I was born in Saskatoon, Saskatchewan, and my earliest musical influences include fretting over the fate of the Nowhere Man, a ‘Graceland' tape that was stuck in the family car's cassette player for three years, and far too many viewings of the movie Labrynth. I'm now living in Banff, Alberta - jamming on hallway pianos, doing a radio show on Radio90 fm, and writing and recording new songs.

Dead Rock West

Tour Dates
9/02/08 – US Tour – Coming Soon!
9/14/08 – UK Tour – Coming Soon!
9/17-20/08 – Americana Music Festival – Nashville, TN
9/25/08 – Germany Tour – Coming Soon!

**Stay tuned for more tour updates to be announced soon…

The best music tends to hit a listener from seemingly out of nowhere, fully formed and ready to infiltrate the psyche. Of course even the newest discovery has paid their dues somewhere, which means there are often real treasures right under our very noses. So it is with Dead Rock West.

With a name like Dead Rock West, you would be correct in assuming there are occasional country and folk influences, but really, that’s just skimming the surface of the bands capabilities which span Country Music, Americana, and Roots Rock sounds to give you that music that keeps you dancing and singing along. Dashes of garage, power pop jangle, and rock n roll populate the set list, played with passion to match the tight song craft and perfectly blended vocal harmonies provided by the band’s founders, Cindy Wasserman and Frank Drennen. Their voices are a seamless mix that adds melody to already impressive hooks, like icing on an already pretty tasty cake.

Dead Rock West the group is really a culmination of years of work in Southern California nightspots. Drennen spent time playing the acoustic clubs in San Diego, teaming up in with former Alarm guitarist Dave Sharp and forming pop group Loam shortly thereafter. They would go on to release two albums in the U.S. and Spain, and win a San Diego Music Award in the process for their song “Telephone” - later recast by Dead Rock West as an amphetamine fueled Byrds flavored rock number.

For her part, Wasserman is no stranger to either stage or studio. Most recently she has toured and recorded with Grant Lee Phillips, John Doe, and Mark Olson. In fact, all the members have extensive touring backgrounds. Bassist David J.Carpenter has toured and recorded with Toni Childs as well as John Doe and Phillips. Drummer Bryan Head does double duty with his band Abandoned Pools, and has toured with Shelby Lynne. Most impressively, pianist Phil Parlapiano was previously in Geffen Records act The Brothers Figaro and has performed with Grant Lee Buffalo, Tracy Chapman, Lucinda Williams, Rod Stewart and Social Distortion, amongst many others.

All that experience is used to great effect on Dead Rock West’s debut album on the Populuxe label, Honey & Salt. Recorded at Grandmas Warehouse in Echo Park, the disc was recorded in tribute to older recording methods using a 2" tape, 24 tracks, and no click tracks or pitch correction machines. In addition to the members of Dead Rock West, the genesis of the album involves a few other key players. The Section Quartet (Sam Phillips, etc.) provide strings and pedal steel player Greg Leisz also contributes, with the album mixed by Grammy winner Richard Dodd (Tom Petty, George Harrison, Steve Earle, Traveling Wilburys etc.).

“Basically I contacted Richard Dodd via his web site,” Drennen recalls. “I told him about ourselves, that we were recording to tape and I asked if he ever mixed any one who was not rich or famous. To my surprise Dodd responded saying he was interested in hearing our works in progress. Nervously, I sent him the songs. We weren’t even finished overdubbing at this point. After a couple of long phone conversations, I was convinced that this man was in love with music and wanted to be a part of projects he can be proud to put his name on. Needless to say we ended up in Nashville and spent six wonderful days hearing our songs come alive and listening to his stories.”

The end result are the Honey & Salt tracks, as catchy and varied a collection of songs as you’re likely to come across. Whether it’s Wasserman or Drennen taking the lead, Dead Rock West’s way with a melody cannot be denied.

www.deadrockwest.com
www.myspace.com/deadrockwest

Playing the compositions of Cam May, Sandy Barron, and Lara White, Remote Kid is a seven piece pop-rock band based in Calgary. An enjoyment of carefully controlled noise, vocal harmonies, and difficult arrangements is their hallmark.

•  They're back!
•  Another great one from Remote...
•  Really great stuff!

Ryan McMahon grew up in Ladysmith, Vancouver Island, British Columbia, Canada, where he began playing in local bars on Vancouver Island at the age of 17, under the moniker “Citizen Strange.”

There, he befriended several promoters that allowed him opening support slots for bands coming through town such as Nickelback and Wide Mouth Mason, allowing him the opportunity to hone his craft alongside those already established.

In 2003, Ryan moved to Vancouver and began playing with two musicians who would become his best friends, Mike Rogerson (who produces all of Ryan’s material) and Dustin Young, both of whom still play guitars for him to this day. Together they formed the band, “Ryan McMahon & the Dirty Five,” along with drummer Jesse Smith and bassist Thomas Dowding, and the band toured throughout British Columbia and Alberta, but was never really afforded the opportunity to take it further.

Wanting change, and a more diversified sound, Ryan, Mike, and Dustin stuck together and headed to Baker Street Studios in North Vancouver, to begin work on what would become Ryan’s first solo album, “Better Days Gone By.” They recruited several friends throughout the music industry, including Hamish Thomson (the Hermit), Jon Frederiksen (the Hermit), Doug Elliott (the Odds), Pat Steward (Bryan Adams, Matthew Good, the Odds), Jesse Smith (Jeff Johnson, the Dirty Five), Thomas Dowding (the Dirty Five), and Craig Northey (the Odds).

The result? A 12-song rock n’roll roots album that showcases Ryan’s love for playing rough, honest music, which people of all walks can easily relate to.

With themes ranging from infidelities (“Liar”) to the music industry itself (“Song Says So”), “Better Days Gone By” is a well-rounded honest album that will surely communicate well in both the rock and acoustic formats.

Rye’s dynamic, genuine personality, combined with his unique emotional style will definitely offer fans of roots rock a true kindred spirit.

For a better tomorrow, vote Ryan McMahon.

Contact Information:
Geoff Goddard @ Fronstide Promotions - 604-648-2782
Ryan McMahon - 778-892-6974

www.ryanmcmahon.com
www.myspace.com/mcmahonryan

•  Like it lots
•  just found it again
•  This scratches my musical itch
•  A wonderful song!
•  Catchy

Ottawa, Canada-born singer/songwriter John Allaire became first know to Canadian audiences with his alt-rock band in the '80s and '90s, The Town Cryers. After spending two decades touring North America and performing alongside other international acts with The Town Cryers and other bands, John put out his first solo recording in 2003, Crime and Punishment. In 2005, John teamed up with his backing band, the Campistas, and released Thank You Waitress!, an album that went to the top of many college and university radio stations across North America and garnered a particularly large audience in Europe.
Summer 2007 sees the release of John’s third solo album, Ghosts of the Royal Motel, with the accompanying North American tour in the Summer and Fall 2007.
For the most part, John’s songs are traditional folk stories, sprinkled with wit and edgy instrumentation, often drawing comparisons as far-ranging as Neil Young to Joe Strummer. He has been the recipient of national songwriting awards, such as the CBC Telefest award for best independent video, PROCAN top independent song release, and album of the month by Canadian College and University Radio Association.

PERFORMED WITH…
Alanis Morrisette, Blue Rodeo, Tragically Hip, Donovan Leech, Hoodoo Gurus, BoDeans, Dr. and the Medics, The Church, VSpyVspy, Nada Surf, Econoline Crush, Weddings Parties Anything, Tom Cochrane, Lynn Miles, Grapes of Wrath, Nils, and many more…

John’s vocals have been compared to Adam Duritz (Counting Crows), Bill Janovitz (Buffalo Tom), Joe Strummer (The Clash), Bob Mould (Husker Du), Paul Westerberg (Replacements) and many others of this ilk. His songwriting echoes that of Neil Young, Paul Westerberg, Jeff Tweedy (Wilco) and Elvis Costello.

For the most part, John’s songs are traditional folk-influenced stories and the solo show incorporates quick wit, banter and a direct connection with the audience. His straightforward guitar and harmonica styles are reminiscent of early coffeehouse troubadours like Dylan and Donovan. Each show is different from the last, with changing arrangements (acoustic and electric accompaniment), material choices and the stories he relates.

John has shared the stage with: Alanis Morrisette, Blue Rodeo, Tragically Hip, Donovan, Lynn Miles, Hoodoo Gurus, BoDeans, Dr. and the Medics, The Church, VSpyVspy, Nada Surf, Econoline Crush, Weddings Parties Anything, Tom Cochrane, Grapes of Wrath, Nils, and many more...

AWARDS
CBC Telefest top independent music video in Ontario
Top independent video in Canada 1989 as selected by MuchMusic
PROCAN (now SOCAN) independent songwriter award for "Cry at Night"
Canadian College and University Radio Assoc. top album of the month - "All's Well"

That was then...
Starting his professional music career in 1984, John has been in a number of bands, including the award-winning "The Town Cryers", a band that reached the number one spot on seven radio stations in Canada with their first release in 1987 called "All's Well".

Allaire toured the country with the Cryers all the while releasing their 1989 CD, "Surprise Surprise", which included a supporting video for Allaire's song "Never Bin Hurt B-4". The video won honours as top independent video in Canada in 1989. The CD also had the dubious pleasure of being the first release in Canada by an independent band on the emerging CD format.

The Town Cryers parted ways in 1992, but not before recording a whopping 18-track CD called "Stanley's Cup".

In 1995, John founded the alt/punk band The Mercy Miners, playing with such signed recording artists as Econoline Crush and Nada Surf. The Mercy Miners released a 10-song CD called Knuckle Sandwich in 1997.

In 2003, John released his first solo effort called Crime and Punishment. The album was a 12-song collection and, while not doing much in the way of charting on radio stations, the CD sold more than 1,000 copies (admirable for an independent release), including copies numbering in the hundreds on the east coast of Canada and the USA.

John's latest release "Thank You Waitress" is out now and is garnering rave reviews as his best career work.

Who are the Campistas? John's band of studio and live musicians include: Jeff Tanguay, Bass, Breeze Smith - drums, Glenn Torresan - guitars, slide guitar, Tony Dunn - keyboards, sax, Valerie Daley - flute, Juan Gratton-Dominguez - horns, Tom Simpson - percussion, Zeke Smythe - drums and programming, Thomas Marsdon - cello

Biography

Matt Harlan is a songwriter's songwriter. He composes scenic landscapes and pointed statements disguised as songs. Often non-linear, but always melodic, Harlan's works confront social norms, celebrate lives overlooked, or just wax poetic about coffee and bus stops. Whatever the inspiration, the music is always heartfelt and genuine.

Born and raised in Texas, Harlan soaked up the richness of the state and its song-smiths while bouncing between big cities and small towns. Always in love with music, he eventually learned to play and write it. From '60s pop in kindergarten to alt-country in college and all the angst in between, Harlan draws from a range of influences, interpreting a generation steeped in plastic and filtered through the Hill Country limestone.

After gigging in rock bands around San Antonio and Austin, Harlan dropped the pick and the power chords to develop his own unique fingerstyle guitar technique. Now back in Houston he is working to promote his earthy, socially conscious sound, which is continually evolving.

Accomplishments

In 2003 Matt Harlan won the Kerrville Folk Festival's Texas University Songwriters Competition based on the merit of his songs “Suitcase Blues,” “Warm November,” and “The Optimist.” Winning the competition allowed him to play on the Threadgill's Stage at the Festival along with other songwriters from Texas universities.

The Houston Fort Bend Songwriter's Association (HFBSA) has nominated Matt Harlan's “Heavy Steel and Spinning Wheels” for their 2006 Song of the Year award.

Matt Harlan was recently offered the chance to play at the legendary Anderson Fair for its songwriters showcase series. Details can be found on Matt Harlan's websites and at www.andersonfair.com.

•  Good Folk Story
•  Thoughful folk song