The Last Plague is a 4, wanna be 5 piece band from Bonner Springs. A bassist would be greatly appreciated!! Wish we could tell you what type of music we are, but in reality, we don't just have ONE sound! If you love breakdowns, you'll love us. If you love dancing, you'll love us. If you love taking nice warm bubble baths, get the F*CK off our page. (If you're a guy) So sit back, turn up your speakers, pick up a phone, and find us a show! We need shows and a manager that can get us shows... WE ARE THE LAST PLAGUE

Wade Mosher has made music his life since he was only 12 years old. He is known for his songwriting & guitar skills and he’s also a respected producer, singer & programmer. Starting in the early ‘80’s, Wade has toured Canada, the US & Europe playing in Rock, Country, Blues, Skiffle and Punk bands.

In 1995, Wade Mosher released his debut, self-titled CD that received airplay in Canada, Turkey & Arkansas. Promoting the album & touring followed until 1997. Sales have reached over 3500 thus far, mostly from word of mouth. This record has been likened to John Hiatt, Steve Earle, Bruce Springsteen, Dire Straits, Warren Zevon and Lyle Lovett.

Wade’s fans have been asking for recordings of his guitar playing for years, so in 2001 recording began for his next CD ‘Doesn’t Play Well With Others’. The instrumental record of 12 cuts was released in 2002. The record has gotten some great reviews & feedback. It’s been available online since 2006 and is selling well. Though Wade’s style is undeniable, nods to Danny Gatton, Brian Setzer, Mark Knopfler, Chopin, Brian May, Dick Dale & Scotty Moore can be heard throughout. As Wade humbly puts it, “I just take what those guys did, simplify the difficult parts & hope nobody notices.”

In 2003 Wade disappeared into his studio to work on his latest album. A lot of life got in the way during the making of this much anticipated CD, but in 2007 ‘Everything Will Be Just Fine’ was released. It’s more of a collection of songs than a definitive album, moving seamlessly through genres without losing momentum. Songs like ‘Canadian Folk Song’ and ‘Hollywood is Burning’ are cutthroat takes on culture & politics with sardonic humor. Great stabs at love, religion and psychosis are found in ‘Love Makes You Stupid’ & ‘Lose This Skin’. ‘She’s Got A Heart’ & ‘Don’t Let The Highway Get You Lost’ are first class country songs that will take you back to the days of Merle Haggard & Steve Earle. This is a CD that will leave its mark.

Wade Mosher has never been convicted of murder, but the night is still young.

END OF SET 3

Just A Personal Note

Hi Folks- Wade here. Thanks for stopping by and having a listen. I appreciate your time, I know how limited it can be. There are a lot of songs here, so feel free to poke around & play snippets as you please. I’ve requested that they allow the prices of the songs to come down a bit here. We’ll see what happens. In the meantime I’ll be allowing free downloads randomly so keep an eye out. Some of the genres I’ve chosen can obviously cross over into others & it’s hard to categorize your own material, but I believe I’ve gotten close with my choices. If you hear something that turns your crank, feel free to contact me. I’m very friendly, (except early in the morning.) I’ll be keeping this section as up to date as I can. Thanks again.
Take care,
Wade

• Intresting
•  Coolest Dude Alive
•  Beautiful Country

Artist Information

Biography
After a long hiatus from music, both writing and singing, award winning songwriter Sean Croley has returned and recorded an EP of which one reviewer has said:

"their debut EP "Walk" contains amazing songs that easily could be featured on any release with these pop makers." (Keane and Coldplay)

There came a time in early 2006 when the urge to begin writing and recording seemed to well up inside Sean once again. He began writing songs within hours and recording them the next day and after amassing 15 good sounding demo's within 3 months where he narrowed it down to 5. This is when he reached out to friends ask them to play on what he now terms "a good songwriting demo." to come and play on this project. These friends included guitar player Bob Egan - Wilco, and Blue Rodeo. Tony Lind- Hewitt, and former guitarist for Thousand Foot Krutch. Drummer-Jim Boudreau whose resume includes The Wilkinsons, David Foster, Chuck Berry, and countless others. Steve Hogg, acclaimed bassist who played with Ian Thomas, Jamie Warren, and is a regular session player for Juno winning producer J. Richard Hutt.

This gave Sean a very solid sounding EP, well sculptured and very well produced. Now, all Sean needed was the live band. Again, a call went out to friends who knew people who knew people and the emails started to come in. One by one Sean met with each of the candidates turning some away and latching on to others telling them that they're in, never once did he ask to hear them play. The only thing he went on was word of mouth, gut feeling, and a prayer.

Together, they have taken the Seans songs to another level far beyond even Sean's expectations to create a live show that has brought the crowds to their feet for standing ovations.

This eclectic group of guys who's style and influence range from jazz to power punk have found one vision, one dream, one band that they all believe in.

They are...

"THE WEAK NEED"

A high energy pop act being regularly compared to such bands as Keane, Coldplay, Mute Math, Pilot Speed and U2. Their emotive delivery at their live shows has their fans saying that they were "blown away" and "speechless" afterwards. "They are like the Coldplay of Canada." Sean himself is quoted as saying "I love Keane and Coldplay. I really like their sound but honestly, I don't listen to them alot of the time because I don't want to start writing like they do. I'm totally influenced by their sound but I really try to take it somewhere totally different." Different indeed. It is easy to hear bands like The Cure, The Smiths, U2, and Canadian favorites, Pilot Speed, and Never Ending White Lights washing through The Weak Need as the listener is bathed in Croley's unique intimate vocals, textured harmonies and intricately woven lyrics.

Here is what industry and fans are saying about The Weak Need:

"The Weak Need is favourite band in my iTunes library (15.000 songs) " - Benjamin T.

"emotive, memorable writing and tasteful, very impressive production! " � Vlad Shusterman

"...very cool sounds. You're professionals...Maybe the new Cold Play " - 100 Ilusoes

"Cold Play... I think that's a great comparison, but you still manage to have an original sound.. " - J. Spengler

"Every once and awhile you stumble across a band that gives you goose bumps and no pun intended but I feel ya! " - Jill

"Your songs are great! You have to get a band together and start playing...people need to hear your music live. " - The Entropy

"Really lovely chorus in lay me down reminds me of keane." - Flo Anito

"One Word....Amazing!!! " - Cool Planet Entertainment

"Todays world, people will do anything to "FEEL" You've done that ..." - Nathan

"Great song and impressed by your voice...breath of fresh air" - Raine

"I just truly wanted to share with you what a powerful experience it was for both of us. We were not at all familiar with your music before last night, but it left a huge imprint on both of our hearts. Thank you for your courage in pursuing this dream. " - Lisa.

•  light driving pop w/ pleasing...
•  Perfectly Wonderful!
•  a soliloquy, a colloquy, warm...

Gravity Angel is a music project consisting of poet/painter Aaron Osgood Eliad. His self-titled genre called "Slip," is composed of numerous types of underground electronic music such as agrotech, e.b.m, and industrial. His music is ripe with obsessive distortion and overwhelming keyboard modulation in hopes to devastate and recreate the landscape of sound. Gravity Angel has recently released his first album to iTunes, and is currently working on a book of poetry.

Back To Earth 31st of OCT

The Album , Back to Earth will be released worldwide on the 31st of Oct 2007.
Project Opus and Tunetribe will be the first to have the whole album for sale in downloadable format.
Hard CD copies will follow much later as we raise the funds to press them.
ITs taken me over a year to get 30+ minutes of music im happy with.
With little more than a Pod , guitar ,drum kit and PC we have produced a decent instrumental album which im actually pretty proud of.
Thank you everyone who has supported me during the whole ordeal, especially all my good friends on myspace and Project opus, you know who you are.

Get Signed up with Project Opus so you are ready to buy the album come Halloween

Lavaman is about my life, songs of deep personal meaning. Sometimes cryptic , enigmatic and we hope always entertaining! Hopefully these song will be special to you, but for other reasons. We are taking it out on the road soon, and i cant wait to melt some faces down the front rows! And whats the name Lavaman all about? That's another story my friends for another time! But i can assure you, im the original and have the documents to prove it ,lol All the best and hope to see you on the road.

•  Meaningful Guitar
•  God bless Strawberries
•  Freakin Genius

Jake Waidelich has been writing and recording songs since 1990. Prefering to usually create songs with acoustic guitar and then layering with electric and bass, sometimes keyboards and other psychedelic embellishments. In the mid 90's Jake actually stopped playing with himself for awhile and was co-songwriter, guitarist, and backing vocalist for the band SOOT which played many parties and a coffee shop in Old Town Lansing MI. After our main vocalist left for better things then we tried to keep it together as 80 Cubic Inches for a year or so. This didn't develop into much and we never refound the magic that once was. I still remember the dreams that we once shared and 'what could have been'... you can visit my myspace... http://www.myspace.com/jakewaidelich

Well I started writing songs when I broke my arm in grade 6 and have not stopped since. I have performed when I was in school and have written many songs.

•  kinda reminds me of the...
•  eighties to the max
•  When the lights go down...
• Niiiiiice
•  OMFG

It started on a Sunday in 1981, in Budapest, Hungary. Then nothing much happened for 16 years, when, hit by the peaking britpop hysteria, I decided that I want to play the guitar.

The first band I joined - founded together with classmates, of course - didn't even have a name, and lasted for about 4 rehearsal sessions. The second one - later to be known as Bob Detroit (http://www.myspace.com/bobdetroit) - is proving much more resilient, although it is currently somewhat hybernated, with myself staying in Finland and the rest of the band in Hungary.

These songs - I know there's only one - update: TWO - so far, but others are coming - were recorded in a living room, using a Linux-powered laptop. I hope you'll like them.

newport @ freemail . hu

•  Enjoyable!

Tim and Dave , close childhood friends, grew up in Victoria and then moved to Vancouver to pursue music. To make ends meet we began to work in the film industry as lighting technicians. I also picked up some minor acting roles.We got to work with the likes of Robin Williams, Robert de Niro, Al Pacino, and even my favorites Ringo Starr and Jack Nicholson. During this time I gained the experience of lighting rock videos (one of which went to number one on Much Music). Anyway, because of this we were able to buy recording gear and teach ourselves the art of recording music. In the process of recording we were robbed of most of our recording equipment. We worked to replace the gear and eventually produced this C D, Never Leave it Too Late, by Mojo Filter. Can you dig it?


1 Sparks in the Ashes (modern blues rock with some groovy tempo changes at the end)


2 Sunset Blvd (LA Rock)


3 Remember That Girl (Rock n Roll)


4 Sleepless Nights (Fast Rocker)


5 News of the Day (Heavy re-write interpretation of a "Day in the Life", by the Beatles


6 How Can Love Be Wrong (Garage rock punk)


7 If Not For You (funky clean guitars with dual vocal harmony)


8 Do You Feel Like Talking (funk rock)


9 You're On Drugs (rockin boppin comedy number with sax)


10 Too Much (Clean and jazzy but it still rocks)


11 War Song (I want You) (Heavy war rock with a nice rippin guitar solo at the end)


12 The Universe (Ballad with a big ending)

We now have written over 100 songs. a lot of our new material is even more centered on the vocals and harmonies. We are currently producing a video for Sunset Blvd. We started this while in Los Angeles, shooting scenes along Sunset Boulevard. Completing the principal photography in Vancouver on 35 mm film. We are now collecting our nickels to develop the film and edit the video.

Thanks for listening, Tim Heller (Vocals and Guitar)
Dave Innes (Vocals and Bass)
These are some of the influences filtered through the
MojoFilter
Beatles, Jimi Hendrix, Cream, Black Sabbath, Sly Stone, Led Zeppelin, Iggy Pop, Ramones, Talking Heads, Cars, Devo, David Bowie, Pink Floyd, Alex Harvey, STP, CCR, Ray Charles,, Marilyn Manson, Weezer and Britney Spears (just kidding).

Saturday, February 23, 2008
Album Review: Antiqcool Review by 17 Seconds

Album Review: Antiqcool -'Songs Of Hope And Despair' (Sicknote Records)

This is Antiqcool's second release, the follow-up to 2007's Digging For Gold. Who Antiqcool are is a mystery, neither the sleeve nor their MySpace suggest as to whether it is a one-man project or a band, the sleeves mention Pete but that is all. It is hard to know where they are based, though I'm guessing the north of England.

And what of the music? The sticker on front of the CD reads 'THe Police arrest Fleetwood Mac defended by Crosby, Stills and Nash in Simon and Garfunkel's Crowded House.' This is quite an accurate description; there are no kriss-krossing guitars here, nor apocalyptic beats or howling demonic exhortions to burn in hell.

Still reading? Good. This thirteen track collection of songs is a gorgeous, initiallly slight but more and more enticing and addictive with each listen. This is truly independent music, not because it has guitars on it, or isn't on a major label, but is genuinely music that exists for its own sake, out of time, and all the better for it. I've played it several times since it arrived in the post several days ago, and not only do I enjoy it more with every listen, but Mrs. 17 Seconds is also enjoying it too.

If there is one thing that detracts from this album for me, it's that while the album is pretty sublime, the record appears to have been produced so carefully that you start to miss the absence of a few rough edges that might actually add even more to this record.

No matter. I've been enjoying listening to this, and I think come the summer it will be on the stereo even more frequently.

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..> ..>

Antiqcool CD Review

http://bristolrock.co.uk/ By Moose

Two full length CD's to review here, 2007's Digging For Gold, and the brand new release Songs Of Hope And Despair.
Last years collection of 14 songs is chock full of simple chilled out grooves, jazzy guitar refrains and multi-tracked vocals - the sort of thing that would be perfect while lazing by a pool with a jug of Pimms just trying to forget about work/debt/war (delete as appropriate…..). There's a distinct 60's feel to the vocals on occasions, reminding me from time to time of early period Pink Floyd, or perhaps very early Genesis - but with the dramatic keyboards and pounding drums removed.

The guitars drift into Dave Gilmore territory on more than one occasion, while there are a couple of tracks on which Andy Summers-esq arpeggio type runs pop out as well - and that's before the Police-like reggae of Getting On Back To You kicks in. The material has a very personal feel, with themes generally having a very uplifting quality to them, if perhaps lacking a little in the "excitement" department.

Songs Of Hope And Despair shifts the focus slightly to the vocals, with a more pronounced harmony to most of the lead parts. There's definitely a Beach Boys influence in there somewhere - especially on Vows Were Made Of Glass, with a couple of the backing vocal arrangements reminding me of Good Vibrations, but again minus the excitement or energy the boys from the West Coast of the USA managed to produce. The Mamas & The Papas increasingly popped into my head too - you know, California Dreaming?? Pearl has a slightly more modern pop feel to it, while I'm Getting Love also departs slightly from the nearly horizontal laid back stuff that makes up the majority of the 13 songs on offer.

At the end of an extended listen I'm left kinda feeling that the main Antiqcool man Pete could do with a couple of not quite like minded muso's to collaborate with - someone that could inject a touch of variation to the material, and perhaps a shift of gear or two now and again. Don't get me wrong, there's some quality writing going on here, and the performance and recording can't be faulted either. It just all feels a bit too self indulgent, which I know probably sounds more of a criticism than I'm really intending.
If songs to chill out to are your bag, check out either of these CD's. If you need your music to get your heart racing, as I generally do, then look elsewhere……..

Moose.

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>

Saturday, January 26, 2008

Review by Paul from Leeds Music Scene

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=61472460

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..> ..> ANTIQCOOL

For any artist/band to produce two full albums in two years, is a credit
to their work ethic, include the quality of each album and you become
aware of the passion and belief of the artists involved.

The band in question is Antiqcool, their first CD "Digging For Gold"
combines smooth and slick guitar-work, with consistent vocals. The
influences of Fleetwood Mac and Crosby, Stills and Nash shine
throughout, while the band still retain an originality within their music.

The recently released second album "Songs Of Hope And Despair"
gives a feeling for this reviewer of the late sixties and summer of love
harmonies. With the emphasis taken away from the guitar, and handed
more to the vocals, this brings a "feel" of a Simon and Garfunkel /
The Beach Boys experience, which can never be a bad thing.

The strength of their lyrics is shown throughout the CD, especially
on the track "I Can See Where You're Coming From" which would
be relevant in any decade.

Both albums are an ideal antidote to the stressful world we try to
survive in, let the harmonious tracks drift you to a better and more
welcoming oasis.

In a take, take world, it makes a refreshing change to see an up and
coming band not losing site of reality, with 100% of artist profits,
generated by the sale of "Digging For Gold" and "Songs of Hope and Despair"
to be donated to the
Great Ormonds Street Childrens Hospital Charity.

Their CDs are inspired by the people and places of the north east, the
north east should be proud of this band and their music.

Antiqcool
Album:Songs Of Hope And Despair
Label:Sicknote
Website: http://www.antiqcool.co.uk
The profits from both this album and the band's previous release are going to Great Ormond
Street Hospital Children's Charity, but don't let that be the only reason you go for

"Songs Of Hope And Despair".

You might also want to consider the 60s west coast folk
sensibilities, the almost Simon
and Garfunklesque vocals. This is the second album
from Antiqcool in as many years, some 27 songs in total and
not a duffer in hearing distance.
Modern Americana with a California flavour.
It's a bit of summer sun to blow away the chills
of winter. Forty years out of time and as fresh as yesterday.

Review by Neil at Fatea Records

http://www.fatea-records.co.uk/

Featured Artist 2/2008

ANTIQCOOL
For this month, we're taking it down a notch and enjoying some
sweet, smooth sounds courtesy of ANTIQCOOL. Kiddies, I can pretty much
guarantee your parents will not only like you listening to this
music, but they will try to swipe your albums. It's something to
bond over, and no one will scream at you to turn it down; in
fact, listening to them on my computer generally gets me
requests to turn it up! This group hails from the
United Kingdom, and whoever it was that told them to write
about what they know did a great thing. All of their songs are
meaningful and intelligent, and they all come straight from
the heart.

Also a credit to the group is the fact that they have released
two albums in two years: the first being Digging for Gold; the
second being their brand-spanking-new, just-released
Songs of Hope and Despair. It is a credit to both their aesthetic
and their work ethic that they have done this with absolutely no
sacrifice to quality and meaning in their music. If I was a mother
to any single one of them, I would be exceptionally proud. The
music realm is a very cutthroat business, and you have to admire
those in it who not only make it, but make it on merit and hard
work like ANTIQCOOL has!

As for their sound, it is very reminiscent of the Beatles and Beach
Boys, with a slight jazz and reggae along with the classic rock. This
group is an aural holiday to the realm of vintage. Just like their
name, they are the best of the antique and modern, beautifully
blended with a twist and cool! Retro is in, and this group is
definitely partaking in full-on musical retro-joy with charmingly
(and deceptively) simple melodies that sooth the savage beast
and calm the soul. If you're having a lousy day, if you feel a
little blue, if you're running ragged... take a minute and listen
to ANTIQCOOL! Your nerves will soothe, your heart will stop
racing, and pretty soon you'll find a smile on your face and
peace in your mind. This is a great band to listen to to prevent
road rage, and a wonderful group to meditate to.

Your humble web-mistress' faves? "The Storm" with it's deep
baseline, rock-n-roll top riffs, and Fleetwood Mac sound is at
the top of my list! Following close behind that are
"Brothers Are Made This Way", "Beautiful Mind", and
"Oh Mary" from Digging for Gold, and "My Avatar" and
"Englishman Out in the Midday Sun" from their new
release Songs of Hope and Despair. While we've yet to
see if ANTIQCOOL will be the next British Invasion, they
are well on their way to a shining star of a career!

Review by Mousie

http://www.angelfire.com/indie/mousie/spooky/deathsong.html

Links for ANTIQCOOL:

Digging For Gold on CDBaby.com
Songs of Hope and Despair on CDBaby.com
ANTIQCOOL on GarageBand.com
ANTIQCOOL on Podshow.com
ANTIQCOOL's MySpace Blog
ANTIQCOOL on MySpace
Don't forget to look for their CD Digging for Gold on iTunes!

..>

Monday, February 25, 2008

..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..>..> ..> Antiqcool

Review by Demo's Reviewed

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=177407807&blogID=361230828

With the fantastic album 'Songs of Hope and Despair' this jazzy rock band could
be on to something here, and manage to produce an album that not
only has a high level of quality throughout, but puts across several different
sounds, styles and songs.

'Englishman Out In The Midday Sun' sits comfortably in the Beatles
deep groove of easy going, feel good music, whereas
'Vows Were Made Of Glass' comes across in a slightly catchier vein, with
a clever opening and an enjoyable feel.

With 'Just Another Groove On A Forty Five', however, the album has
its first stand-out track. This is majestic, and the quality of the track
cannot be ignored.

There are some rockier tracks to compliment the more opo inspired
gems elsewhere here, with 'Pearl' and 'Got To Make That Call' showing
promise, and with 'I'm Getting Love' they possess a funky, stylish number.
Their repertoire is quite vast.

However, all previous tracks are trumped by the album's end track.
'My Avatar' is fantastic, boasting hypnotic drumming and a simply
fantastic vibe. It's a great way to end the album.

Their MySpace page features tracks that underline their talent, so
it's well worth checking out for yourself. If you can get your hands
on this album, go for it.

Antiqcool - Drifting Through My Mind

Review by ONE LONELY HORN

http://onelonelyhorn.blogspot.com/

Placing a prominent sticker on the front of your new
release that lists the bands that have influenced the
recording does you no favours at all. It practically invites
the listener to spend their time spotting the references
rather than actually listening to the music. A particular
shame in the case of Antiqcool for Songs Of Hope And
Despair is anything but a lazy re-tread of already familiar
sounds.

The driving force behind Antiqcool is singer, song writer and
guitarist Pete Smith - further details are hard to come by -
but, as the album is inspired by the people and places of the
North East it seems entirely possible that he hails from that
particular neck of the woods.

The opening track - 'Englishman Out In The Midday Sun' sets the tone with
ethereal vocals layered upon lyrical guitar lines that put me in mind of the Isley's
Summer Breeze, and this relaxed, chilled out feel is maintained throughout.
Herein lies one of potential problems that Antiqcool face in their quest to be
noticed. Their airy, breathily light music just sort of drifts through your
consciousness on a first listen and, in the frantic, instant world in which we live,
runs the real risk of being ignored.

It is only on second, third and subsequent listenings that the strength of Pete
Smith's writing becomes evident. There is a lyrical strength here that is worth
exploring. And, if sometimes the imagery is a little naïve ('I was a pearl in the
middle of an empty shell, found me a home in the bosom of a girl who casts a
spell'), this is more than balanced by a fair share of honesty and tenderness
('Going home, now I'm feeling alone, Got Some pictures in my head to call my
own'). Add to this a strong melodic talent and the vision to experiment with
chord structure and texture and you have much to admire and like.

Songs Of Hope And Despair is not yet the finished article. The production
does not always hang together as well as it could - and neither, more
worryingly do some the songs. This is best illustrated by 'Just Another Groove
On A Forty Five' - perhaps my favourite song and yet the most frustrating. It
has an inviting guitar intro, a strong opening verse, a powerfully understated
hook and a pleasantly melodic guitar outro, but too frequently meanders away
from the road it set out upon and, at over 6 minutes is too long.

The more I have played this album, the more delights I have found on it and the
more I have enjoyed it. If Antiqcool could find a sympathetic hand to lend a
little more focus to their ideas then the future could look very bright indeed.

Message to Publishers

Publishers wishing to contact me regarding exploitation of ANTIQCOOL songs
please leave a message and I will get back to you .

Email :

Web : www.antiqcool.co.uk

Follow the links to hear ANTIQCOOL tracks

http://cdbaby.com/cd/antiqcool2

http://cdbaby.com/cd/antiqcool

Need music for your podcast or radio show? Many Antiqcool tracks are free to
download from the Podsafe Music Network PMN

http://music.podshow.com/music/listeners/searchResults.php?SearchString=ANTIQCOOL

•  Blah, blah, blah...

An autonomous collective of unsurpassed musical genius, Groovy Julia has appeared in many incarnations over the years. From acoustic buskers to formless jazz combo to horn-driven R’n’B outfit to roots rock ruffians, Groovy Julia has played to thousands, even entertaining some. Although some have said that Groovy Julia is the kind of band that gives rock a bad name, it’s an extreme characterization that isn’t entirely true. Best known for their hits… well… best known for their legendary… umm… best known for generally arriving at gigs on time, Groovy Julia continues to carry on in the tradition of The Who, in that they don’t know when it’s time to give up. Building momentum on sales numbering in the tens of their seminal opus, “Cry Like a Man,” the GJs play live sporadically, record occasionally and always rock with the best of intentions.

WHAT THE CRITICS SAID

“Groovy Julia – A band best served cold.”
- Rolling Stone

“The sound of jackhammers smashing up the sidewalk outside my apartment was more pleasant.”
- Lloyd Bridges (Scuba World)

“Turn the volume down – way down - and wait for the enhanced DVD retrospective of these pretty boy gadflies.”
- “Q”

“We want them for the next swimsuit issue.”
- Sports Illustrated

“They’re nothing but a disagreeable mélange of syrupy treacle and discordant din. But with a doily here, some potpourri there and a few scented candles, they’d be a welcome addition at your next festive occasion. And that’s a good thing.”
- Martha Stewart

Playing the compositions of Cam May, Sandy Barron, and Lara White, Remote Kid is a seven piece pop-rock band based in Calgary. An enjoyment of carefully controlled noise, vocal harmonies, and difficult arrangements is their hallmark.

•  They're back!
•  Another great one from Remote...
•  Really great stuff!

With life spinning out of control on tour in the UK as "The Ryecatchers," Danny and Mark decided it was time for a change… Returning to Vancouver, Danny bumped into an old flame, Shannon, and after a few drinks she decided she would rather be in a band than a relationship with him. Danny reluctantly agreed, phoned Mark, and formed Danny Echo in the fall of 2005! Since then the Vancouver music scene has embraced the incredible vibe of Danny Echos’ rock and rollio presence. “Half the audience knows the words better than I do,” Danny said at a recent Railway club show. And even if they don’t know the songs, audiences still get into the energy and sounds of Danny Echo. With influences drawing from the greats like The Rolling Stones, The Who, The Beatles, Radiohead, Oasis, and U2, Danny Echo reverberates with all that is melodic, all that is catchy, and all that is rock and roll. As Mark observed, "it's all that it should be, damn it!! In between rockin' out around Western Canada and playing around Vancouver, a 5 song EP has been recorded and is now available for download at dannyecho.com. The full length album is currently being written and arranged, and will be out in time for Christmas - but only if you behave yourselves, you spoiled little brats!

Chiwawa is Laurie Gordon and Krassy Halatchev. The duo's approach can be described as neo punk disco pop rock with elements of "that sounds familiar" (but it's not)- CHIWAWA are the real Eurotrash (or is that EuroThrash?) claiming refugee status moons ago - a Bulgarian Hungarian combo. CHIWAWA play bass, vox, guitars, synths and other eclectic instruments creating heavy grooves and luscious melodies. All the while, Laurie croons the crooner's tune. On stage, CHIWAWA electrify as two and sometimes multiply into four or more bodies dabbling with electronic knobs, a drum kit, or solo violin.
2006-2007 finds CHIWAWA busy creating soundtracks for film and television as well as in studio recording and remixing tracks for their next album "Bus Stop Chinese Buffet" set for release mid 2008, to be released with "Spare Change", Ryan Larkin's final animation film featuring the track "Do It For Me". An NFB -MusiVision co-production

•  Interesting and Sexy
•  Love it... Love chiwawa
•  It's 30 below and I...
•  She's a Furious Angel
•  a little off beat

"SKOOKUM is a riff-rock PARTY! Hilarious anecdotes are regaled with engaging songs delivered by strong vocals, solid grooves, and a wall of sound that brings an audience to its feet!"

In the beginning there was a catastrophic boom … and, without the use of an epidural, SKOOKUM was born.

Out of the depths of a deep forested bush lumbered this monstrous behemoth of rawk! It had a thunderous bottom end and the animals gathered ‘round to hear its driving beats and infectious rhythms. This indescribable beast could only be known as SKOOKUM!

This was NO serious matter though, as the dreaded SKOOKUM would take to heavy fits of laughter, nocturnal musings and doses of a strange forest tea brewed from alder berries and rootmarm. Yet, you could always be sure that as it reared its big hairy head, you would be raising your fist to the air in an all out heavy rawkin’ salute. An awesome creature . . . SKOOKUM sounds like no other!

Oh yeah... and there’s these four guys who like to play infectious riff heavy rock. So, in the end… There's no denying it… they’re big and they rawk, they sound SKOOKUM!

CoryVan - Lead guitar/Lead Vocals
Audie - Bass guitar/backing vocals
Storm – Drums/backing vocals
Shiny - Guitar/vocals

Formed in early 2002, Vancouver's Azimyth is Corey Hawkins (guitar/vocals), Arlen Chudley (drummer/percussion) and Rory Chudley (bass). Their myriad of musical backgrounds and influences has skillfully coalesced into this surprisingly mature, heavy-hitting, post-grunge trio of young Canadian lads. The focal point of Azimyth is self-taught curiosity, Corey Hawkins employing tremendous singing and songwriting talent and years of rock'n roll experience. Asked for influences, Hawkins lists Nirvana, Pixies, SLipknot, Buddy Guy, Duran Duran, INXS and the Beatles, finally describing Azimyth as "pop-metal". Azimyth is indeed an approachable, if noisy, entity. Hawkins' grinding guitar genius paves the way for diversified vocals - at times soft and brooding hums, other times rich, resonant screams. Brothers Rory & Arlen's dynamic chemistry combined with their eccentric personalities spawn a unique and energizing musical foundation, which complement perfectly with Corey's emotionally persuasive art. Also introducing Julien Giraud as Azimyth's second guitar arsenal. An amazing player of 15 years Julien handles the guitar like none other. Forming fast paced solos with his eclectic style he completes Azimyth by building up a solid wall of guitar while playing live or in the Studio. Azimyth is undeniably active in the West Coast music scene, performing live at countless local venues. Their electrifying live performances are not to be missed, setting stages ablaze throughout Vancouver; such as their notorious show for radio station 99.3 The Fox and their Santa Fox Food Drive. Hawkins' heartfelt songwriting appeals to a wide audience, as made apparent by a devoted local fan base ever thirsty for their crunchy post-grunge new wave rock.

•  Live at the Columbia
•  Grunge

The term "justmegan" plain and simply began as a stage name that was used to represent an 18 year old girl, Megan Carlson, a singer/songwriter from Punxsutawney, Pennsylvania. This name has remarkably evolved from a one-woman-band to a tight, rock and blues group, with each member offering an essential, irreplaceable talent.

You might ponder, "is that a typo?" No! You have read correctly. "justmegan," all lowercase letters and one word, to boot, is completely deliberate. What started as a clear indication of a young woman establishing herself in the musical world, has grown into a close-knit group of musicians completely using their individual talents to accentuate her original songs. Together, they have created a very unique sound that blends blues, rock, and indie music with influences from various other genres to become quite the musical force. The name was originally intended, "Just Megan." to be certain people would know there was, in fact, just Megan: her guitar, her vocals, and her raw implausible gift for writing deep, melodic songs of well beyond her years. Her paradigms were entirely shifted, as her hopes of having a full band to support her music had finally come to pass. "I love to create independently. But, by no means am I the lime-lighter type. I firmly believe that as an artist, you have to be willing to be a team player and work together and compromise. You can't do it all on your own. When that begins, sadly, it's reflected in your music. They don't say two heads are better than one for nothing!" Carlson chuckles. "Besides, there's no feeling better than other musicians wanting to play TO you! It's easy to go strictly acoustic all the time," she articulates.

In June of 2006, the band released their first album as a unit, Blue Avenue, gaining a whole new entourage of fans and radio stations, as well as a well-known author from Alabama, "Quillan." "[The album] is a well "put-together" project [with] excellent music, well written lyrics, and good photo work. I highly recommend it," he raves.

In addition to writing and performing inimitable tunes for all types of listeners, the band is extremely passionate towards using music to benefit assorted organizations. In the past, a track off their debut album was featured on a compilation disc to benefit cancer research. Most currently, the band is working with Illumina Records. Their latest endeavor was participating in a "Rockers for Life" campaign to promote drunk driving awareness.

As if this now 22 year old front woman for "justmegan" isn't busy enough with creating music, she is a recent college graduate teaching elementary students, in addition to creating digital art for an accomplished author, while continuing to photograph as a side hobby. Her vocals have been compared to those of Pat Benatar, Christine McVie of Fleetwood Mac, Tracy Chapman, Chrissy Hynde of the Pretenders, Blondie, Joan Jett, Jewel, Ani Difranco, Lisa Marie Presley, and most recently, Aimee Mann.

Currently, the band has just released their second album, I Get What I Want, and their music is being played on over 100 FM radio stations, as well as numerous Internet stations, podcasts, and XM/Satellite radio. For more information, or to hear sample tracks, visit www.justmegan.net or check out their myspace site at www.myspace.com/justmeganmusic.

We are also currently on TONS of sites so please be sure to check them all out! (listed below)
Visit www.justmegan.net to see them all!