real throwback to the good ol' days of the Instrumental Blues. Is he the next crazy Hendrix or the younger soul of a B.B. King? Maybe.. Go on, Find Out for yourselfAnd So it Begins...Smokin' Ray was born on June 1, 1977, high on top of Smokey Mountain. His Mother and Father were both musicians ( His father played the fiddle, his mother played the accordion.) They had a decent life, poor but not without. As the story goes, Ray was struck by lightning and burnt nothing but his soul. Something came inside of him and now he is what he is. He wasn't hurt...He was just destined for something... He was destined to play the guitar. So from high upon the tree tops the first song he ever heard was the soft/heavy tone of B.B. King's, 'The Thrill is Gone'. That was like magic to his ears. The next? Jimi Hendrix, 'Red House'. 'WOW! He thought to himself, 'I have to do that'. And so he did. He studied all the greats, even as far back as the great Robert Johnson. He learned from John Lee Hooker, SRV, Leadbelly, Chuck Berry, and many others. Lightning Hopkins, 'Lonesome Dog Blues' scared him to shivers. Tucked away in a little studio he recorded by himself. No one could ever guess what would come out of there next. His tone could fall a mountain, his playing could hypnotise you. His brain...insane.Over his short span of playing I think that he really developed his own style. Is he Chicago? Maybe more Texas Style? Perhaps Modern Electric Blues? I don't know, Whatever it is, He calls it the 'Smokey Mountain Style'. Whether SRB is playing clean or dirty you can tell it's him. As you can tell from his acoustic picture and the way he plays, he likes Heavy Metal, Rock and Punk. He is very much influenced by such bands as Metallica, Megadeth, Nirvana, Green Day, AC/DC, Guns & Roses and more. But his true calling is the blues. All you have to do is hear his songs and you will be shown.Where does all this lead up to? I don't know. Maybe something new or maybe just a blip on the radar. We will have to see.Some day his Guitar will quit burning,But until then... Keep on Smokin' Ray Burnt.Available music is Awesome |
| Albums: | Black, White & Blue,Blending the Blues,Smokey Mountain Morning |
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| On Project Opus since: | November 19, 2007 |
| Last seen: | never |
| Biography: | Born in Brooklyn but raised in the small Caribbean island of Antigua, i had my first battle at the age of 12 and won, but at that time rap wasn't that big of a deal to me until i turned 13 when i needed a release for my anger when i was pissed i would go in my room and write songs about it then i started rhyming about hustling and the stupid shit that i did, i am 14 years old one of the youngest mc's i am still learning but i am good enough at free styling to knock any nigga out i am still looking for artist to work with a producer and a manger if you interested add me at I have been on myspace for a year and have accumulated 4226 plays to date I have also started my own rap crew Ruthless Mobster Clique (R.M.C.) |
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| On Project Opus since: | March 3, 2006 |
| Last seen: | never |
| Biography: | The Southern Urge was born on Vancouver Island in a basement near the University of Victoria in early summer, 2005. Three local musicians were at their campus pub having beers and checking out the open mic players. They were already in a band known around Victoria but “creative differences” in the band had led to their search for a new singer. There they found Ryan Evans and asked him to come out to front the band. After a few practices in the basement they hit the bars at UVIC and in downtown Victoria. The story continues to unfold today… The Southern Urge is Ryan Evans (vocals/guitar), Tony Garossino (lead guitar), Jonny Milstein (bass/congas/clave/harmonica/backup vocals), and Cameron Duron (drums). Ryan, who was living in Halifax, had been frequenting the L.A. scene meeting with producer and friend Sheila E after she had taken notice of his songwrting skill a few years previous. During the summer in B.C., and after a couple of rehearsals with the Southern Urge, it was undeniable that there was a definite chemistry between the friends who embraced his songwriting; the L.A. scene would just have to wait. With the speed of Jimmy Page and the originality of Trey Anastasio, Tony was able to add energy to the solid progressions penned by Ryan. Cam’s drumming style, reminiscent of Jazz-Fusion masters like Carter Beauford, Dennis Chambers, and Steve Gadd, is a rhythmic extension of Ryan’s aggressive acoustic playing. Add solid bass grooves locked to the beat by Jonny and you have an original song by The Southern Urge. The band’s first EP entitled “…until it hurts” was recorded over one night at Vancouver’s Art Institute, and is scheduled for release this summer. The disc includes the songs, “I am a rolling wind”, “Gimme all your love”, “See you move”, “Better time”, and “Been around”. All of the songs offer a diverse range of sounds, which is representative of the diversity in the group. From a rocker out of Halifax, to a guitar wizard from Texas, to a drumming inferno from Toronto, to a killer bass player from Vancouver – They all come together to produce something very special. The band has had extensive experience in Victoria's live music scene. As a band with a social conscience they have headlined benefit concerts around Victoria for such organizations as: Rock for Rwanda, The Tsunami Relief Effort, Engineers Without Borders and Children of War. After securing an opening spot at Steamer’s Pub, one of the biggest and best know live music venues in the heart of downtown, the band has been a monthly headliner on Wednesday, Thursday, and Friday nights. Felicita’s, Uvic’s campus pub, has been a local home for the band. On January 21st 2006, UVic hosted it’s first ever winter SUB party. The entire Student Union Building was converted into a five-stage venue for 2,500 people. Some performers featured were Moka Only, Mobile, and The Armchair Cynics. The Southern Urge was given the longest time slot that night, playing for three full hours and ending the night for a sold out crowd. Individual members have different amounts of recording experience. Ryan has recorded his own demo as a solo artist, working with session players and recording his own compositions. Jonny has had experience recording with two previous bands, as well as many other small session projects. Tony is familiar with home recording, and cam’s first major experience was the current EP. Upcoming shows: April 11 – Darcy’s pub (Victoria) Additional info/songs/pics: visit www.ryanevansmusic.com |
| Albums: | ...until it hurts |
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| On Project Opus since: | January 25, 2007 |
| Last seen: | never |
| Biography: | Dreaming in Silence |
| Albums: | DREAMING IN SILENCE |
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| On Project Opus since: | June 29, 2006 |
| Last seen: | never |
| Biography: | "The style is called Nouveau Flamenco and Langley acoustic When John Gilliat holds his acoustic guitar he holds technique and emotion in melodic balance and holds his audience in the palm of his hand. He didn't come by his gift overnight of course. The Canadian-born musician picked up the guitar when he was just 9 years old. By the time he had graduated from High School, he was ready to take the show on the road, touring across Canada and the United States with various pop groups playing venues such as Harrah's in Lake Tahoe and the MGM Grand in Las Vegas. After several years touring North America John took the time to formally study his art. He took private lessons with various teachers and later majored in jazz at Capilano College, where he received a scholarship and graduated with top honours. In the guitar, John had found his instrument but he was still searching for his muse. At age 26 he immersed himself in Flamenco guitar tradition, inspired by the teaching methods of Juan Martin and listening to the incredible sounds of Paco de Lucia, Paco Pena, Sabicas and many others. John spent the next 6 years studying Flamenco, practicing 8 to 10 hours a day. The effort would pay off and the accolades would follow. In 1995, John won "Best Acoustic Guitar Performance" in the Music West Star Frets Competition. He won Vancouver's Unplugged Competition in 1996 and, in 1997 he became a finalist in Vancouver's Global Star Quest. Like all great performers, John feeds off the energy of a live audience. The stage is where his heart soars and his music flows. As a 'guitar for hire', John would find his way onto the stage, performing for the Vancouver Playhouse, Michael Barabas, Radio Europe, Alyssa Nielsen, Gypsalero and opening for such notable artists as Cirque du Soleil, Mae Moore and acoustic guitar masters, Strunz and Farah. Practice makes perfect and passion makes magic. In May of 1999 John released his own independent instrumental CD titled "Freedom". A showcase for his considerable guitar talents, Freedom embraced world beat musical elements of flamenco, Latin and Jazz. Above all, Freedom was recorded with the hope to share the peace, joy and excitement John feels when performing for audiences around the globe. In 2002 John released his second CD called "Peace". Picking right up where Freedom left off, Peace forges further still down the path John has carved out for his music. Passionate and fiery flamenco guitars and beautiful melodies intertwine with exotic percussion, bass and drums. The 2002 West Coast Music Awards nominated Peace as "Best Instrumental Release - Non Classical". In 2003 John released his 3rd CD titled Christmas, A wonderful collection of holiday classics played on flamenco guitars, accompanied by bass and percussion. The corporate world has embraced John's music as well, through recent performances for prestigious clients like MasterCard, Pfizer Pharmaceuticals, Verizon, Lehman Brothers, Sun America. He's also had the distinction of playing for Canada's Head of State, Prime Minister, Jean Chretien. Over 14,000 copies of John's albums have been sold to date. John Gilliat continues to offer new direction and contemporary expression to Flamenco, Nouveau Flamenco and Flamenco Rumba, touring festivals and headlining concerts with his quartet (bass, 2 guitars, and percussion). He even finds time to perform regularly with Vancouver's hot gypsy jazz club quartet, "Gypsalero". Now following four successful Japanese tours, including the first-ever concert on an open-air train, performing live on NHK Radio along with various other Japanese radio and television programs and playing Expo 2005 in Aichi. John has released his latest CD in Japan and Canada titled "Beyond Boundaries". The new CD continues to offer new direction and contemporary expression to Nouveau Flamenco, Flamenco Rumba and Jazz. Included in Beyond Boundaries is a very special composition titled "Onishi", created from the beautiful images, sounds and excitement John experienced during his performances at Fujiyama Koen Park in Onishi, Japan. |
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