Bands that sound like bob dylan ...
| On Project Opus since: | May 15, 2006 |
| Last seen: | 15 weeks 4 days ago |
| Biography: | Home Groan 2008 is a five piece band based in Oslo Norway. American born front-man Martin Hagfors is an eclectic Songwriter/Lyricist/composer/producer/. 15 releases with own touring bands: Home Groan and HGH. Songs recorded by; The National Bank, Respatexans, Askil Holm, Elisabeth Andreassen, Helldorado, Crow Town, Rock Bottom, Motorpsycho, Hellbillies... Owner of one vintage Volvo Other Home Groaners: |
| Albums: | The Opening Act,Astrodome,Raccoon,Hey Revolution Now! |
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| On Project Opus since: | February 19, 2006 |
| Last seen: | never |
| Biography: | Biography Grandpa’s stories usually involved exciting stuff like runaway teams of horses, shooting at wolves, or somebody getting body parts torn off. His tales were filled with gestures and sound effects. He really had a way of bringing them to life. And he listened when a kid told him a story. He made you feel your stories were important. From Mom and Dad I got music. My Dad and my other Grandpa were both musicians. Grandpa Hubele (of whom I knew very little) was a very good organ player. My dad played fiddle in his early years, touring around southern Alberta with a country dance band. He and Mom would, very occasionally, play duets on fiddle and piano when we were little kids. I can remember waiting til my parents went out. Since I was the oldest, I often babysat my brothers and sisters. I would sneak into Dad’s fiddle case to take out the fiddle and play it. Except I was always trying to make it sound like a guitar, and I played it like one. We moved back and forth across the country, from Ontario to Alberta and back many times as I grew up. Dad kept trading up for jobs, and I was in a new school almost every year. I became a loner and a rebel. I turned to humor to make up for my small size. I’d find the biggest kid in class, figure out how to make him laugh, and I didn’t have to worry about the rest of the bullies. It pays to have friends in high places. I believe I had an undiagnosed hearing problem caused by a trauma (now confirmed as a severe hearing loss). I never could quite understand the lyrics on the radio which was always on in our house, so I made up my own. My earliest memories were of crossing the big empty fields which made up the neighborhoods of my youth, singing at the top of my lungs and making up words as I went along. My mom says she could pick me out of the flocks of kids coming home from school. I’d be waving my arms and singing to myself as I walked across the prairie. I started writing songs in a serious way when I was 21 years old. A friend, who had been showing me how to play guitar, and I went out to live on the beach on Vancouver Island at Pacific Rim Park. I was picking away when a simple line kept repeating itself in my head. I wrote it down, and in ten minutes I had a song. It seemed to open flood gates, and for the next 2 or 3 years I wrote a song or two a week. I average about a song a month now. But, they are better songs. (over) Biography, page 2 To write successfully, I usually have to be alone, have all my chores done and time on my hands. Words and melody most often develop at the same time. It takes from 10 minutes to 1 hour to write a song. It takes me two weeks to learn it. I like to wrap a song around a good story line. They always come from my own experiences. I was fascinated with the blues from the get-go. I came in through the back door. J.J. Cale, then Hot Tuna. Then B.B. King, Freddy King, and Muddy Waters. When I heard Bonnie Raitt play slide guitar, I was gone. I had to learn how to do that. I followed her trail back to Mississippi Fred McDowell. “You want rock, you gonna have to put me in a rockin’ chair. I plays the straight and natural blues.” I also paid attention to the songwriters, my favorites being Paul Simon, Harry Nillson, Willie Dixon, and Tom Waits. My interest in jazz developed through my association with other musicians like Calgary’s late Chuck Tracy, a gruff, funny, kind of crazy lounge musician. He introduced me to Tom Waits, Mose Allison, and Fats Waller amongst others. As well, it became a habit to listen to the great Alberta radio station CKUA on Saturdays. Bill Coull’s Jazz Show was a fifteen year course in ‘Everything You Should Know About Jazz’. I also have a life-long addiction to comedy movies and comic books. One of my Dad’s jobs was as a projectionist in a small town. Once a week on Saturday night the local community hall was turned into a theatre. I was very young (3 years til 7 years old) but those old black and white 16mm movies of the Marx Bros, Chaplin, and W.C. Fields remain deep in my psyche. I think this was a great influence on my writing. Most of my songs have a little humor and a strange twist to them. I have worked as a laborer and heavy equipment operator and truck driver since leaving the University of Calgary after 4 years of unrelated courses and wandering interests. Previous to that, I had worked at the CPR as a ticket clerk. I began working at age 14 at the steel mill where my father worked. I did not graduate from high school. I have written songs for 32 years. Recording began for me in 1978 with the Acme Sausage Company with Holger Petersen broadcast on CKUA. Since then, I have been on countless radio and tv programs. I have recorded 6 albums of original material, and I just finished recording my demo for the 7th, and most exciting, CD - ‘Down In Davis Bay’. |
| Albums: | When The Sky Falls,Three Little Words,Halfway To Everywhere |
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| On Project Opus since: | October 11, 2007 |
| Last seen: | never |
| Biography: | Aeroplanet is the Debut independant release from Australian artist Mildsparrow. Mildsparrow is the moniker of Melbourne Singer/Songwriter Matt Davidson. Aeroplanet is a selection of tracks showing a diverse range of sonic occurences selected from then last 3 years of self recording and producing. Never restrained by genre and always reflective of emotion, Mildsparrows music is a personal journey waiting to resonate with your own perception. From acoustic ballads through to glitchy explorations, Mildsparrow defines himself by allowing emotions and expressions to come forth in any style to colour the sonic canvas of the moment. |
| Albums: | Aeroplanet |
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| On Project Opus since: | October 18, 2007 |
| Last seen: | 17 weeks 3 days ago |
| Biography: | Dead Rock West
Tour Dates **Stay tuned for more tour updates to be announced soon… The best music tends to hit a listener from seemingly out of nowhere, fully formed and ready to infiltrate the psyche. Of course even the newest discovery has paid their dues somewhere, which means there are often real treasures right under our very noses. So it is with Dead Rock West. With a name like Dead Rock West, you would be correct in assuming there are occasional country and folk influences, but really, that’s just skimming the surface of the bands capabilities which span Country Music, Americana, and Roots Rock sounds to give you that music that keeps you dancing and singing along. Dashes of garage, power pop jangle, and rock n roll populate the set list, played with passion to match the tight song craft and perfectly blended vocal harmonies provided by the band’s founders, Cindy Wasserman and Frank Drennen. Their voices are a seamless mix that adds melody to already impressive hooks, like icing on an already pretty tasty cake. Dead Rock West the group is really a culmination of years of work in Southern California nightspots. Drennen spent time playing the acoustic clubs in San Diego, teaming up in with former Alarm guitarist Dave Sharp and forming pop group Loam shortly thereafter. They would go on to release two albums in the U.S. and Spain, and win a San Diego Music Award in the process for their song “Telephone” - later recast by Dead Rock West as an amphetamine fueled Byrds flavored rock number. For her part, Wasserman is no stranger to either stage or studio. Most recently she has toured and recorded with Grant Lee Phillips, John Doe, and Mark Olson. In fact, all the members have extensive touring backgrounds. Bassist David J.Carpenter has toured and recorded with Toni Childs as well as John Doe and Phillips. Drummer Bryan Head does double duty with his band Abandoned Pools, and has toured with Shelby Lynne. Most impressively, pianist Phil Parlapiano was previously in Geffen Records act The Brothers Figaro and has performed with Grant Lee Buffalo, Tracy Chapman, Lucinda Williams, Rod Stewart and Social Distortion, amongst many others. All that experience is used to great effect on Dead Rock West’s debut album on the Populuxe label, Honey & Salt. Recorded at Grandmas Warehouse in Echo Park, the disc was recorded in tribute to older recording methods using a 2" tape, 24 tracks, and no click tracks or pitch correction machines. In addition to the members of Dead Rock West, the genesis of the album involves a few other key players. The Section Quartet (Sam Phillips, etc.) provide strings and pedal steel player Greg Leisz also contributes, with the album mixed by Grammy winner Richard Dodd (Tom Petty, George Harrison, Steve Earle, Traveling Wilburys etc.). “Basically I contacted Richard Dodd via his web site,” Drennen recalls. “I told him about ourselves, that we were recording to tape and I asked if he ever mixed any one who was not rich or famous. To my surprise Dodd responded saying he was interested in hearing our works in progress. Nervously, I sent him the songs. We weren’t even finished overdubbing at this point. After a couple of long phone conversations, I was convinced that this man was in love with music and wanted to be a part of projects he can be proud to put his name on. Needless to say we ended up in Nashville and spent six wonderful days hearing our songs come alive and listening to his stories.” The end result are the Honey & Salt tracks, as catchy and varied a collection of songs as you’re likely to come across. Whether it’s Wasserman or Drennen taking the lead, Dead Rock West’s way with a melody cannot be denied. |
| Albums: | Honey and Salt |
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| On Project Opus since: | December 24, 2006 |
| Last seen: | never |
| Biography: | Plunkett: an English boy and an Italian girl. With a desire to only write songs and move people, Plunkett choose to remain independent artists and work outside of the mainstream music business. Plunkett make Independent music for independent minds. To know more about Plunkett and their upcoming releases visit their website www.plunkett-music.com. |
| Albums: | 14 Days |
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| On Project Opus since: | June 5, 2006 |
| Last seen: | never |
| Biography: | Ryan McMahon grew up in Ladysmith, Vancouver Island, British Columbia, Canada, where he began playing in local bars on Vancouver Island at the age of 17, under the moniker “Citizen Strange.” There, he befriended several promoters that allowed him opening support slots for bands coming through town such as Nickelback and Wide Mouth Mason, allowing him the opportunity to hone his craft alongside those already established. In 2003, Ryan moved to Vancouver and began playing with two musicians who would become his best friends, Mike Rogerson (who produces all of Ryan’s material) and Dustin Young, both of whom still play guitars for him to this day. Together they formed the band, “Ryan McMahon & the Dirty Five,” along with drummer Jesse Smith and bassist Thomas Dowding, and the band toured throughout British Columbia and Alberta, but was never really afforded the opportunity to take it further. Wanting change, and a more diversified sound, Ryan, Mike, and Dustin stuck together and headed to Baker Street Studios in North Vancouver, to begin work on what would become Ryan’s first solo album, “Better Days Gone By.” They recruited several friends throughout the music industry, including Hamish Thomson (the Hermit), Jon Frederiksen (the Hermit), Doug Elliott (the Odds), Pat Steward (Bryan Adams, Matthew Good, the Odds), Jesse Smith (Jeff Johnson, the Dirty Five), Thomas Dowding (the Dirty Five), and Craig Northey (the Odds). The result? A 12-song rock n’roll roots album that showcases Ryan’s love for playing rough, honest music, which people of all walks can easily relate to. With themes ranging from infidelities (“Liar”) to the music industry itself (“Song Says So”), “Better Days Gone By” is a well-rounded honest album that will surely communicate well in both the rock and acoustic formats. Rye’s dynamic, genuine personality, combined with his unique emotional style will definitely offer fans of roots rock a true kindred spirit. For a better tomorrow, vote Ryan McMahon. Contact Information: |
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| On Project Opus since: | February 23, 2007 |
| Last seen: | never |
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REZA's other pages :
* January 2004 * April 2004 * January 2005 * Summer 2005 * November 2005 * Summer 2006 * January 2007 * April 2007 |
| Albums: | Somebody else's songs,Broken Kite,Flying Girl |
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| On Project Opus since: | April 11, 2006 |
| Last seen: | never |
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| On Project Opus since: | March 4, 2006 |
| Last seen: | never |
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| Albums: | The Things Found Hung Behind A Blood Red Curtain: 1stDraft |
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| On Project Opus since: | October 8, 2005 |
| Last seen: | never |
| Biography: | Tom Howie is a singer/songwriter from Vancouver, BC. After releasing his debut EP Stepping Stones to great reviews and eager audiences in September 2005, he has gone on to play many of the premier clubs in Vancouver while completing his final year of high school. Now 18 and graduated, Tom is taking on music full time, including recording a full length album with producer/musician Ashwin Sood (Sarah McLachlan) and engineer Chris Potter (Bryan Adams, Sarah McLachlan). Also on board is Vancouver/San Francisco based composer/producer/musician Jason Nett (composer in residence, Vancouver Island Symphony Orchestra). After being the lead singer and songwriter in many bands throughout high school, Tom decided to go out on his own and play the music that came most naturally to him. “I want to be able to write a band tune or a little soulful ballad, or whatever else, and just let it be what it is. I'm enjoying the freedom of experimentation." With that thought in mind, Tom sat down with friend/producer Josh Bluman to record Stepping Stones at the studio of highly acclaimed producer Garth Richardson (Rage Against The Machine, Hedley, Red Hot Chili Peppers). The EP features stripped down versions of four soulful, satisfying songs. YouThink Magazine had this to say: “The ability to spin out four tracks that have yet to be boring, complete with lyrics that are startlingly affecting, isn’t just dumb luck. Howie’s observations about life and its joys and sorrows, combined with his acoustic, mellow sound, build a strong sample of what he has yet to give.” Looking ahead, Tom is filled with great excitement about recording new material, which he says has lots more to offer; from simple, haunting, poetic songs, to full out rockers. “Things are just starting to work out for me, and there is nothing else I’d rather be doing. I love playing, singing and writing more than anything. Busy? Bring it on!” Be sure to see Tom Howie live in concert, either with his band or on his own. Visit myspace.com/tomhowie for tour dates and streaming audio. |
| Albums: | Stepping Stones EP |
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| On Project Opus since: | April 13, 2006 |
| Last seen: | never |
| Biography: | Biography Matt Harlan is a songwriter's songwriter. He composes scenic landscapes and pointed statements disguised as songs. Often non-linear, but always melodic, Harlan's works confront social norms, celebrate lives overlooked, or just wax poetic about coffee and bus stops. Whatever the inspiration, the music is always heartfelt and genuine. Born and raised in Texas, Harlan soaked up the richness of the state and its song-smiths while bouncing between big cities and small towns. Always in love with music, he eventually learned to play and write it. From '60s pop in kindergarten to alt-country in college and all the angst in between, Harlan draws from a range of influences, interpreting a generation steeped in plastic and filtered through the Hill Country limestone. After gigging in rock bands around San Antonio and Austin, Harlan dropped the pick and the power chords to develop his own unique fingerstyle guitar technique. Now back in Houston he is working to promote his earthy, socially conscious sound, which is continually evolving. Accomplishments In 2003 Matt Harlan won the Kerrville Folk Festival's Texas University Songwriters Competition based on the merit of his songs “Suitcase Blues,” “Warm November,” and “The Optimist.” Winning the competition allowed him to play on the Threadgill's Stage at the Festival along with other songwriters from Texas universities. The Houston Fort Bend Songwriter's Association (HFBSA) has nominated Matt Harlan's “Heavy Steel and Spinning Wheels” for their 2006 Song of the Year award. Matt Harlan was recently offered the chance to play at the legendary Anderson Fair for its songwriters showcase series. Details can be found on Matt Harlan's websites and at www.andersonfair.com. |
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| On Project Opus since: | April 18, 2006 |
| Last seen: | never |
| Biography: | Fred Eaglesmith He started writing and playing music, influenced by Elvis and the sounds of roots music drifting into Ontario from far-away radio stations. By age sixteen, Eaglesmith had left home, hopped freight trains out west and made his way back east to the farms of Ontario. His songs are populated with people he has been and has known: tried-but-true blue-collar guys, tired cowboys, young boys in love, bare-knuckled farmers, heartbreakingly good women, beautifully bad women, lonesome good guys, bravura bad guys and Friday-night criminals. Say Eaglesmith, "I think the bottom of the barrel is where the answers are." In Eaglesmith's sure hands, a song about a dreamless small-town snowplow driver is a song about you. Eaglesmith's songs have been covered by a steadily growing list of artists: The Cowboy Junkies, Chris Knight, Dar Williams, Kasey Chambers, among others, and James King. Film director Martin Scorsese has used his songs, as have others including James Caan in his movie "Viva Los Nowhere." Fred has also had feature roles in several film productions. Eaglesmith won The Juno Award for Best Roots and Traditional Album - Solo, a winner of the Canadian Independent Music Award and was a finalist in the 2006 International Songwriting Competition for his song, "Alcohol and Pills." Two tribute albums of Eaglesmith's work have been recorded, and Fred and regularly scores on critics' top ten lists on both sides of the border, in Europe and in Australia, and on Americana charts. Whether you are a "Fredhead," or more of a fan of 50 Cent, if you enjoy music at all (and a good laugh), Fred Eaglesmith is not to be missed. A Fred Eaglesmith show features a mix of passionate, funny and moving music, ridiculously funny comedy, honest tears and poignant observations all at once. Eaglesmith's commentary on affairs -- current ones as well as those of the heart -- is hilarious, uproarious, and provocative, as are his plainspoken zen observations. As one reviewer said, "It takes a jaded soul to leave a Fred Eaglesmith show unaffected." |
| Albums: | FRED J EAGLESMITH,Indiana Road,The Boy That Just Went Wrong,Balin,Official Bootleg Series Vol. 1,Ralph's Last Show (Live In Santa Cruz),There Ain't No Easy Road,Falling Stars and Broken Hearts,Things is Changin',Dusty,Official Bootleg Series Vol. 2 |
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