Vincent Van Gogh “loved life so bad, his paintings had twice the color other paintings had”. So sings Jonathan Richman (on Rockin’ and Romance).

And that tells you something about musician Allison Crowe.

A modern lover of music, blogger Muruch frames it like this: "There's really no way to convey through mere words how much the music... moves me, or how I want other people to listen to and adore it as much as I do. Allison sings with such an intensity of emotion, it's easy to see why she's often quoted as saying 'Why music? Why breathing?'... that kind of artistic passion seems extremely rare these days."

"I love singing for people," says Allison Crowe. "It's a way to connect and share with others. Communication is crucial. Just being able to do what I do, to write and sing and perform, makes me feel not only alive, but incredibly lucky. Knowing at any moment everything could change, I don't take one second for granted."

Born 26 years ago, on an island, in the harbour city of Nanaimo, B.C., today Crowe's reach is global. The audience for her music videos and song downloads numbers in the millions.

"Allison Crowe has a voice to fall in love with," says UK music industry journal Record of the Day. "She is from Vancouver Island in Canada, descended from Scottish, Irish and Manx stock. She's exactly the sort of artist who can make serious headway on her own label and that's just what she's doing."

When this phenomenon 'from the islands' reached the mainland she steered a path clear of what Joni Mitchell knowingly calls the record industry’s “style inventions”. With Ani DiFranco and Loreena McKennitt as models Crowe created her own label. Since 2003, Rubenesque Records Ltd has released five critically and commercially successful albums: Lisa's Song+ 6 Songs; Secrets; Tidings; Live at Wood Hall; and This Little Bird.

"The first thing you notice about Allison Crowe is her voice. Rich and dark, it seems to come from a place most singers can only dream of accessing. Then there are the songs. Filled with raw passion and accompanied by Crowe's eloquent piano playing," writes Clodagh O'Connell (The Courier). Hers is a joyous sound: "Elton John meets Edith Piaf."

A sensation at the UK’s John Lennon Northern Lights Festival, “Canadian angel Alison Crowe gave one of the weekend's most magical moments," says The Scotsman. Festival Director Mike Merritt describes Crowe as "awesome" and "spine-tingling", noting her performance “put hairs on the back of your neck! She brought the house down."

A true grassroots success, Crowe’s praised not only as a singularly talented songwriter - on themes personal as well as worldly - and as a visceral performer, but, also, as a supreme interpreter of song. Her vital takes on such 21st century standards as Leonard Cohen's "Hallelujah" and Joni Mitchell's "River" are applauded as "truly transcendent". Her Tidings CD, a mix of traditional carols plus songs of joy, peace, and redemption from the secular songbook, is an emerging classic: "music for the season and all time".

"Her voice celebrates the music with a bluesy rock-gospel intensity; her controlled vibrato, silken rasp, and powerful projection rivet your attention. This is no casual background music. be prepared to be amazed," says Hamline University Professor Of Law - and CD reviewer - Carol Swanson. "Every song radiates sincerity, creative flair, and emotional intensity."

”It takes a lot of self-confidence to tackle Aretha (Franklin)'s version of 'I Never Loved a Man...' but Allison does and nails it just as good as the Queen of Soul herself. Her piano playing is equally exquisite," says Bob Muller, curator of song covers at JoniMitchell.com in his review of Crowe’s newest album, This Little Bird. He sums up: "Treat yourself to one of the mightiest talents on the singer-songwriter scene today."

David Powell, Welsh-based tech writes: "I'm listening to 'Effortless' on (Allison Crowe's) This Little Bird album with my Pro-Ject headphone amplifier turned up about a quarter more than on most modern records. It sounds fantastic because unlike most modern records it hasn't had the **** compressed out of it to raise the loudness."

Vocalist, pianist, guitarist, songwriter, engineer, producer and arranger, Allison Crowe now lives in Nanaimo, British Columbia and Corner Brook, Newfoundland. From these home-bases, (spanning the full 7000 km breadth of Canada), she tours steadily, earning a reputation for exciting live shows that stir together her original songs with much-loved interpretations in an organic blend of rock, jazz, folk, Broadway, gospel and soul.

"Ever wonder what it would have been like to listen to a gifted singer/songwriter from Saskatchewan in a small, intimate hall before she became Joni Mitchell? Don't fret the missed opportunity. There's no need to turn back the clock. Check out Allison Crowe," says Robert Reid in The Record.

"Allison has a special gift that is so very rare in musicians today. She is true to her mind, heart and spirit," says Ross Hocker, long-time public broadcaster with NPR affiliate WGTE. Hocker, whose musical taste embraces Thelonious Monk, Bela Bartok and Charles Gounod, calls Allison Crowe's live performance "the most honest, heartfelt, and directly intimate concert in my entire life."

"In an entertainment world that increasingly genuflects at the altar of instant fame, Crowe seems an anomaly, building her career slowly and carefully," notes Adrian Chamberlain, of Canada's Times Colonist newspaper.

"Soulful. Alive. Joyous. Grievous. Real, true, music is what I want to make," says Allison Crowe.

You can lend an ear...

I keep myself busy and keep myself out of trouble by writing new songs. I am connected to my family, friends and fans and my Black And White Album and tracks are my life experiences. I live and breathe music and its in my blood and Rap - HipHop is the fire that fuels it.

My music has brought me many places around the world and I am going to take it further by completing my next album. Skies the limit when you put dedication and perseverance together. Just wait and see I will take us to even more places - nothing will stop me.

When I am done we are going everywhere twice or three times around the world.

http://www.damirworld.com

•  Sounds like fight music.

King Tut is a folkpsychtechrock duo based out of Asheville, North Carolina. Mark Boyd (Guitar), formed the band in the summer of 2006 with a different line-up, though Drew Veres (Drums) joined shortly afterward.

After writing a year’s worth of material on Mac laptops using Garageband and Reason, King Tut released their first album “Chopping Wood & Carrying Water” on a upstart label from Boston, Amaro Dolce.

When they play live, Mark uses a looping pedal, building whole songs from scratch on the fly, backed by Drew’s classically trained, powerful jazz drumming. King Tut has consistently been defined as new, fresh, original, uplifting, and exciting.

Alternative Press magazine mysteriously got their hands on a copy of their CD and gave it a 3/5 stars. They recently opened for The Liars on their Radiohead tour. And just a little while ago, they made it into the semi-finals of the BBC’s “Next Big Thing” contest, where they were 1 of 20 bands selected from 2000 entrants from 80 different countries. King Tut currently has plans for 3 new albums (one folk, one electronica, one live) to be released concurrently.

I've been a musician for over 15 years in the form of a drummer. Self-taught with a desire to create more than percussive music on my own, I've been slowly learning how to read and write. Most of what I've created is by ear...not an easy thing to do, trust me there. Thank God for the Finale '08 music writing program. It's taught me a lot.

I'm an English teacher for a high school in Jersey City, NJ and an assistant music director--drumline coordinator. Yet, I still manage to have free-time and would love to find musicians interested in making my creations a reality. One goal is to perform and record the music. The sheet music is available for each instrument, although some corrections in Key and Chord may be needed. So, if you are interested and somewhat local, check out the music and get in touch. Or, just let me know what you think. All songs are copyrighted so be kind, be cool, and rock on!

My influences are from a wide range of genres; however, my main stay is Rock and Roll/Metal. Nothing like a good shot of double bass drums... Enjoy!

Name: Chris Carder

I'm the band: I sing and play acoustic guitars, harmonica

Instrument: 1999 Taylor 714 CE

I usually play through a Boss TU-2 Chromatic Tuner and a SIB Fat Drive pre-amp.

Testimony: Just out of high school, I got involved in a youth group at the First Baptist Church in Smyrna, Georgia. I saw a group of kids there that loved God and really lived it out by loving one another. Their example spoke volumes to me and in the Spring I gave my life to Jesus. I have moved away from the Smyrna area, to Louisville, Kentucky, but still have great memories of those special days…while at the same time remembering that the best days lie ahead for those who trust Christ’s finished work on the cross. As I peer in the rear view mirror of my life, I can see many key times when God was sowing His Truth in me. I always believed the Christmas Story of the birth of the Savior. I never doubted the truth of a Risen Savior as the Easter story unfolded. But it was not until that February Wednesday night, after seeing a glimpse of Jesus' love through the Smyrna youth, that everything seemed to make sense and I realized I had to make a commitment with all of ‘me’ publicly and unashamedly, as Jesus did for me.

When I am home: I am surrounded by beautiful women, starting with my wonderful wife, Leslie. We have been married 8 awesome years and been blessed with two girls. Elena is two years old, has a sweet heart although she can be tough as nails. Keely was born on March 27 this year and is the happiest baby I have ever seen or been around. We live in a couple of doors down from Leslie’s school, Fern Creek High.

Musical Influences: Third Day, Stephen Curtis Chapman, Bill Mallonee and the Vigilantes of Love, John Cougar Mellencamp, Lynyrd Skynyrd, Sting, Michael Jackson, James Taylor, Russ Taff, Johnny Cash, Dan Fogelberg, Eagles, Keith Green, and many more.

Currently Reading: Been investigating again the stories of King David in I and II Samuel, Old Testament,of The Holy Bible. Also, Steve Turner’s Authorized Biography called ‘The Man Called Cash: The Love Life and Faith of an American Legend’.

Passions: Jesus – The One and Only. There is none who compares to Him. My Family. I love leading worship at Missionary Conferences, whether it is Indonesia, South America, Africa….I will go anywhere God provides to encourage those who are on the front lines. Getting my new songs to the masses.

Putting in my ear: Third Day: Wherever You Are, Switchfoot: Nothing is Sound, Aaron Shust: Anything Worth Saying, Passion: Everything Glorious, The Phil Wing Band: True Light.

Putting in my eyes: Jeopardy, Waiting for the next season of ‘Lost’, Treasure Hunter’s, Andy Griffith, The Walton’s…yeah, I love the Grandpa and the Dad.

Favorite Movies: Braveheart, It’s a Wonderful Life, The Patriot, Gladiator, October Sky.

Favorite Movie Quote: Uncle Buck to his 5 year old niece’s Vice Principle: “Here's a quarter. Go downtown, and have a rat gnaw that thing off your face! Good day to you, madam.”

•  friend and fan ... still...
•  Always good
•  better days - oh yeah!
•  feel good pop/rock
•  AWESOME!

A ghost of a murder scene.
A killer pacing up and down a derelict street.
searching to feed something.
in a composite encompassing a siren and a womans scream.

To fulfill.
To Undertake.
To narrow to the marrow.
in relief.

Woods haunted and crawling.
A train horn warning.
Penetrating the homes gone to sleep.

Biography
From Grandpa I got my storytelling. His visits were rare, as he and grandma lived in St. Catherines Ontario, and we lived just outside Calgary, Alberta. They spoiled all 8 of us children (according to my dad) but the biggest gift Grandpa always gave us was to tell us bedtime stories of the “olden days”.

Grandpa’s stories usually involved exciting stuff like runaway teams of horses, shooting at wolves, or somebody getting body parts torn off. His tales were filled with gestures and sound effects. He really had a way of bringing them to life. And he listened when a kid told him a story. He made you feel your stories were important.

From Mom and Dad I got music. My Dad and my other Grandpa were both musicians. Grandpa Hubele (of whom I knew very little) was a very good organ player. My dad played fiddle in his early years, touring around southern Alberta with a country dance band. He and Mom would, very occasionally, play duets on fiddle and piano when we were little kids.

I can remember waiting til my parents went out. Since I was the oldest, I often babysat my brothers and sisters. I would sneak into Dad’s fiddle case to take out the fiddle and play it. Except I was always trying to make it sound like a guitar, and I played it like one.

We moved back and forth across the country, from Ontario to Alberta and back many times as I grew up. Dad kept trading up for jobs, and I was in a new school almost every year. I became a loner and a rebel. I turned to humor to make up for my small size. I’d find the biggest kid in class, figure out how to make him laugh, and I didn’t have to worry about the rest of the bullies. It pays to have friends in high places.

I believe I had an undiagnosed hearing problem caused by a trauma (now confirmed as a severe hearing loss). I never could quite understand the lyrics on the radio which was always on in our house, so I made up my own.

My earliest memories were of crossing the big empty fields which made up the neighborhoods of my youth, singing at the top of my lungs and making up words as I went along. My mom says she could pick me out of the flocks of kids coming home from school. I’d be waving my arms and singing to myself as I walked across the prairie.

I started writing songs in a serious way when I was 21 years old. A friend, who had been showing me how to play guitar, and I went out to live on the beach on Vancouver Island at Pacific Rim Park. I was picking away when a simple line kept repeating itself in my head. I wrote it down, and in ten minutes I had a song. It seemed to open flood gates, and for the next 2 or 3 years I wrote a song or two a week. I average about a song a month now. But, they are better songs.

(over)

Biography, page 2

To write successfully, I usually have to be alone, have all my chores done and time on my hands. Words and melody most often develop at the same time. It takes from 10 minutes to 1 hour to write a song. It takes me two weeks to learn it. I like to wrap a song around a good story line. They always come from my own experiences.

I was fascinated with the blues from the get-go. I came in through the back door. J.J. Cale, then Hot Tuna. Then B.B. King, Freddy King, and Muddy Waters.

When I heard Bonnie Raitt play slide guitar, I was gone. I had to learn how to do that. I followed her trail back to Mississippi Fred McDowell. “You want rock, you gonna have to put me in a rockin’ chair. I plays the straight and natural blues.”

I also paid attention to the songwriters, my favorites being Paul Simon, Harry Nillson, Willie Dixon, and Tom Waits.

My interest in jazz developed through my association with other musicians like Calgary’s late Chuck Tracy, a gruff, funny, kind of crazy lounge musician. He introduced me to Tom Waits, Mose Allison, and Fats Waller amongst others.

As well, it became a habit to listen to the great Alberta radio station CKUA on Saturdays. Bill Coull’s Jazz Show was a fifteen year course in ‘Everything You Should Know About Jazz’.

I also have a life-long addiction to comedy movies and comic books. One of my Dad’s jobs was as a projectionist in a small town. Once a week on Saturday night the local community hall was turned into a theatre. I was very young (3 years til 7 years old) but those old black and white 16mm movies of the Marx Bros, Chaplin, and W.C. Fields remain deep in my psyche.

I think this was a great influence on my writing. Most of my songs have a little humor and a strange twist to them.

I have worked as a laborer and heavy equipment operator and truck driver since leaving the University of Calgary after 4 years of unrelated courses and wandering interests. Previous to that, I had worked at the CPR as a ticket clerk. I began working at age 14 at the steel mill where my father worked. I did not graduate from high school.

I have written songs for 32 years. Recording began for me in 1978 with the Acme Sausage Company with Holger Petersen broadcast on CKUA. Since then, I have been on countless radio and tv programs. I have recorded 6 albums of original material, and I just finished recording my demo for the 7th, and most exciting, CD - ‘Down In Davis Bay’.

•  Somewhere down the midnight cafe

Atlanta singer/songwriter Thomas Oliver’s brand of country is what country music would have been if it hadn’t detoured through pop. It’s real. Straight from the rich tradition of Southern music, his original songs of livin’, lovin’ and losin’ are from a writer who’s lived a life he doesn’t pretend has been perfect but one he knows has been blessed nevertheless.
Thomas didn’t start writing songs to have them cut in Nashville. They have always been his songs. And he was writing them for years and playing them for friends before he made his first demo.
“Finally Over Losing My Mind” was his first solo CD, released in 2003. Through the local chapter of the Nashville Songwriters and the Georgia Music Association, Thomas began playing the coffee house circuit in and around Atlanta. He won a few awards. He gained some loyal fans, who love his songs and his original Southern voice.

Thomas is a native of Atlanta where he works for a large newspaper. The author of “The Real Coke, the Real Story” and two unpublished novels, Thomas graduated from the University of Georgia, where he spent many a night in the dorm basement and laundry room listening to Johnny Cash and Merle Haggard while others were turning on the the Grateful Dead.
He is the father of a son and daughter and the owner of a lap cat.

Discography
"Finally Over Losing My Mind," debut CD of 11 original songs is available on CDBaby.com, Towersrecords.com, Best Buy and 45 internet music providers. Three of the songs were honored as Best of Country by the Georgia Music Association.
"The Life You Save Might be Your Own," was released Feb. 2006 on CDBaby.com et.al.

Spygirl plays lush, melodic, elegant, and dark pop/rock. If Spygirl were a martini, they’d be equal parts sonic assault, naked duets and lush harmonies with a dash of drum & bass, and garnished with a twist of Canadiana - shaken vigorously, of course. If Spygirl were an outfit, you’d look geek-slick, full in all the right places and your ass would look hot.

Spygirl recently completed their second full-length album, pieces of evidence, slated for national release March 2008.

Spygirl was overjoyed to work once again with favourite musical wizard Tom Rothrock, who mixed a few songs on their 2000 self-titled debut. This time he came on board as Producer in full. Mr. Rothrock (who has also created records with some of popular music’s great recent innovators such as Beck, Elliott Smith, Elbow, Sloan, Badly Drawn Boy and James Blunt) helped the band create a spontaneous, relaxed and raw recording, due in part to his laid back mix of confidence, spontaneity, knowledge and love of music, and in part to recording much of the album live off the floor. The result is a group of songs that belong together, sharing a landscape that is lush, melodic, elegant and dark.

This is the band’s 12th year. The Vancouver-based 6 piece group was born out of a musical bond between founders Koralee Tonack (lead vocals, guitar) and Jane Gowan (trumpet, keyboards). The two initially formed Time Waits - the acoustically charming mother of today’s luscious pop child. The group included Jon Roper (guitar), performing mostly original songs written by Gowan. Several recordings were released on cassette. Now those are hidden away in boxes...somewhere. Eventually James Ong (keyboards) and Eduardo Ottoni (drums) joined, and with a fuller sound developing, the band released their debut CD entitled This Thin Disguise.

A collective desire to streamline the sound resulted in a less acoustic, more pop/rock sound. The viola da gamba and accordion, previously played by Ong and Gowan respectively, were abandoned in favour of keyboards, fender rhodes and trumpet. By this time other band members had begun contributing to the songwriting, creating excitement and freshness. As the direction of the music changed, so did the name, and the band’s self-titled debut (informally known as The Yellow Album) was recorded just as the transformation to Spygirl took place. The disc was nominated for a West Coast Music Award and also gained much positive media attention.

In 2005 Al MacInnes (bass) joined the band to add substance to the style. Now with a full line-up to carry the tunes, Spygirl released a 5-song EP as a precursor to the full-length album in August, 2005. The songs on this disc are homages to the band’s constant quest for the perfect pop epic. All the tracks from this disc were re-recorded on pieces of evidence.

Spygirl has toured in Canada and the UK, and plans to be out on the road again in early 2008 to support the new album.

•  Powerful voice. Melancholic sounds.
•  Hauntingly powerful
•  honey and sugar

Emo LeBlanc is a singer/song writer who writes for the people with songs like 280 days( for truckers), Bring out the beer (heart broken guys), and Good Bye America (displaced workers from out-sourcing). Emo appreciates the simple things in life and writes about them in his songs. This is why so many people identify with Emo’s music. It doesn’t matter if you are from the South or the East Coast you are going to enjoy Emo’s show. With a firm grasp on Country, Emo’s father would always bring him along on many of his Country Music outings. Seeing such stars as Dolly Parton & Porter Wagner, Ferron Young, Johnny Cash, Jerry Lee Lewis and Red Sovine long before any of these stars made it big. Emo was even lucky enough to see a performance by the great Ernest Tubb. With great stars carrying on the tradition of Country music in the “Roots” or “Traditional”, Emo is one of those who believes that Traditional Country Music should be preserved. Emo is getting Airplay on a regular rotation in the USA (140 stations) and in Europe (130 Stations). He remains optimistic that soon he’ll be getting Airplay in Canada. Currently, Emo is charting on indiecharts.com. He has maintained he ranking for sometime now. Emo is 7th in Americana and 37th in Country music. Emo is also charting on soundclick.com . With a 4th CD on the way, Emo is proud of the music that he has already produced but realizes that it is a learning and growth process and the music will only keep getting better. With new song such as Good Bye America. Mama was right, Man I’ve become Emo see only great thing happening in the future with this CD.

calvaria x es una banda de metal progresivo de republica dominicana, nuestra mision es llevar el mensaje de jesus atravez de una musica agresiva pero a la vez melodiosa co toques tecnicos. estamos en la ciudad de la romana los integrantes son chanel de los santos voz abdiel feliciano guitarra joshuel rijo bajo obed bateria calvariax is a progressive metal band from Dominican republic, our mission is to deliver de gospel of jesus Christ through heavy metal music very aggressive yet melodic and powerful and very techical we live in la romana city the band menber are abdiel feliciano guitar and lead vocals joshuel fostel bass and vocals obed drums Profile

Navicula was formed in 1996 in Denpasar, Bali by two musician activists: Robi and Dankie. After changing personnels numerous times, the current formation is: Rob (vocals, guitar), Dankie (guitar), Made (bass), and Gembull (drums). The name Navicula was inspired by a type of single celled golden algae, which is shaped like a small ship (in Latin Navicula means small ship).Their music has a grunge rock undertone, but is combined with many other genres of sound, such as ethnic, psychedelic, alternative, progressive, and straight forward rock. The band's lyrics are heavy with activism messages of Peace, Love and Freedom.

Though the band has always been active in the indie music scene, in 2004 they signed a contract with Sony-BMG, a major label. Navicula released their 4th album, Alkemis, with sony-BMG. But, in 2007 they released their 5th album, Beautiful Rebel, independently and returned to following their ideals through the indie music scene. Navicula is based in Bali, but as an independent band, they continue to keep up a national profile. Since releasing their 5th album they have already began promotion through Java. Though distribution of the album isn't as widespread, it is available on i-tunes or it can be ordered through the band's myspace site or email:

'Soulful. Unique. Amazing.'

This is how listeners describe Heidi McCurdy’s voice.

'Sultry jazz-pop with groove and an attitude.'

This is how they describe her songs.

With hip rhythms, thick harmonies, clever lyrics and an eclectic array of influences (soul, jazz, world) Heidi’s music enchants listeners, and compels them to sing along. Her song Fickle Mind won first place in the Write On ’97 songwriting contest. In May 2004, her song Placebo earned Honorable Mention with international Song of the Year. She has won numerous awards on Garageband.com including Best Female Vocals and Track of the Day.

In the early ‘90’s, Heidi co-founded the world/funk band Yellow Belly, which released an independent CD, completed two cross-Canada tours, and had several songs top the charts on MP3.com and college radio. Yellow Belly shared stages with The Bare Naked Ladies, Papa Wemba, Steele Pulse, and 54-40.

Following that project, Heidi created her own ensemble of top musicians, and has been performing funky originals, jazz standards and neo-soul favourites ever since. She has also been a featured vocalist with the Alexander Browne Orchestra and Johnny Ferreira and the Swing Machine, and a guest with Brickhouse, Soul Stream, Jason Mitchell and Kia Kadiri. She has performed in Europe, the U.S.A., and Canada, including the Vancouver International Jazz Festival in 2005.

Audiences love Heidi for her unpretentious persona and soulful performance, her winning blend of natural talent and professional skill. Listeners everywhere are instantly transformed into long-term and loyal fans.

•  One of the best
•  Where has this girl been...
•  Poppitty pop
•  pick it up and move...
• Great Song!

AnaDies blends the diverse musical backgrounds of its members to create a unique, appealing sound featuring lush melodies and punishing aggression. Since AnaDies was formed in early 2003, they have drawn influence from artists such as Within Temptation, Katatonia, Opeth, and Tool to create a sound that has been described as dynamically riveting and emotionally hypnotic.

AnaDies has been featured on the 2005 and 2006 Colorado Dark Arts Festivals along with the Denver Colorado stop of the 2005 Vans Warped Tour. They've opened shows for international touring bands such as Within Temptation, Crossfade, Godhead, Evans Blue, American Head Charge, The Dear and Departed, Framing Hanley, and Mercy Fall as well as performed with several DIY national touring artists such as Mankind Is Obsolete, Ikonoklast, and Final Drive.

AFTER RECEIVING 2005'S "RAP ARTIST OF THE YEAR" TITLE BY THE ATLANTA UNDERGROUND AWARDS, STARR FOUND HERSELF IN A WEB OF UNFORTUNATE EVENTS THAT WOULD EVENTUALLY CAUSE HER TO SERVE TIME IN THE COUNTY JAIL. THIS WOULD BE THE WAKE UP CALL THAT CHANGED HER OUTLOOK ON LIFE. SHE BEGAN RECORDING WITH ANTONIO "FOREVER" MOBLÉY, CREATING A CATALOGUE THAT WOULD TURN ANY SERIOUS MUSIC PUBLISHER'S HEAD.

THE MAXI-SINGLE, 151, WITH 3 BONUS TRACKS IS AVAILABLE FOR DOWNLOAD ON MYSPACE'S SNOCAP STORE JUNE 4TH AND IN STORES JULY 1, 2008 THROUGH HER COMPANY, BROADZ WAY ENTERTAINMENT. STARR VOCALS ARE A PITCH HIGHER THAN HER NORMAL LAID-BACK TONE ON 151, GIVING THE SONG A NEW SIDE TO HER PORTFOLIO. THIS RE-INTRODUCTION TO THE INDUSTRY, FOLLOWING THE UNDERGROUND SUCCESS, "DA KANDI LADI," IS MUCH ANTICIPATED AND HAS SUMMER-TIME CLASSIC WRITTEN ALL OVER IT. WHEN ASKED ABOUT HOW THE SONG CAME TO LIFE, STARR REPLIED, " WE CAME UP WITH THE CATCHY CONCEPT OF 151 DUE TO THE NEIGHBORHOOD'S MOOD- MOST PEOPLE WANT TO BRIEFLY ESCAPE... EITHER AT THE CLUB, A RIDE IN THE CAR, OR A SOCIAL SETTING WITH FRIENDS."

It started on a Sunday in 1981, in Budapest, Hungary. Then nothing much happened for 16 years, when, hit by the peaking britpop hysteria, I decided that I want to play the guitar.

The first band I joined - founded together with classmates, of course - didn't even have a name, and lasted for about 4 rehearsal sessions. The second one - later to be known as Bob Detroit (http://www.myspace.com/bobdetroit) - is proving much more resilient, although it is currently somewhat hybernated, with myself staying in Finland and the rest of the band in Hungary.

These songs - I know there's only one - update: TWO - so far, but others are coming - were recorded in a living room, using a Linux-powered laptop. I hope you'll like them.

newport @ freemail . hu

********!!!SPECIAL ALERT FOR AFFICIENDOS!!!**********
shshsh!!
COMING SOON TO PROJECT OPUS. The loin-lubing cello years.
Recorded at last.

In the early 1990's SELDON nutured his talent on the North lsand with virtuoso cellist CHRISTIE STAUDHAMMER. By the late 1990's they were wowing intimate audiences around the Vancouver scene. Then continents separated them for many years. None of their music had been recorded. It had been played to the winds of the whispering forests and far flung northern beaches. It'd disappeared into the untold layers of Vancouver's buzz. Lost but for the memories of those who'd witnessed it.

BUT WAIT!!

On December 16th 2004 , the day before STAUDHAMMER moved forever to a place SELDON would never live, she was enticed into a secret venue in Vancouver and cello tracks to 4 of their classic songs were laid.
The mini-album "CumQuot", featuring Christie Staudhammer on cello, is now complete and is imminently available for digital-downloading.
-----------------------------------------------------------*
ANGELICA GOES TO #1!!!
In May 2005 the unlikely hit song Angelica , Track 9 of "THE BEAST WITHIN" , reached #1 on a top ten recommended list on podcast THE NEXT BIG THING.
Besides numerous webstations , the songs SAME GAME , CLEO , BURDSONG and ANGELICA are being played on co-op station Village 900 in Victoria B.C. , college radio stations including Kamloops , B.C. and C.B.C. Radio Canada.
____________________________________________________

ROGER SELDON
(Songwriter)

Born and raised in South Africa and travelling the globe now for over 15 years, SELDON finally managed to stop in one place long enough to record his 1st album "THE BEAST WITHIN" in Fishhoek , Cape Town late 2003. Mastered and manufactured in Vancouver , Canada , the album was officially and globally released September 2004.
With over 20 years of songwriting this tip of the iceberg truely represents the 1st unleashing of SELDON's beast within. This album is made up of an eclectic mix of songstyles with some of the earliest tunes mixed up with the new.

SELDON on songwriting :
...actually, I prefer to call it song-discovery. In the process of messing about with sound, melodies , riffs and soundscapes (pieces of songs) are revealed and the sensitive ear need just trace the song backwards and forwards to it's natural beginning and end. Often some arrangement is then required. Sometimes words accompany the song pieces and an entire perfect song is written in 5 minutes (eg BURDSONG). More often with me the song remains unarranged and wordless , sometimes for years (eg, DREAMCHAIN, music 1989 and words 2000) until time and self-discipline synergize. Luckily , in recent years I have been blessed with the friendship of some wonderful and serious poets who have allowed me the honour of using their words (eg GLIMPSE , ANGELICA).
Most of the songs can be played in a number of different styles. On this album they are mostly played in the style in which they were originally written. Criticisms of the album (which can be more revealing and paradoxically complimentary than laudations) include stylistic digression and lyrical obscurity. But then these ARE poems , and to ponder or not? that is the question.

Being a gypsy for a lot of years many of SELDON's songs have become popular at his regular low key appearances around the world. The Hibiscus Coast (see www.southernexplorer.co.za) , Plett , Cape Town; all in South Africa; and Vancouver , Nelson , Northern Vancouver Island and Kitimat in the Wild Northwest of British Columbia have been his regular stomping grounds. A few of his songs (HEAVY RAIN , DREAMCHAIN , BURDSONG , SAME GAME) have been covered by artists in some of these places (Larva Rocks , now known as DreamChain - Johannesburg , Sean Germond - Cape Town , Barbie Meyer - Margate).
He enjoyed a long and fruitful development period through the 90's playing as a duo with accomplished cellist Christie Staudhammer initially touring beaches , forests , houses & lakes about Northern Vancouver Island and later the coffeehouses of Vancouver City. They also played around Plettenberg Bay South Africa towards the end of the last Millenium. Sadly , no formal recordings of those years exist , BUT ; in December 2004 , the day before Staudhammer moved permanently to Florida , U.S.A. , SELDON managed to get her into a studio in Vancouver to lay some cello tracks for a future album. This is expected in 2006.

In late 1996/7 he joined bandmembers Liz Adams , Scott Blackley (Muzzy Pep, The Great Dividing Range) and Patrick Singh in the Whitehorse-based Yukon altpoprock band "HOOP" as bassist for their tour of the East Coast of Australia in early 1997.
2004 saw SELDON colaborating with songwriter/slide guitarist Malachi Greenidge in the duo Holy Joe & The sKeptiK. (Look out for Malachi on MySpace.com).
Mostly SELDON has been writing and jamming with any inspiring talent he intercepts in his wanderings to the abovementioned locales.

The last 10 years have seen SELDON splitting his time between the southern tip of Africa (music & surfing) and the Canadian West Coast (music , snowboarding and , most unfortunately , work).

His sold-out and packed-out gigs at the Sundance Javabar in Campbell River and The Common Bistro on Denman Street in Vancouver , as well as a genre-defining 6 week run of shows at Rocky Ridge on The Hibiscus Coast , South Africa, in July/August/September 2005 lead to a more formalised and intense gigging/touring schedule in 2006. January 2006 saw him playing The Duncan Garage Showroom in Duncan , The Spiral Cafe in Victoria and The Common Bistro in Vancouver. A repeat tour of the southern Zululand coast with 11 sequential Friday night shows at Rocky Ridge developing into a weekly festival of Original Music with SELDON hosting many untapped and rockin' locals.

Comments & questions , both musical and personal , can be sent to

"THE BEAST WITHIN" by ROGER SELDON includes liner notes and lyrics. It also includes BURDSONG ("the lovesong of the decade" as judged by lovers around the world). SELDON prefers that "THE BEAST WITHIN" be played LOUD.
IT MUST BE PLAYED ON DECENT STEREO EQUIPMENT.

•  I'll listen over and over.

Rio Bent is carving a new niche in the genre of punk rock. With powerful female vocals, intense guitars and explosive percussion Rio Bent is kicking out elegant raunch for the ages.

Winning over audiences wherever they play with a riveting ‘can’t take your eyes off them’ stage show.

They’ve appeared nation-wide on Much Music, toured from Vancouver to Montreal and shared the stage with such indie-punk greats as the Mad Caddies and the Black Halos.

Rio Bent is on the brink of releasing their debut full length CD, produced, recorded and mixed by Paul Forgues (Slayer, Hatebreed), Blair Calibaba (NoMeansNo, Propaghandhi) and Dave Rave Ogilvie (Nine Inch Nails, 54-40).

Graceful, tasteful and highly attractive,
Rio Bent is the grit and glory you’ve been waiting for.

•  the kids are alright
•  Pure Punk

(*** PLEASE READ ALL OF BIOGAPHY & SEE OUR PICTURES FOR CONTACT INFORMATION - THANKS! ***) THE BUSH LEAGUE was born on a cool March night in 2007 on a front porch in a cloud of cigar smoke and optimism. THE BUSH LEAGUE is ROYCE (bass), JOHNJAY (lead vocals), THE CHI (emcee, second vocals, tambourine), BEN H. (guitar), and JOHN-D (drums). THE BUSH LEAGUE plays the music that influences its members. They call their style of music FuB&RR, which stands for Funk, Blues & Rock and Roll!!! The FuB&RR sound is then given a healthy slathering of soul and hip hop and the result is something like a bowl of Muddy Waters coated with hot Funkadelic sauce with some Public Enemy sprinkles on top. Then the whole thing is garnished with a sprig of Otis Redding to complete the sonic feast. The mission of THE BUSH LEAGUE is to make people feel good and dance and they will do that by any musical means necessary... (*** Don't Forget To Check Out Our Pictures To See Our Contact Information! *** )

Lightswitch is a group of 4 brothers, making up a highly professional youth oriented Christian alternative rock band, bringing energy to the stage without compromising their music and bringing a positive message to today's youth, playing for thousands of people each year through out the USA at Festivals, Colleges, Youth groups, Public and Private schools, Rallies, Church events, Conferences, and many other special events, Through out the Midwest and beyond. Some of the bands LightSwitch has opened for are: Sanctus Real, The Afters, Steller Kart, Todd Agnew, Rush of Fools, Mainstay, etc.

Lightswitch is also known for their hit Song "WE ARE STRONG"

Why we do what we do,
Our desire to see people realize that God loves them and has a plan for them and to encourage them to live an uncompromised life for Him while living in a very compromised world. Our mission is to encourage this generation in their walk with God.

Lightswitch is now on iTunes!