TeachONE is an emcee who grew up in the Bay Area of Northern California. Even though he has been writing hip-hop lyrics since his early teens, he is only now at the age of 27 starting to put his music out there for others to hear. This new desire to be heard has come out of two things: First and foremost is the fact that Hip-Hop has been a lifelong passion for him, and eventually it was going to come out in a public way. Second, and probably more importantly is that as a teacher his goal is to lead and inspire through action. He is currently a teacher in what most peeps consider to be the birthplace of Hip-Hop, The South Bronx. He is fortunate enough to teach three subjects he loves with a passion; English, Social Studies, and the crowning achievement a class on writing Hip-Hop lyrics. As a teacher his goal is to model the drive and desire it takes to make it in Hip-Hop while still keeping the integrity of the art form intact.

TeachONE is humble about his skills, as he has spent much of his life pursuing many goals beyond Hip-Hop that had to come first. However, in his music you will find that his goals are clearly stated: Describe the problem, take the problem head on, and create a way to fix it. His goals are to improve the lives of people who live in what most people condescendingly call the "ghetto." A product of the "wrong side of the tracks" in a fairly affluent suburb, he makes no claims on being "ghetto," but his actions always show that he has a fairly strong understanding of the struggles of the people he works for and fights for. His first goal is taken on at the micro-level every day when he steps into a classroom in the Bronx as he strives to give students of all races, cultures, religions, socio-economic backgrounds, etc the opportunity to learn what it takes to succeed in a country where the odds are invariable stacked against those who do not fit the image of the "mainstream." His next goal is to use music to shine a light on what he thinks may be some of the answers to some of the most difficult questions we face on the Macro level.

• I love it mr. pepper
•  I can't. Stop. ...
•  Hot beats, but ...
•  There's always something ...
•  Somewhere in a dark laboratory

Biography
From Grandpa I got my storytelling. His visits were rare, as he and grandma lived in St. Catherines Ontario, and we lived just outside Calgary, Alberta. They spoiled all 8 of us children (according to my dad) but the biggest gift Grandpa always gave us was to tell us bedtime stories of the “olden days”.

Grandpa’s stories usually involved exciting stuff like runaway teams of horses, shooting at wolves, or somebody getting body parts torn off. His tales were filled with gestures and sound effects. He really had a way of bringing them to life. And he listened when a kid told him a story. He made you feel your stories were important.

From Mom and Dad I got music. My Dad and my other Grandpa were both musicians. Grandpa Hubele (of whom I knew very little) was a very good organ player. My dad played fiddle in his early years, touring around southern Alberta with a country dance band. He and Mom would, very occasionally, play duets on fiddle and piano when we were little kids.

I can remember waiting til my parents went out. Since I was the oldest, I often babysat my brothers and sisters. I would sneak into Dad’s fiddle case to take out the fiddle and play it. Except I was always trying to make it sound like a guitar, and I played it like one.

We moved back and forth across the country, from Ontario to Alberta and back many times as I grew up. Dad kept trading up for jobs, and I was in a new school almost every year. I became a loner and a rebel. I turned to humor to make up for my small size. I’d find the biggest kid in class, figure out how to make him laugh, and I didn’t have to worry about the rest of the bullies. It pays to have friends in high places.

I believe I had an undiagnosed hearing problem caused by a trauma (now confirmed as a severe hearing loss). I never could quite understand the lyrics on the radio which was always on in our house, so I made up my own.

My earliest memories were of crossing the big empty fields which made up the neighborhoods of my youth, singing at the top of my lungs and making up words as I went along. My mom says she could pick me out of the flocks of kids coming home from school. I’d be waving my arms and singing to myself as I walked across the prairie.

I started writing songs in a serious way when I was 21 years old. A friend, who had been showing me how to play guitar, and I went out to live on the beach on Vancouver Island at Pacific Rim Park. I was picking away when a simple line kept repeating itself in my head. I wrote it down, and in ten minutes I had a song. It seemed to open flood gates, and for the next 2 or 3 years I wrote a song or two a week. I average about a song a month now. But, they are better songs.

(over)

Biography, page 2

To write successfully, I usually have to be alone, have all my chores done and time on my hands. Words and melody most often develop at the same time. It takes from 10 minutes to 1 hour to write a song. It takes me two weeks to learn it. I like to wrap a song around a good story line. They always come from my own experiences.

I was fascinated with the blues from the get-go. I came in through the back door. J.J. Cale, then Hot Tuna. Then B.B. King, Freddy King, and Muddy Waters.

When I heard Bonnie Raitt play slide guitar, I was gone. I had to learn how to do that. I followed her trail back to Mississippi Fred McDowell. “You want rock, you gonna have to put me in a rockin’ chair. I plays the straight and natural blues.”

I also paid attention to the songwriters, my favorites being Paul Simon, Harry Nillson, Willie Dixon, and Tom Waits.

My interest in jazz developed through my association with other musicians like Calgary’s late Chuck Tracy, a gruff, funny, kind of crazy lounge musician. He introduced me to Tom Waits, Mose Allison, and Fats Waller amongst others.

As well, it became a habit to listen to the great Alberta radio station CKUA on Saturdays. Bill Coull’s Jazz Show was a fifteen year course in ‘Everything You Should Know About Jazz’.

I also have a life-long addiction to comedy movies and comic books. One of my Dad’s jobs was as a projectionist in a small town. Once a week on Saturday night the local community hall was turned into a theatre. I was very young (3 years til 7 years old) but those old black and white 16mm movies of the Marx Bros, Chaplin, and W.C. Fields remain deep in my psyche.

I think this was a great influence on my writing. Most of my songs have a little humor and a strange twist to them.

I have worked as a laborer and heavy equipment operator and truck driver since leaving the University of Calgary after 4 years of unrelated courses and wandering interests. Previous to that, I had worked at the CPR as a ticket clerk. I began working at age 14 at the steel mill where my father worked. I did not graduate from high school.

I have written songs for 32 years. Recording began for me in 1978 with the Acme Sausage Company with Holger Petersen broadcast on CKUA. Since then, I have been on countless radio and tv programs. I have recorded 6 albums of original material, and I just finished recording my demo for the 7th, and most exciting, CD - ‘Down In Davis Bay’.

•  Somewhere down the midnight cafe

Vincent Van Gogh “loved life so bad, his paintings had twice the color other paintings had”. So sings Jonathan Richman (on Rockin’ and Romance).

And that tells you something about musician Allison Crowe.

A modern lover of music, blogger Muruch frames it like this: "There's really no way to convey through mere words how much the music... moves me, or how I want other people to listen to and adore it as much as I do. Allison sings with such an intensity of emotion, it's easy to see why she's often quoted as saying 'Why music? Why breathing?'... that kind of artistic passion seems extremely rare these days."

"I love singing for people," says Allison Crowe. "It's a way to connect and share with others. Communication is crucial. Just being able to do what I do, to write and sing and perform, makes me feel not only alive, but incredibly lucky. Knowing at any moment everything could change, I don't take one second for granted."

Born 26 years ago, on an island, in the harbour city of Nanaimo, B.C., today Crowe's reach is global. The audience for her music videos and song downloads numbers in the millions.

"Allison Crowe has a voice to fall in love with," says UK music industry journal Record of the Day. "She is from Vancouver Island in Canada, descended from Scottish, Irish and Manx stock. She's exactly the sort of artist who can make serious headway on her own label and that's just what she's doing."

When this phenomenon 'from the islands' reached the mainland she steered a path clear of what Joni Mitchell knowingly calls the record industry’s “style inventions”. With Ani DiFranco and Loreena McKennitt as models Crowe created her own label. Since 2003, Rubenesque Records Ltd has released five critically and commercially successful albums: Lisa's Song+ 6 Songs; Secrets; Tidings; Live at Wood Hall; and This Little Bird.

"The first thing you notice about Allison Crowe is her voice. Rich and dark, it seems to come from a place most singers can only dream of accessing. Then there are the songs. Filled with raw passion and accompanied by Crowe's eloquent piano playing," writes Clodagh O'Connell (The Courier). Hers is a joyous sound: "Elton John meets Edith Piaf."

A sensation at the UK’s John Lennon Northern Lights Festival, “Canadian angel Alison Crowe gave one of the weekend's most magical moments," says The Scotsman. Festival Director Mike Merritt describes Crowe as "awesome" and "spine-tingling", noting her performance “put hairs on the back of your neck! She brought the house down."

A true grassroots success, Crowe’s praised not only as a singularly talented songwriter - on themes personal as well as worldly - and as a visceral performer, but, also, as a supreme interpreter of song. Her vital takes on such 21st century standards as Leonard Cohen's "Hallelujah" and Joni Mitchell's "River" are applauded as "truly transcendent". Her Tidings CD, a mix of traditional carols plus songs of joy, peace, and redemption from the secular songbook, is an emerging classic: "music for the season and all time".

"Her voice celebrates the music with a bluesy rock-gospel intensity; her controlled vibrato, silken rasp, and powerful projection rivet your attention. This is no casual background music. be prepared to be amazed," says Hamline University Professor Of Law - and CD reviewer - Carol Swanson. "Every song radiates sincerity, creative flair, and emotional intensity."

”It takes a lot of self-confidence to tackle Aretha (Franklin)'s version of 'I Never Loved a Man...' but Allison does and nails it just as good as the Queen of Soul herself. Her piano playing is equally exquisite," says Bob Muller, curator of song covers at JoniMitchell.com in his review of Crowe’s newest album, This Little Bird. He sums up: "Treat yourself to one of the mightiest talents on the singer-songwriter scene today."

David Powell, Welsh-based tech writes: "I'm listening to 'Effortless' on (Allison Crowe's) This Little Bird album with my Pro-Ject headphone amplifier turned up about a quarter more than on most modern records. It sounds fantastic because unlike most modern records it hasn't had the **** compressed out of it to raise the loudness."

Vocalist, pianist, guitarist, songwriter, engineer, producer and arranger, Allison Crowe now lives in Nanaimo, British Columbia and Corner Brook, Newfoundland. From these home-bases, (spanning the full 7000 km breadth of Canada), she tours steadily, earning a reputation for exciting live shows that stir together her original songs with much-loved interpretations in an organic blend of rock, jazz, folk, Broadway, gospel and soul.

"Ever wonder what it would have been like to listen to a gifted singer/songwriter from Saskatchewan in a small, intimate hall before she became Joni Mitchell? Don't fret the missed opportunity. There's no need to turn back the clock. Check out Allison Crowe," says Robert Reid in The Record.

"Allison has a special gift that is so very rare in musicians today. She is true to her mind, heart and spirit," says Ross Hocker, long-time public broadcaster with NPR affiliate WGTE. Hocker, whose musical taste embraces Thelonious Monk, Bela Bartok and Charles Gounod, calls Allison Crowe's live performance "the most honest, heartfelt, and directly intimate concert in my entire life."

"In an entertainment world that increasingly genuflects at the altar of instant fame, Crowe seems an anomaly, building her career slowly and carefully," notes Adrian Chamberlain, of Canada's Times Colonist newspaper.

"Soulful. Alive. Joyous. Grievous. Real, true, music is what I want to make," says Allison Crowe.

You can lend an ear...

Spygirl plays lush, melodic, elegant, and dark pop/rock. If Spygirl were a martini, they’d be equal parts sonic assault, naked duets and lush harmonies with a dash of drum & bass, and garnished with a twist of Canadiana - shaken vigorously, of course. If Spygirl were an outfit, you’d look geek-slick, full in all the right places and your ass would look hot.

Spygirl recently completed their second full-length album, pieces of evidence, slated for national release March 2008.

Spygirl was overjoyed to work once again with favourite musical wizard Tom Rothrock, who mixed a few songs on their 2000 self-titled debut. This time he came on board as Producer in full. Mr. Rothrock (who has also created records with some of popular music’s great recent innovators such as Beck, Elliott Smith, Elbow, Sloan, Badly Drawn Boy and James Blunt) helped the band create a spontaneous, relaxed and raw recording, due in part to his laid back mix of confidence, spontaneity, knowledge and love of music, and in part to recording much of the album live off the floor. The result is a group of songs that belong together, sharing a landscape that is lush, melodic, elegant and dark.

This is the band’s 12th year. The Vancouver-based 6 piece group was born out of a musical bond between founders Koralee Tonack (lead vocals, guitar) and Jane Gowan (trumpet, keyboards). The two initially formed Time Waits - the acoustically charming mother of today’s luscious pop child. The group included Jon Roper (guitar), performing mostly original songs written by Gowan. Several recordings were released on cassette. Now those are hidden away in boxes...somewhere. Eventually James Ong (keyboards) and Eduardo Ottoni (drums) joined, and with a fuller sound developing, the band released their debut CD entitled This Thin Disguise.

A collective desire to streamline the sound resulted in a less acoustic, more pop/rock sound. The viola da gamba and accordion, previously played by Ong and Gowan respectively, were abandoned in favour of keyboards, fender rhodes and trumpet. By this time other band members had begun contributing to the songwriting, creating excitement and freshness. As the direction of the music changed, so did the name, and the band’s self-titled debut (informally known as The Yellow Album) was recorded just as the transformation to Spygirl took place. The disc was nominated for a West Coast Music Award and also gained much positive media attention.

In 2005 Al MacInnes (bass) joined the band to add substance to the style. Now with a full line-up to carry the tunes, Spygirl released a 5-song EP as a precursor to the full-length album in August, 2005. The songs on this disc are homages to the band’s constant quest for the perfect pop epic. All the tracks from this disc were re-recorded on pieces of evidence.

Spygirl has toured in Canada and the UK, and plans to be out on the road again in early 2008 to support the new album.

•  Powerful voice. Melancholic sounds.
•  Hauntingly powerful
•  honey and sugar

Emo LeBlanc is a singer/song writer who writes for the people with songs like 280 days( for truckers), Bring out the beer (heart broken guys), and Good Bye America (displaced workers from out-sourcing). Emo appreciates the simple things in life and writes about them in his songs. This is why so many people identify with Emo’s music. It doesn’t matter if you are from the South or the East Coast you are going to enjoy Emo’s show. With a firm grasp on Country, Emo’s father would always bring him along on many of his Country Music outings. Seeing such stars as Dolly Parton & Porter Wagner, Ferron Young, Johnny Cash, Jerry Lee Lewis and Red Sovine long before any of these stars made it big. Emo was even lucky enough to see a performance by the great Ernest Tubb. With great stars carrying on the tradition of Country music in the “Roots” or “Traditional”, Emo is one of those who believes that Traditional Country Music should be preserved. Emo is getting Airplay on a regular rotation in the USA (140 stations) and in Europe (130 Stations). He remains optimistic that soon he’ll be getting Airplay in Canada. Currently, Emo is charting on indiecharts.com. He has maintained he ranking for sometime now. Emo is 7th in Americana and 37th in Country music. Emo is also charting on soundclick.com . With a 4th CD on the way, Emo is proud of the music that he has already produced but realizes that it is a learning and growth process and the music will only keep getting better. With new song such as Good Bye America. Mama was right, Man I’ve become Emo see only great thing happening in the future with this CD.

Tovio was born into an Athapascan Indian village in Alaska, raised partially in rural Kenya, in an 8 story commune in Chicago, at a new age retreat center in BFE Michigan, and in a poisonous factory town close to Flint, Michigan. He has dropped out of college numerous times and has traveled extensively around the world playing shows, performing in circuses and busking. He writes songs about the fallacy of the American Dream, sea life, dinosaurs and other important topics. He is a resident artist at the Arcos Azules gallery in the Five Points neighborhood of Denver and is currently booking a european tour for February. Accordion and tap shoes.

•  Like a bowl of chicken...

'Soulful. Unique. Amazing.'

This is how listeners describe Heidi McCurdy’s voice.

'Sultry jazz-pop with groove and an attitude.'

This is how they describe her songs.

With hip rhythms, thick harmonies, clever lyrics and an eclectic array of influences (soul, jazz, world) Heidi’s music enchants listeners, and compels them to sing along. Her song Fickle Mind won first place in the Write On ’97 songwriting contest. In May 2004, her song Placebo earned Honorable Mention with international Song of the Year. She has won numerous awards on Garageband.com including Best Female Vocals and Track of the Day.

In the early ‘90’s, Heidi co-founded the world/funk band Yellow Belly, which released an independent CD, completed two cross-Canada tours, and had several songs top the charts on MP3.com and college radio. Yellow Belly shared stages with The Bare Naked Ladies, Papa Wemba, Steele Pulse, and 54-40.

Following that project, Heidi created her own ensemble of top musicians, and has been performing funky originals, jazz standards and neo-soul favourites ever since. She has also been a featured vocalist with the Alexander Browne Orchestra and Johnny Ferreira and the Swing Machine, and a guest with Brickhouse, Soul Stream, Jason Mitchell and Kia Kadiri. She has performed in Europe, the U.S.A., and Canada, including the Vancouver International Jazz Festival in 2005.

Audiences love Heidi for her unpretentious persona and soulful performance, her winning blend of natural talent and professional skill. Listeners everywhere are instantly transformed into long-term and loyal fans.

•  One of the best
•  Where has this girl been...
•  Poppitty pop
•  pick it up and move...
• Great Song!

AnaDies blends the diverse musical backgrounds of its members to create a unique, appealing sound featuring lush melodies and punishing aggression. Since AnaDies was formed in early 2003, they have drawn influence from artists such as Within Temptation, Katatonia, Opeth, and Tool to create a sound that has been described as dynamically riveting and emotionally hypnotic.

AnaDies has been featured on the 2005 and 2006 Colorado Dark Arts Festivals along with the Denver Colorado stop of the 2005 Vans Warped Tour. They've opened shows for international touring bands such as Within Temptation, Crossfade, Godhead, Evans Blue, American Head Charge, The Dear and Departed, Framing Hanley, and Mercy Fall as well as performed with several DIY national touring artists such as Mankind Is Obsolete, Ikonoklast, and Final Drive.

POTION 13, Independent band from Montreal, Quebec.

So much is happening, visit our official website at www.potion13.org to be up to date with all the action!

The band is: Danielle Langlois (vocals), Brian Harps (guitar).

Potion 13 started in the year 2002.. Our first album "Porte-bonheur" (lucky charm) came out in november 2002. It was recorded at Media Musique studio in Montreal. Since then:
65 appearences on TV of our show (recorded nov. 2005) at the Metropolis.

More than 250 radio shows have played our songs. More than 300 websites host an artist page for our band, more than 350 host our MP3, so many have a link towards potion13.org, all that leaded to over 1,000,000 downloads of our mp3, all over the net, all over the globe.

Our songs were on more than 100 charts grabbing first position on many of them.

2 interviews on radio, one on Radio-Canada and one on CISM.

An interview for UrbaniaTV on TV5 World, One on Bande a part tv. Our music was featured on BikerTV season 3.

We made the front page of Revue On roule, Les Nouvelles de l'Est and Journal de Rosemont.. More than 11 interviews (news papers, zines...) more than 15 supers reviews of our album Porte-bonheur that is distributed in Germany and also available in many Montreal stores like FreesonRock and on the net.

26 shows, one with the Gala BoxeRock, in the sold-out Metropolis, one at the Molson Park, where, 5,000 people were "quebecoitiser" celebrating the Fete nationale de la St-Jean, The Freedom party, ...These shows attracted thousand of people. That made possible 4 supers nice reviews of our shows, one on Quebecpop.com.

Thanks to all of you that helped us, from near or from far, in the rising of Potion 13. We, sincerely, appreciate it!!!

VERSION FRANCAISE (Sans accents...)

POTION 13, groupe independant de rock lourd quebecois!!!

Le groupe est compose de Danielle Langlois (voix), Brian Harps (guitare).

Le groupe commence en 2002. En Novembre 2002 arrive la sortie de l'album Porte-bonheur, enregistre au studio Media Musique a Montreal. Depuis:

Plus de 65 apparitions a la television du spectacle (enregistre en nov.2005) au Metropolis sur Canal Vox.

Plus de 250 emissions de radio ont joue nos chansons. Plus de 300 sites internet affichent une page d'artiste pour Potion 13, plus de 350 hebergent nos MP3, une multitude affichent un lien vers potion13.org..., ce qui a decoule a plus de 1,000,000 de telechargements de nos mp3, un peu partout sur la planete.

Les chansons de Potion 13 sont apparues sur plus de 100 palmares atteignant la position #1 sur plusieurs d'entre eux.

Une entrevue tele avec UrbaniaTV diffusee surTV5 Monde (sept.2007), une avec Bande a PartTV. On peut entendre notre musique dans la saison-3 de BikerTV.

2 entrevues radio, une a Radio-Canada et une a CISM.

Le groupe a fait la une de la revue On roule, de Les Nouvelles de l Est et du Journal de Rosemont.. Plus de 11 entrevues (journaux, zines...) et plus de 15 supers belles critiques de l' album Porte-bonheur qui est distribue en Allemagne et aussi disponible a Montreal dans plusieurs magasins dont FreesonRock et sur le net.

26 spectacles, dont un dans le cadre du Gala BoxeRock, dans la salle comble du Metropolis, un, au Parc Molson ou 5,000 personnes furent quebecoitisees dans le cadre de la Fete nationale de la St-Jean, Le Freedom party,...Ces spectacles ont attire des millier de personnes, au grand plaisir de tous! Ce qui a aussi permis 4 supers bonnes critiques de nos spectacles, dont une sur Quebecpop.com.

Restez branche et partagez l'ascension notre groupe de rock lourd francophone independant sur la scene internationale!

Potion 13 est un groupe professionnel et energique avec des accessoires et un visuel unique! Leur but premier, offrir aux spectateurs une soiree des plus memorables!

Potion 13...boisson ideale pour une soiree ensorcellante!!!

Envoutement guarantie

Un gros merci a tous ceux qui nous ont aide, de pres ou de loin, dans l'ascension de notre groupe, nous apprecions beaucoup!!!

I've been a musician for over 15 years in the form of a drummer. Self-taught with a desire to create more than percussive music on my own, I've been slowly learning how to read and write. Most of what I've created is by ear...not an easy thing to do, trust me there. Thank God for the Finale '08 music writing program. It's taught me a lot.

I'm an English teacher for a high school in Jersey City, NJ and an assistant music director--drumline coordinator. Yet, I still manage to have free-time and would love to find musicians interested in making my creations a reality. One goal is to perform and record the music. The sheet music is available for each instrument, although some corrections in Key and Chord may be needed. So, if you are interested and somewhat local, check out the music and get in touch. Or, just let me know what you think. All songs are copyrighted so be kind, be cool, and rock on!

My influences are from a wide range of genres; however, my main stay is Rock and Roll/Metal. Nothing like a good shot of double bass drums... Enjoy!

Miriam Davidson is a versatile singer/songwriter and educator on the Vancouver music scene. Her experience in jazz, pop and classical genres has given her music a distinctive sound. Last spring, released her sophomore album Second Take.

In 1998 she recorded and produced her debut CD Subtexts featuring Jon Roper and Marc Rogers. All but three of the songs on the album were written by Miriam. She also sang background vocals for Rob Best's World Jive Big Band's CD "Motsola" in 1999. Miriam sang alto on the Laudate Singers CD releases Christmas Journey and Songs Of Heaven And Earth and Elektra Women’s Choir A Child Of Grace. She continues to be a principal member of the Laudate Singers who have just released their third CD A Baroque Christmas. In 2002, she toured Germany, Austria and Italy with the Capilano College Singers. In August 2003, she sang alto in the Festival Vancouver Chorus Gala Opening concert featuring world renowned conductor Helmuth Rilling conducting Schubert's Mass in A Flat. During the Christmas season, she sings in and manages an a cappella vocal ensemble Caminando as well as a seasonal voice and piano/keyboard duo with pianist Ian Cox.

•  fitting accompaniment
•  children's song set to ROCK?
•  
•  I like it
•  i like it

Wade Mosher has made music his life since he was only 12 years old. He is known for his songwriting & guitar skills and he’s also a respected producer, singer & programmer. Starting in the early ‘80’s, Wade has toured Canada, the US & Europe playing in Rock, Country, Blues, Skiffle and Punk bands.

In 1995, Wade Mosher released his debut, self-titled CD that received airplay in Canada, Turkey & Arkansas. Promoting the album & touring followed until 1997. Sales have reached over 3500 thus far, mostly from word of mouth. This record has been likened to John Hiatt, Steve Earle, Bruce Springsteen, Dire Straits, Warren Zevon and Lyle Lovett.

Wade’s fans have been asking for recordings of his guitar playing for years, so in 2001 recording began for his next CD ‘Doesn’t Play Well With Others’. The instrumental record of 12 cuts was released in 2002. The record has gotten some great reviews & feedback. It’s been available online since 2006 and is selling well. Though Wade’s style is undeniable, nods to Danny Gatton, Brian Setzer, Mark Knopfler, Chopin, Brian May, Dick Dale & Scotty Moore can be heard throughout. As Wade humbly puts it, “I just take what those guys did, simplify the difficult parts & hope nobody notices.”

In 2003 Wade disappeared into his studio to work on his latest album. A lot of life got in the way during the making of this much anticipated CD, but in 2007 ‘Everything Will Be Just Fine’ was released. It’s more of a collection of songs than a definitive album, moving seamlessly through genres without losing momentum. Songs like ‘Canadian Folk Song’ and ‘Hollywood is Burning’ are cutthroat takes on culture & politics with sardonic humor. Great stabs at love, religion and psychosis are found in ‘Love Makes You Stupid’ & ‘Lose This Skin’. ‘She’s Got A Heart’ & ‘Don’t Let The Highway Get You Lost’ are first class country songs that will take you back to the days of Merle Haggard & Steve Earle. This is a CD that will leave its mark.

Wade Mosher has never been convicted of murder, but the night is still young.

END OF SET 3

Just A Personal Note

Hi Folks- Wade here. Thanks for stopping by and having a listen. I appreciate your time, I know how limited it can be. There are a lot of songs here, so feel free to poke around & play snippets as you please. I’ve requested that they allow the prices of the songs to come down a bit here. We’ll see what happens. In the meantime I’ll be allowing free downloads randomly so keep an eye out. Some of the genres I’ve chosen can obviously cross over into others & it’s hard to categorize your own material, but I believe I’ve gotten close with my choices. If you hear something that turns your crank, feel free to contact me. I’m very friendly, (except early in the morning.) I’ll be keeping this section as up to date as I can. Thanks again.
Take care,
Wade

• Intresting
•  Coolest Dude Alive
•  Beautiful Country

Autobiography of an Unsigned Artist
David Anderson and How Twilight's Edge Began

David played his first guitar at age 20. It was an acoustic that basically introduced him to chords and notes on the fret board. Then it was shortly after that, he purchased his first real electric guitar, a Fender Stratocaster. A couple of years later, a Les Paul custom and to add the icing on the cake, a hand made Boogie Amp manufactured by Mesa Engineering around 1982.

Since he began playing, David was in and out of garage bands, always maintaining the Rock Genre. With the discovery of Michael Schenker, his dream was to play like Michael, but was just not capable of shredding, so instead, he created his own style of playing that has become his signature sound. In the beginning, lots of negativity came his way, but that didn't stop him pursuing the guitar.

His style seemed to become more refined as time went along. Emotion seemed to become more prevalent in his playing. His guitar playing has achieved a level of certain viturosity and giving him the ability to venture out as a solo artist with songs that are beautifully layered track on top of track with different guitar sounds all in synchronization with each other. Thus Twilight's Edge has been created.

Twilight's Edge is a musical entity that explores new areas of Rock/Metal. It is an alternative to commercial Rock & Metal music and is located in the San Francisco Bay Area. At the core of Twilight's Edge is Artist, Recording Engineer, Producer and Manufacturer, David Anderson. David's playing is a translation of 70's and 80's Rock guitarists and culminated into a distinctive style that truly is his own. As you listen to David's playing, you just might catch glimpses of Leslie West (Mountain), Ronnie Montrose (Hagar), Paul Kossoff (Free), Brian May (Queen) or even Buck Dharma (Blue Oyster Cult) and many other rock Legends of the 70's and early 80's.

On the other side of Twilight's Edge is Nick Anderson, a young guitarist usually found in the Thrash/Death Metal realm. Nick took time out of his busy schedule to contribute a very tasty piece of Metal with an eerie instrumental that will surely catch your attention.

Around 1988, David bought some studio gear and began experimenting around with recording. Learning what the equipment was capable of and stretching it to the limits. After a few short months, things came to a halt and the equipment sat for about 15 years.

Then during the winter of 2003 David had an inspiration in music and was able to capture
some very tasty Rock/Metal sounds. In about 8 consecutive weekends, David came up with enough material to cover 2 CD's. 8 of those songs ended up on the Simply Guitar album. The rest will end up on either the 2nd or 3rd CD's.

And so began a 3 year journey into the creation of a very unique and quite different CD titled Simply Guitar.

It was through the Simply Guitar journey that provided the experience needed to self produce and self manufacture a CD. This all provides a basis for future projects that may also involve other musicians and/or artists.

David has produced a CD that is unique and different than any other of its kind. Only the electric guitar is used to produce the basic beat, a passion and a melodic drive that the end result is nothing less than music with a life of its own.

David Anderson has proven that he has the ability to go solo on a CD project without the assistance from any production group or groups to get the job done. This then becomes a labor of love for the craft as well as the music produced by that craft.

This phase of the journey is now over and has morphed into a more complex Twilight's Edge, a more mature artist has emerged.

Cheers and Best Regards,
David Anderson
Twilight's Edge & d.e.a. music

"When I was a kid I remember my mother saying it's OK to be a non-conformist. I thought that was somewhere between a capitalist and a communist..."

ARCTIC - the band and/or solo project of Marcus Martin - is all about duality. His childhood in Yellowknife, a small gold mining town in the Arctic region of Canada's Northwest Territories, was a stark contrast to his experiences in a private UK boarding school. He grew up in the land of lakes, trees, rocks and ice with true wilderness spirit and is equally at home sharing his ARCTIC adventures in any big city, where there are more people on one street than in his whole hometown.

Coming from the Tom Morello school of guitar texture, he has learned to challenge the listener by layering unique sounds usually found only in the electric guitar world. As a loop-based acoustic artist he tours with an 80 lb. effects pedalboard - not traveling light compared to most acoustic singer-songwriters.

His live set is where this duality takes flight, as he constructs each song before the audience, piece by piece. Influenced by both 70's progressive rock and conventional songwriters of the day, ARCTIC bridges a world of opposites together. He layers haunting melodies on top of his arrangements, improvising like a jazz artist, intertwining vocals and guitar into a chilled and airy soundscape.

"I think it's hard not to be an environmentalist, growing up on the land."

His environmental message is not watered down and mixed into his music: they are separate entities. His music is an introduction; it is the common ground between him and the listener. As many will attest, he does his best to meet everyone after his show to say hi. You never know where the conversation will go, but people always want to know more about the ARCTIC - both the region and the band.

Marcus is based in Vancouver, British Columbia, Canada.

•  Compliment

AFTER RECEIVING 2005'S "RAP ARTIST OF THE YEAR" TITLE BY THE ATLANTA UNDERGROUND AWARDS, STARR FOUND HERSELF IN A WEB OF UNFORTUNATE EVENTS THAT WOULD EVENTUALLY CAUSE HER TO SERVE TIME IN THE COUNTY JAIL. THIS WOULD BE THE WAKE UP CALL THAT CHANGED HER OUTLOOK ON LIFE. SHE BEGAN RECORDING WITH ANTONIO "FOREVER" MOBLÉY, CREATING A CATALOGUE THAT WOULD TURN ANY SERIOUS MUSIC PUBLISHER'S HEAD.

THE MAXI-SINGLE, 151, WITH 3 BONUS TRACKS IS AVAILABLE FOR DOWNLOAD ON MYSPACE'S SNOCAP STORE JUNE 4TH AND IN STORES JULY 1, 2008 THROUGH HER COMPANY, BROADZ WAY ENTERTAINMENT. STARR VOCALS ARE A PITCH HIGHER THAN HER NORMAL LAID-BACK TONE ON 151, GIVING THE SONG A NEW SIDE TO HER PORTFOLIO. THIS RE-INTRODUCTION TO THE INDUSTRY, FOLLOWING THE UNDERGROUND SUCCESS, "DA KANDI LADI," IS MUCH ANTICIPATED AND HAS SUMMER-TIME CLASSIC WRITTEN ALL OVER IT. WHEN ASKED ABOUT HOW THE SONG CAME TO LIFE, STARR REPLIED, " WE CAME UP WITH THE CATCHY CONCEPT OF 151 DUE TO THE NEIGHBORHOOD'S MOOD- MOST PEOPLE WANT TO BRIEFLY ESCAPE... EITHER AT THE CLUB, A RIDE IN THE CAR, OR A SOCIAL SETTING WITH FRIENDS."

Tim and Dave , close childhood friends, grew up in Victoria and then moved to Vancouver to pursue music. To make ends meet we began to work in the film industry as lighting technicians. I also picked up some minor acting roles.We got to work with the likes of Robin Williams, Robert de Niro, Al Pacino, and even my favorites Ringo Starr and Jack Nicholson. During this time I gained the experience of lighting rock videos (one of which went to number one on Much Music). Anyway, because of this we were able to buy recording gear and teach ourselves the art of recording music. In the process of recording we were robbed of most of our recording equipment. We worked to replace the gear and eventually produced this C D, Never Leave it Too Late, by Mojo Filter. Can you dig it?


1 Sparks in the Ashes (modern blues rock with some groovy tempo changes at the end)


2 Sunset Blvd (LA Rock)


3 Remember That Girl (Rock n Roll)


4 Sleepless Nights (Fast Rocker)


5 News of the Day (Heavy re-write interpretation of a "Day in the Life", by the Beatles


6 How Can Love Be Wrong (Garage rock punk)


7 If Not For You (funky clean guitars with dual vocal harmony)


8 Do You Feel Like Talking (funk rock)


9 You're On Drugs (rockin boppin comedy number with sax)


10 Too Much (Clean and jazzy but it still rocks)


11 War Song (I want You) (Heavy war rock with a nice rippin guitar solo at the end)


12 The Universe (Ballad with a big ending)

We now have written over 100 songs. a lot of our new material is even more centered on the vocals and harmonies. We are currently producing a video for Sunset Blvd. We started this while in Los Angeles, shooting scenes along Sunset Boulevard. Completing the principal photography in Vancouver on 35 mm film. We are now collecting our nickels to develop the film and edit the video.

Thanks for listening, Tim Heller (Vocals and Guitar)
Dave Innes (Vocals and Bass)
These are some of the influences filtered through the
MojoFilter
Beatles, Jimi Hendrix, Cream, Black Sabbath, Sly Stone, Led Zeppelin, Iggy Pop, Ramones, Talking Heads, Cars, Devo, David Bowie, Pink Floyd, Alex Harvey, STP, CCR, Ray Charles,, Marilyn Manson, Weezer and Britney Spears (just kidding).

********!!!SPECIAL ALERT FOR AFFICIENDOS!!!**********
shshsh!!
COMING SOON TO PROJECT OPUS. The loin-lubing cello years.
Recorded at last.

In the early 1990's SELDON nutured his talent on the North lsand with virtuoso cellist CHRISTIE STAUDHAMMER. By the late 1990's they were wowing intimate audiences around the Vancouver scene. Then continents separated them for many years. None of their music had been recorded. It had been played to the winds of the whispering forests and far flung northern beaches. It'd disappeared into the untold layers of Vancouver's buzz. Lost but for the memories of those who'd witnessed it.

BUT WAIT!!

On December 16th 2004 , the day before STAUDHAMMER moved forever to a place SELDON would never live, she was enticed into a secret venue in Vancouver and cello tracks to 4 of their classic songs were laid.
The mini-album "CumQuot", featuring Christie Staudhammer on cello, is now complete and is imminently available for digital-downloading.
-----------------------------------------------------------*
ANGELICA GOES TO #1!!!
In May 2005 the unlikely hit song Angelica , Track 9 of "THE BEAST WITHIN" , reached #1 on a top ten recommended list on podcast THE NEXT BIG THING.
Besides numerous webstations , the songs SAME GAME , CLEO , BURDSONG and ANGELICA are being played on co-op station Village 900 in Victoria B.C. , college radio stations including Kamloops , B.C. and C.B.C. Radio Canada.
____________________________________________________

ROGER SELDON
(Songwriter)

Born and raised in South Africa and travelling the globe now for over 15 years, SELDON finally managed to stop in one place long enough to record his 1st album "THE BEAST WITHIN" in Fishhoek , Cape Town late 2003. Mastered and manufactured in Vancouver , Canada , the album was officially and globally released September 2004.
With over 20 years of songwriting this tip of the iceberg truely represents the 1st unleashing of SELDON's beast within. This album is made up of an eclectic mix of songstyles with some of the earliest tunes mixed up with the new.

SELDON on songwriting :
...actually, I prefer to call it song-discovery. In the process of messing about with sound, melodies , riffs and soundscapes (pieces of songs) are revealed and the sensitive ear need just trace the song backwards and forwards to it's natural beginning and end. Often some arrangement is then required. Sometimes words accompany the song pieces and an entire perfect song is written in 5 minutes (eg BURDSONG). More often with me the song remains unarranged and wordless , sometimes for years (eg, DREAMCHAIN, music 1989 and words 2000) until time and self-discipline synergize. Luckily , in recent years I have been blessed with the friendship of some wonderful and serious poets who have allowed me the honour of using their words (eg GLIMPSE , ANGELICA).
Most of the songs can be played in a number of different styles. On this album they are mostly played in the style in which they were originally written. Criticisms of the album (which can be more revealing and paradoxically complimentary than laudations) include stylistic digression and lyrical obscurity. But then these ARE poems , and to ponder or not? that is the question.

Being a gypsy for a lot of years many of SELDON's songs have become popular at his regular low key appearances around the world. The Hibiscus Coast (see www.southernexplorer.co.za) , Plett , Cape Town; all in South Africa; and Vancouver , Nelson , Northern Vancouver Island and Kitimat in the Wild Northwest of British Columbia have been his regular stomping grounds. A few of his songs (HEAVY RAIN , DREAMCHAIN , BURDSONG , SAME GAME) have been covered by artists in some of these places (Larva Rocks , now known as DreamChain - Johannesburg , Sean Germond - Cape Town , Barbie Meyer - Margate).
He enjoyed a long and fruitful development period through the 90's playing as a duo with accomplished cellist Christie Staudhammer initially touring beaches , forests , houses & lakes about Northern Vancouver Island and later the coffeehouses of Vancouver City. They also played around Plettenberg Bay South Africa towards the end of the last Millenium. Sadly , no formal recordings of those years exist , BUT ; in December 2004 , the day before Staudhammer moved permanently to Florida , U.S.A. , SELDON managed to get her into a studio in Vancouver to lay some cello tracks for a future album. This is expected in 2006.

In late 1996/7 he joined bandmembers Liz Adams , Scott Blackley (Muzzy Pep, The Great Dividing Range) and Patrick Singh in the Whitehorse-based Yukon altpoprock band "HOOP" as bassist for their tour of the East Coast of Australia in early 1997.
2004 saw SELDON colaborating with songwriter/slide guitarist Malachi Greenidge in the duo Holy Joe & The sKeptiK. (Look out for Malachi on MySpace.com).
Mostly SELDON has been writing and jamming with any inspiring talent he intercepts in his wanderings to the abovementioned locales.

The last 10 years have seen SELDON splitting his time between the southern tip of Africa (music & surfing) and the Canadian West Coast (music , snowboarding and , most unfortunately , work).

His sold-out and packed-out gigs at the Sundance Javabar in Campbell River and The Common Bistro on Denman Street in Vancouver , as well as a genre-defining 6 week run of shows at Rocky Ridge on The Hibiscus Coast , South Africa, in July/August/September 2005 lead to a more formalised and intense gigging/touring schedule in 2006. January 2006 saw him playing The Duncan Garage Showroom in Duncan , The Spiral Cafe in Victoria and The Common Bistro in Vancouver. A repeat tour of the southern Zululand coast with 11 sequential Friday night shows at Rocky Ridge developing into a weekly festival of Original Music with SELDON hosting many untapped and rockin' locals.

Comments & questions , both musical and personal , can be sent to

"THE BEAST WITHIN" by ROGER SELDON includes liner notes and lyrics. It also includes BURDSONG ("the lovesong of the decade" as judged by lovers around the world). SELDON prefers that "THE BEAST WITHIN" be played LOUD.
IT MUST BE PLAYED ON DECENT STEREO EQUIPMENT.

•  I'll listen over and over.

Rio Bent is carving a new niche in the genre of punk rock. With powerful female vocals, intense guitars and explosive percussion Rio Bent is kicking out elegant raunch for the ages.

Winning over audiences wherever they play with a riveting ‘can’t take your eyes off them’ stage show.

They’ve appeared nation-wide on Much Music, toured from Vancouver to Montreal and shared the stage with such indie-punk greats as the Mad Caddies and the Black Halos.

Rio Bent is on the brink of releasing their debut full length CD, produced, recorded and mixed by Paul Forgues (Slayer, Hatebreed), Blair Calibaba (NoMeansNo, Propaghandhi) and Dave Rave Ogilvie (Nine Inch Nails, 54-40).

Graceful, tasteful and highly attractive,
Rio Bent is the grit and glory you’ve been waiting for.

•  the kids are alright
•  Pure Punk