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| On Project Opus since: | August 8, 2006 |
| Last seen: | 8 hours 22 min ago |
| Biography: | It all started a couple years ago. It was a bit strange to start getting airplay before I'd ever performed in front of an audience. Sure it was a little weird hearing my songs on the radio while I was still in the studio recording my EP. Yeah, it was quite surprising to know that the songs I was recording just for the sake of having a record of my own music were out there reaching others. Still... we appreciate what falls in our lap. Since that crazy year we've played all sorts of great shows. As of today, the second CD is half finished and features no less than 4 drummers. Somehow I ended up playing bass on Sweet Misery... something to do with a last minute change and a 5 string. We've gone through a few drummers, but we think Doug will stick around! He's also a paramedic. I met Doug for the first time AFTER I had already recorded "Sweet Misery". So what? Oh... Sweet Misery features a line about a paramedic rushing to the - nevermind... wait for the track to be released. We like Ibanez. Our first drummer is now a guitar player and sings in a punkish band. It's not as bad as when you find out your ex came out of the closet after they dumped you though. Jonathan plays bass. He's like a musician magnet. I think he gets propositioned by bands at every show we play. Most times they actually want him to play bass. We found our drummer on Craigs List of all things. I can't remember how much we got paid by his last band. Mickael is the singer guy and guitar player. Someone recently told him he rocks it old school. He hasn't quite recovered from that yet. Jonathan likes film, video game music, and Sleeps with Matches. Doug likes Jägermeister, his new tattoos and Tool. Mike likes science, family, and a little ecclecticism. Sure there's more, but you'll have to give Jonathan a hug at the next show... he'll tell you more at that time. |
| Albums: | In Loving Misery,Free |
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| On Project Opus since: | January 2, 2006 |
| Last seen: | never |
| Biography: | We're changing the band name. We will tell everyone what it is at the next show. stay tuned..... |
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| On Project Opus since: | July 10, 2007 |
| Last seen: | never |
| Biography: | Autobiography of an Unsigned Artist David played his first guitar at age 20. It was an acoustic that basically introduced him to chords and notes on the fret board. Then it was shortly after that, he purchased his first real electric guitar, a Fender Stratocaster. A couple of years later, a Les Paul custom and to add the icing on the cake, a hand made Boogie Amp manufactured by Mesa Engineering around 1982. Since he began playing, David was in and out of garage bands, always maintaining the Rock Genre. With the discovery of Michael Schenker, his dream was to play like Michael, but was just not capable of shredding, so instead, he created his own style of playing that has become his signature sound. In the beginning, lots of negativity came his way, but that didn't stop him pursuing the guitar. His style seemed to become more refined as time went along. Emotion seemed to become more prevalent in his playing. His guitar playing has achieved a level of certain viturosity and giving him the ability to venture out as a solo artist with songs that are beautifully layered track on top of track with different guitar sounds all in synchronization with each other. Thus Twilight's Edge has been created. Twilight's Edge is a musical entity that explores new areas of Rock/Metal. It is an alternative to commercial Rock & Metal music and is located in the San Francisco Bay Area. At the core of Twilight's Edge is Artist, Recording Engineer, Producer and Manufacturer, David Anderson. David's playing is a translation of 70's and 80's Rock guitarists and culminated into a distinctive style that truly is his own. As you listen to David's playing, you just might catch glimpses of Leslie West (Mountain), Ronnie Montrose (Hagar), Paul Kossoff (Free), Brian May (Queen) or even Buck Dharma (Blue Oyster Cult) and many other rock Legends of the 70's and early 80's. On the other side of Twilight's Edge is Nick Anderson, a young guitarist usually found in the Thrash/Death Metal realm. Nick took time out of his busy schedule to contribute a very tasty piece of Metal with an eerie instrumental that will surely catch your attention. Around 1988, David bought some studio gear and began experimenting around with recording. Learning what the equipment was capable of and stretching it to the limits. After a few short months, things came to a halt and the equipment sat for about 15 years. Then during the winter of 2003 David had an inspiration in music and was able to capture And so began a 3 year journey into the creation of a very unique and quite different CD titled Simply Guitar. It was through the Simply Guitar journey that provided the experience needed to self produce and self manufacture a CD. This all provides a basis for future projects that may also involve other musicians and/or artists. David has produced a CD that is unique and different than any other of its kind. Only the electric guitar is used to produce the basic beat, a passion and a melodic drive that the end result is nothing less than music with a life of its own. David Anderson has proven that he has the ability to go solo on a CD project without the assistance from any production group or groups to get the job done. This then becomes a labor of love for the craft as well as the music produced by that craft. This phase of the journey is now over and has morphed into a more complex Twilight's Edge, a more mature artist has emerged. Cheers and Best Regards, |
| Albums: | Strange Brew,Midnight Rider,Simply Guitar |
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| On Project Opus since: | December 12, 2007 |
| Last seen: | never |
| Biography: | Let me introduce myself, I am David Anderson, Ex-Twilight's Edge fame. I am now taking on a whole new direction. Instead of layered guitar orchestrations, I now am embarking on a different journey for myself. I decided to go this route because an acoustic guitar is so easy, just pick it up and play. An electric guitar, you have all sorts of things to deal with. An acoustic allows me to deal with songwriting without all the complications as you get with an electric, like tone, bad cable, blown tube and the list just goes on. The part I like about an acoustic is that it keeps my songwriting simple. My first song to post here will be 'Lost Souls' or maybe I might change the title to 'Old Soul', haven't decided. Life has a dark side to it and that is what this song deals with. The song probably won't mean much to you if you have everything going for you. But if your homeless, have lost everything or maybe terminal illness, there just may be a connection. Then again maybe not. You'll have to check it out when I release it and let me know what you think. I have never professed being a great singer. So don't look for an awesome crooner here. The songs here will be in raw form for both lyric and music. Remember, it's the content that counts in songwriting. Stay tuned for more...................... |
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| On Project Opus since: | September 6, 2006 |
| Last seen: | never |
| Biography: | ONEYEDJACKS ON ITUNES: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=214816658&s=143455 The Tale of Oneyedjack... Fast forward to 2007, the Jacks have added and lost an accordion player, played several shows around BC and added a Blues Harp into the works. The band has also finished recording a bunch of ne |
| Albums: | YARRR! |
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| On Project Opus since: | June 18, 2007 |
| Last seen: | never |
| Biography: | One Brave Soul is: kip - vox/guitars I try to put something into each song that will disarm the listener in some way... to evoke certain feelings or thoughts.... or even colors in some cases. I think in some of our songs you could be looking at the bare shell of the music and thinking, well this isn't much... but lyrically the song is making you wonder, or soothes you, or is troubling you. Or maybe the lyrics seem like candy but something musical seems to be poking you in the eye. Duality of meaning is common in One Brave Soul songs. You could very easily write out several different meanings to each song and all of them would be right. But overall, I hope people get a good vibe from our songs. We are not a negative band by any stretch of the imagination. I am just a huge fan of art that seems incredibly odd... yet somehow in the end leaves you happy and satisfied. Like a Robert Smith song or a Tim Burton movie. |
| Albums: | Angel EP |
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| On Project Opus since: | March 30, 2006 |
| Last seen: | never |
| Biography: | greetings opus people rise up, the dawn has drawn it's self above the tree line and we ride for higher ground. You there leave the Chaos behind and press forward into warming light. Rock. |
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| On Project Opus since: | March 28, 2006 |
| Last seen: | never |
| Biography: | Bella are a trio whose music gets you all tangled up in a West coast indie pop synth dream, replete with soaring guitars and unique vocals. Bella are known for their energetic and unpredictable live shows that feature multiple instrument swaps and hip-shaking dance moves to entice the audience. They have been critically acclaimed by local music magazines across the country, and Britain's NME called their song "Didn't Mean to Break Our Love" a "standout tune"... Currently working on their second full-length album, Bella are sure to deliver another pop gem for the kids to dance to! -Exclaim! Bella has performed with bands such as Pretty Girls Make Graves, The New Pornographers, Imperial Teen, and Phoenix. Please visit the official bella site or myspace for more info www.bellamusic.org |
| Albums: | Pretty Mess |
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| On Project Opus since: | March 29, 2006 |
| Last seen: | never |
| Biography: | If you have been waiting for a sound that is innovative and eclectic (it’s soulful… it's jazzy...it's bluesy...it’s funky…), yet savvy enough to ride the waves of popular radio, look no further. This is a dynamic artist in touch with modern culture and carrying a message that is impacting those who encounter it. The soulful sound of singer/songwriter/musician Greg Sczebel (“suh-bell”) is steadily capturing the attention of a wide range of music enthusiasts. From the moment you first hear the rhythms of his piano you will be intrigued. His talent is obvious...but then the vocals glide onto the scene and you see that there is more to this artist than just a good beat. His lyrics are intelligent, showing a mature depth, and he doesn’t sacrifice the musicality for catchy hooks. Greg is passionately committed to making good music. And it's obvious others are catching on. He has been recognized for his outstanding talent as an artist, having been honored with many remarkable opportunities and awards. He has shared the stage with a variety of the entertainment industries’ top performers, including Grammy Award-Winning Producer, David Foster, jazz crooner, Michael Bublé, 6–time Juno Award Winner, Colin James - as well as Casting Crowns, Jars of Clay, Leigh Nash (of Sixpence None the Richer), Bebo Norman, Carolyn Arends, Out of Eden, Shawn McDonald and more. The end of 2004 brought Sczebel a Canadian Urban Music Award nomination, four CGMA (Covenant Award) nominations, and ultimately two CGMA awards (‘Male Vocalist of the Year’ and ‘Rap/Hip-Hop/Dance Song of the Year’), as well as an Okanagan Musician Award for ‘Gospel Artist of the Year’ for the second year in a row. In 2005 Sczebel continued to gain momentum by picking up a JUNO AWARD (Canada’s Grammy©) for his debut album “Here to Stay” in the category of ‘Contemporary Christian/Gospel Album of the Year.’ Shortly after, Sczebel was nominated for a grand total of five Shai (“shay”) Awards (Canada’s Gospel Music People’s Choice Awards) – ultimately taking home 3 of these - ‘Pop/Contemporary Album,’ ‘Urban/Soul Album’ and ‘Song of the Year’ for his single “In the Pocket”. In addition, Sczebel was a grand prize–winner in the international 2004 John Lennon Songwriting Competition, for his title track, “Here to Stay” and more recently was a finalist in the R & B category for the 2005 John Lennon Songwriting Competition for his song “You’ve Got It”. At the close of 2005 Greg was also privileged to sign exclusive endorsement deals with both Audix Microphones and Yamaha USA Pianos & Keyboards. And this is just the beginning of what is quickly becoming a well-established music career. But in spite of the acclaim, Sczebel still finds the most value in the personal connection between music fans and his songs. "To be validated by the awards and opportunities is always encouraging. The most exciting thing though, is hearing that my music is connecting with people. If I can continue creating music that impacts those who listen to it, I'd love to still be doing this 40 years from now." If the present is any indication to the future, Greg Sczebel is well on his way to reaching his goal. Career Highlights: QUOTES: PAUL BRANDT, AWARD WINNING COUNTRY RECORDING ARTIST KEVIN EDELMAN, MUSIC SUPERVISOR - METALMAN MEDIA INC. CAROLYN ARENDS, DOVE AND SHAI AWARD WINNING SINGER/SONGWRITER DIONNE SMITH, PRESIDENT, VIBE GOSPEL MUSIC HEATHER CLARK, HEATHERCLARKBAND JAYLENE JOHNSON, SINGER / SONGWRITER |
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