An autonomous collective of unsurpassed musical genius, Groovy Julia has appeared in many incarnations over the years. From acoustic buskers to formless jazz combo to horn-driven R’n’B outfit to roots rock ruffians, Groovy Julia has played to thousands, even entertaining some. Although some have said that Groovy Julia is the kind of band that gives rock a bad name, it’s an extreme characterization that isn’t entirely true. Best known for their hits… well… best known for their legendary… umm… best known for generally arriving at gigs on time, Groovy Julia continues to carry on in the tradition of The Who, in that they don’t know when it’s time to give up. Building momentum on sales numbering in the tens of their seminal opus, “Cry Like a Man,” the GJs play live sporadically, record occasionally and always rock with the best of intentions.

WHAT THE CRITICS SAID

“Groovy Julia – A band best served cold.”
- Rolling Stone

“The sound of jackhammers smashing up the sidewalk outside my apartment was more pleasant.”
- Lloyd Bridges (Scuba World)

“Turn the volume down – way down - and wait for the enhanced DVD retrospective of these pretty boy gadflies.”
- “Q”

“We want them for the next swimsuit issue.”
- Sports Illustrated

“They’re nothing but a disagreeable mélange of syrupy treacle and discordant din. But with a doily here, some potpourri there and a few scented candles, they’d be a welcome addition at your next festive occasion. And that’s a good thing.”
- Martha Stewart

Ottawa, Canada-born singer/songwriter John Allaire became first know to Canadian audiences with his alt-rock band in the '80s and '90s, The Town Cryers. After spending two decades touring North America and performing alongside other international acts with The Town Cryers and other bands, John put out his first solo recording in 2003, Crime and Punishment. In 2005, John teamed up with his backing band, the Campistas, and released Thank You Waitress!, an album that went to the top of many college and university radio stations across North America and garnered a particularly large audience in Europe.
Summer 2007 sees the release of John’s third solo album, Ghosts of the Royal Motel, with the accompanying North American tour in the Summer and Fall 2007.
For the most part, John’s songs are traditional folk stories, sprinkled with wit and edgy instrumentation, often drawing comparisons as far-ranging as Neil Young to Joe Strummer. He has been the recipient of national songwriting awards, such as the CBC Telefest award for best independent video, PROCAN top independent song release, and album of the month by Canadian College and University Radio Association.

PERFORMED WITH…
Alanis Morrisette, Blue Rodeo, Tragically Hip, Donovan Leech, Hoodoo Gurus, BoDeans, Dr. and the Medics, The Church, VSpyVspy, Nada Surf, Econoline Crush, Weddings Parties Anything, Tom Cochrane, Lynn Miles, Grapes of Wrath, Nils, and many more…

John’s vocals have been compared to Adam Duritz (Counting Crows), Bill Janovitz (Buffalo Tom), Joe Strummer (The Clash), Bob Mould (Husker Du), Paul Westerberg (Replacements) and many others of this ilk. His songwriting echoes that of Neil Young, Paul Westerberg, Jeff Tweedy (Wilco) and Elvis Costello.

For the most part, John’s songs are traditional folk-influenced stories and the solo show incorporates quick wit, banter and a direct connection with the audience. His straightforward guitar and harmonica styles are reminiscent of early coffeehouse troubadours like Dylan and Donovan. Each show is different from the last, with changing arrangements (acoustic and electric accompaniment), material choices and the stories he relates.

John has shared the stage with: Alanis Morrisette, Blue Rodeo, Tragically Hip, Donovan, Lynn Miles, Hoodoo Gurus, BoDeans, Dr. and the Medics, The Church, VSpyVspy, Nada Surf, Econoline Crush, Weddings Parties Anything, Tom Cochrane, Grapes of Wrath, Nils, and many more...

AWARDS
CBC Telefest top independent music video in Ontario
Top independent video in Canada 1989 as selected by MuchMusic
PROCAN (now SOCAN) independent songwriter award for "Cry at Night"
Canadian College and University Radio Assoc. top album of the month - "All's Well"

That was then...
Starting his professional music career in 1984, John has been in a number of bands, including the award-winning "The Town Cryers", a band that reached the number one spot on seven radio stations in Canada with their first release in 1987 called "All's Well".

Allaire toured the country with the Cryers all the while releasing their 1989 CD, "Surprise Surprise", which included a supporting video for Allaire's song "Never Bin Hurt B-4". The video won honours as top independent video in Canada in 1989. The CD also had the dubious pleasure of being the first release in Canada by an independent band on the emerging CD format.

The Town Cryers parted ways in 1992, but not before recording a whopping 18-track CD called "Stanley's Cup".

In 1995, John founded the alt/punk band The Mercy Miners, playing with such signed recording artists as Econoline Crush and Nada Surf. The Mercy Miners released a 10-song CD called Knuckle Sandwich in 1997.

In 2003, John released his first solo effort called Crime and Punishment. The album was a 12-song collection and, while not doing much in the way of charting on radio stations, the CD sold more than 1,000 copies (admirable for an independent release), including copies numbering in the hundreds on the east coast of Canada and the USA.

John's latest release "Thank You Waitress" is out now and is garnering rave reviews as his best career work.

Who are the Campistas? John's band of studio and live musicians include: Jeff Tanguay, Bass, Breeze Smith - drums, Glenn Torresan - guitars, slide guitar, Tony Dunn - keyboards, sax, Valerie Daley - flute, Juan Gratton-Dominguez - horns, Tom Simpson - percussion, Zeke Smythe - drums and programming, Thomas Marsdon - cello