Vincent Van Gogh “loved life so bad, his paintings had twice the color other paintings had”. So sings Jonathan Richman (on Rockin’ and Romance).

And that tells you something about musician Allison Crowe.

A modern lover of music, blogger Muruch frames it like this: "There's really no way to convey through mere words how much the music... moves me, or how I want other people to listen to and adore it as much as I do. Allison sings with such an intensity of emotion, it's easy to see why she's often quoted as saying 'Why music? Why breathing?'... that kind of artistic passion seems extremely rare these days."

"I love singing for people," says Allison Crowe. "It's a way to connect and share with others. Communication is crucial. Just being able to do what I do, to write and sing and perform, makes me feel not only alive, but incredibly lucky. Knowing at any moment everything could change, I don't take one second for granted."

Born 28 years ago, on an island, in the harbour city of Nanaimo, B.C., today Crowe's reach is global. The audience for her music videos and song downloads numbers in the millions.

"Allison Crowe has a voice to fall in love with," says UK music industry journal Record of the Day. "She is from Vancouver Island in Canada, descended from Scottish, Irish and Manx stock. She's exactly the sort of artist who can make serious headway on her own label and that's just what she's doing."

When this phenomenon 'from the islands' reached the mainland she steered a path clear of what Joni Mitchell knowingly calls the record industry’s “style inventions”. With Ani DiFranco as a model of integrity, and Creative Commons licensing changing the "game" for resourceful musicians, Crowe created her own label. Since 2003, Rubenesque Records Ltd has released six critically and commercially successful albums: Lisa's Song+ 6 Songs; Secrets; Tidings; Live at Wood Hall; This Little Bird; and Little Light.

"The first thing you notice about Allison Crowe is her voice. Rich and dark, it seems to come from a place most singers can only dream of accessing. Then there are the songs. Filled with raw passion and accompanied by Crowe's eloquent piano playing," writes Clodagh O'Connell (The Courier). Hers is a joyous sound: "Elton John meets Edith Piaf."

A sensation at the UK’s John Lennon Northern Lights Festival, “Canadian angel Alison Crowe gave one of the weekend's most magical moments," says The Scotsman. Festival Director Mike Merritt describes Crowe as "awesome" and "spine-tingling", noting her performance “put hairs on the back of your neck! She brought the house down."

A true grassroots success, Crowe’s praised not only as a singularly talented songwriter - on themes personal as well as worldly - and as a visceral performer, but, also, as a supreme interpreter of song. Her vital takes on such 21st century standards as Leonard Cohen's "Hallelujah" and Joni Mitchell's "River" are applauded as "truly transcendent" and her singular covers have achieved broad, even mainstream, popularity, featured by BBC Radio, MOJO magazine and by acclaimed Hollywood director Zack Snyder (300, The Watchmen). Her Tidings CD, a mix of traditional carols plus songs of joy, peace, and redemption from the secular songbook, is an emerging classic: "music for the season and all time".

"Her voice celebrates the music with a bluesy rock-gospel intensity; her controlled vibrato, silken rasp, and powerful projection rivet your attention. This is no casual background music. be prepared to be amazed," says Hamline University Professor Of Law - and CD reviewer - Carol Swanson. "Every song radiates sincerity, creative flair, and emotional intensity."

”It takes a lot of self-confidence to tackle Aretha (Franklin)'s version of 'I Never Loved a Man...' but Allison does and nails it just as good as the Queen of Soul herself. Her piano playing is equally exquisite," says Bob Muller, curator of song covers at JoniMitchell.com in his review of Crowe’s newest album, This Little Bird. He sums up: "Treat yourself to one of the mightiest talents on the singer-songwriter scene today."

David Powell, Welsh-based tech writes: "I'm listening to 'Effortless' on (Allison Crowe's) This Little Bird album with my Pro-Ject headphone amplifier turned up about a quarter more than on most modern records. It sounds fantastic because unlike most modern records it hasn't had the **** compressed out of it to raise the loudness."

Vocalist, pianist, guitarist, songwriter, engineer, producer and arranger, Allison Crowe now lives in Nanaimo, British Columbia and Corner Brook, Newfoundland. From these home-bases, (spanning the full 7000 km breadth of Canada), she tours steadily, earning a reputation for exciting live shows that stir together her original songs with much-loved interpretations in an organic blend of rock, jazz, folk, Broadway, gospel and soul.

"Ever wonder what it would have been like to listen to a gifted singer/songwriter from Saskatchewan in a small, intimate hall before she became Joni Mitchell? Don't fret the missed opportunity. There's no need to turn back the clock. Check out Allison Crowe," says Robert Reid in The Record.

"Allison has a special gift that is so very rare in musicians today. She is true to her mind, heart and spirit," says Ross Hocker, long-time public broadcaster with NPR affiliate WGTE. Hocker, whose musical taste embraces Thelonious Monk, Bela Bartok and Charles Gounod, calls Allison Crowe's live performance "the most honest, heartfelt, and directly intimate concert in my entire life."

"In an entertainment world that increasingly genuflects at the altar of instant fame, Crowe seems an anomaly, building her career slowly and carefully," notes Adrian Chamberlain, of Canada's Times Colonist newspaper.

"Soulful. Alive. Joyous. Grievous. Real, true, music is what I want to make," says Allison Crowe.

You can lend an ear...

Sugarblade was started in July 2004 when Miguel Staunton and Alec Brietzke first sat down together to jam out some songs. Both musicians had just come from broken bands and had been looking forward to doing an acoustic project to take a bit of a break. Realizing that the songs had real potential the duo decided to try the full-band approach once again. Recently coming out of a band herself, (Maverick recording artist, "Lillix"), Kim Urhahn seemed an ideal addition on drums. Soon after, Greg M., an old friend of Alec's, joined the trio on bass, thus completing the band. It became obvious after only a few live shows that Sugarblade had something special. The band gained a loyal following instantly and has been playing relentlessly to rave reviews and an ever-growing fanbase. The band released a 7-song EP entitled "Faux" in July of 2006, which has been selling steadily and exposing them to more and more fans. Several independent and college radio stations have recently added Sugarblade to their regular rotation and the band is poised to take their music to the highest level possible.
Sugarblade considers themselves a rock band with a hint of power-pop. The chemistry of this foursome lies in the fact that each member comes from a different musical background in terms of influences and styles. Take an instantly-recognizable vocalist with a style that is a blend of Morrisey, Muse, and Peter Gabriel. Add a guitarist heavily immersed in the glamrock and metal of the 80's, with a incredible knack for melody. Now add a rhythm section consisting of a rock-solid drummer with an ear for detail, and a metal bassist with a love for all music dark and angry. Combine those elements with great songwriting, a love for what they do and a sound all their own and you have Sugarblade.

•  like a classic
•  How to make a good...
•  Totally!
•  I love anything acoustic...
•  Acoustic Rock Ballad!

It all started a couple years ago. It was a bit strange to start getting airplay before I'd ever performed in front of an audience. Sure it was a little weird hearing my songs on the radio while I was still in the studio recording my EP. Yeah, it was quite surprising to know that the songs I was recording just for the sake of having a record of my own music were out there reaching others.

Still... we appreciate what falls in our lap.

Since that crazy year we've played all sorts of great shows.

Somehow I ended up playing bass on Sweet Misery... something to do with a last minute change and a 5 string.

So what? Oh... Sweet Misery features a line about a paramedic rushing to the - nevermind... you'll have to listen to the track.

Our first drummer is now a guitar player and sings in a punkish band. It's not as bad as when you find out your ex came out of the closet after they dumped you though.

Jonathan played bass. He's like a musician magnet. I think he gets propositioned by bands at every show we play. Now he's in Victoria. Chris Brock is taking a shot at the role.

We found our drummer on Craigs List of all things. I can't remember how much we got paid by his last band.

Mickael is the singer guy and guitar player. Someone recently told him he rocks it old school. He hasn't quite recovered from that yet.

Mike likes science, family, and a little ecclecticism.

Spygirl plays lush, melodic, elegant, and dark pop/rock. If Spygirl were a martini, they’d be equal parts sonic assault, naked duets and lush harmonies with a dash of drum & bass, and garnished with a twist of Canadiana - shaken vigorously, of course. If Spygirl were an outfit, you’d look geek-slick, full in all the right places and your ass would look hot.

Spygirl recently completed their second full-length album, pieces of evidence, released March 2008.

Spygirl was overjoyed to work once again with favourite musical wizard Tom Rothrock, who mixed a few songs on their 2000 self-titled debut. This time he came on board as Producer in full. Mr. Rothrock (who has also created records with some of popular music’s great recent innovators such as Beck, Elliott Smith, Elbow, Sloan, Badly Drawn Boy and James Blunt) helped the band create a spontaneous, relaxed and raw recording, due in part to his laid back mix of confidence, spontaneity, knowledge and love of music, and in part to recording much of the album live off the floor. The result is a group of songs that belong together, sharing a landscape that is lush, melodic, elegant and dark.

This is the band’s 12th year. The Vancouver-based 6 piece group was born out of a musical bond between founders Koralee Tonack (lead vocals, guitar) and Jane Gowan (trumpet, keyboards). The two initially formed Time Waits - the acoustically charming mother of today’s luscious pop child. The group included Jon Roper (guitar), performing mostly original songs written by Gowan. Several recordings were released on cassette. Now those are hidden away in boxes...somewhere. Eventually James Ong (keyboards) and Eduardo Ottoni (drums) joined, and with a fuller sound developing, the band released their debut CD entitled This Thin Disguise.

A collective desire to streamline the sound resulted in a less acoustic, more pop/rock sound. The viola da gamba and accordion, previously played by Ong and Gowan respectively, were abandoned in favour of keyboards, fender rhodes and trumpet. By this time other band members had begun contributing to the songwriting, creating excitement and freshness. As the direction of the music changed, so did the name, and the band’s self-titled debut (informally known as The Yellow Album) was recorded just as the transformation to Spygirl took place. The disc was nominated for a West Coast Music Award and also gained much positive media attention.

In 2005 Al MacInnes (bass) joined the band to add substance to the style. Now with a full line-up to carry the tunes, Spygirl released a 5-song EP as a precursor to the full-length album in August, 2005. The songs on this disc are homages to the band’s constant quest for the perfect pop epic. All the tracks from this disc were re-recorded on pieces of evidence.

Spygirl has toured in Canada and the UK, and plans to be out on the road again in summer 2009 to support the new album.

•  Powerful voice. Melancholic sounds.
•  Hauntingly powerful
•  honey and sugar

Combining modern post punk/pop rock and indie, Sweetheart's music comes straight from a time when "Elvis Lives!" did not refer to the King himself, but to the new prince of new wave: Elvis Costello.

The boys in Sweetheart are currently in the studio, recording the follow up full length to last year's "Username" EP, which solidified their future as an established rock act on the west coast of British Columbia in a city where the radio is dominated by music that sound more like an early 90's Seattle then a late 70's New York.

This album has been a long time coming for Sweetheart. These 4 friends have struggled through a year of life's adversity, calmly, and taken all that pain and triumph into the studio. The music that is being made on this album is much more of a testament to the strength you need to cope with the everyday and still be able to look yourself in the mirror and laugh.
...And maybe to realize your dreams...

The buzz is beginning. The tours will be booked. The album will be in stores. You will be hooked.

•  A new wave revival?
•  Talking Heads in the new...

If you have been waiting for a sound that is innovative and eclectic (it’s soulful… it's jazzy...it's bluesy...it’s funky…), yet savvy enough to ride the waves of popular radio, look no further. This is a dynamic artist in touch with modern culture and carrying a message that is impacting those who encounter it.

The soulful sound of singer/songwriter/musician Greg Sczebel (“suh-bell”) is steadily capturing the attention of a wide range of music enthusiasts. From the moment you first hear the rhythms of his piano you will be intrigued. His talent is obvious...but then the vocals glide onto the scene and you see that there is more to this artist than just a good beat. His lyrics are intelligent, showing a mature depth, and he doesn’t sacrifice the musicality for catchy hooks. Greg is passionately committed to making good music.

And it's obvious others are catching on. He has been recognized for his outstanding talent as an artist, having been honored with many remarkable opportunities and awards. He has shared the stage with a variety of the entertainment industries’ top performers, including Grammy Award-Winning Producer, David Foster, jazz crooner, Michael Bublé, 6–time Juno Award Winner, Colin James - as well as Casting Crowns, Jars of Clay, Leigh Nash (of Sixpence None the Richer), Bebo Norman, Carolyn Arends, Out of Eden, Shawn McDonald and more.

The end of 2004 brought Sczebel a Canadian Urban Music Award nomination, four CGMA (Covenant Award) nominations, and ultimately two CGMA awards (‘Male Vocalist of the Year’ and ‘Rap/Hip-Hop/Dance Song of the Year’), as well as an Okanagan Musician Award for ‘Gospel Artist of the Year’ for the second year in a row.

In 2005 Sczebel continued to gain momentum by picking up a JUNO AWARD (Canada’s Grammy©) for his debut album “Here to Stay” in the category of ‘Contemporary Christian/Gospel Album of the Year.’ Shortly after, Sczebel was nominated for a grand total of five Shai (“shay”) Awards (Canada’s Gospel Music People’s Choice Awards) – ultimately taking home 3 of these - ‘Pop/Contemporary Album,’ ‘Urban/Soul Album’ and ‘Song of the Year’ for his single “In the Pocket”. In addition, Sczebel was a grand prize–winner in the international 2004 John Lennon Songwriting Competition, for his title track, “Here to Stay” and more recently was a finalist in the R & B category for the 2005 John Lennon Songwriting Competition for his song “You’ve Got It”.

At the close of 2005 Greg was also privileged to sign exclusive endorsement deals with both Audix Microphones and Yamaha USA Pianos & Keyboards.

And this is just the beginning of what is quickly becoming a well-established music career. But in spite of the acclaim, Sczebel still finds the most value in the personal connection between music fans and his songs. "To be validated by the awards and opportunities is always encouraging. The most exciting thing though, is hearing that my music is connecting with people. If I can continue creating music that impacts those who listen to it, I'd love to still be doing this 40 years from now." If the present is any indication to the future, Greg Sczebel is well on his way to reaching his goal.

Career Highlights:
-2006 International Songwriting Competition Finalist for the song, “In the Pocket”
-2006 Multiple performances at the 2006 Winter NAMM Show - Anaheim, CA
-2005 Signs exclusive endorsement deal with Yamaha USA Pianos & Keyboards
-2005 Signs exclusive endorsement deal with AUDIX USA Microphones
-2005 Guest performer on CMT Canada’s “Paul Brandt & Friends: A Rocky Mountain Christmas in Banff” TV Special
-2005 Extensive touring throughout Canada; 6-week cross-country tour in April/May
-2005 John Lennon International Songwriting Contest Finalist for the song, "You’ve Got It"; R & B Category
-2005 Western Canadian Music Award – “Outstanding Christian Recording”
-2005 Covenant Award – “Urban Song of the Year” for the song, “Everybody”
-2005 4 CGMA (Covenant Award) Nominations, including “Male Vocalist of the Year” and “Producer of the Year’
-2005 Juno Award - “Contemporary Christian/Gospel Album of the Year”
-2005 3 Shai Awards – “Song of the Year” for the song “In the Pocket”, “Pop/Contemporary Album”, “Urban/Soul Album”
-2005 Okanagan Musician Award – “Gospel Artist of the Year”
-2005 5 time SHAI Award Nominee, including “Artist of the Year”, “Song of the Year” and “Male Soloist of the Year”
-2004 John Lennon International Songwriting Contest Grand Prize Winner for the song, “Here to Stay”;
Gospel/Inspirational Category
-2004 “Here to Stay” charts as the #1 selling release by an independent artist to Canadian Christian retailers in 2004.
-2004 Title track, "Here to Stay" featured on episode of UPN's hit TV series "Kevin Hill", starring Taye Diggs
-2004 Reunites with Producer, David Foster to perform at Foster Foundation charity event
-2004 Canadian Urban Music Award Nominee - "Gospel Recording of the Year"
-2004 2 CGMA (Covenant) Awards - “Male Vocalist of the Year” and “Rap/Hip-Hop/Dance” ("Lights Are Comin' On")
-2004 4 CGMA (Covenant Award) Nominations
-2004 Re-records Bee Gees' hit, "Lonely Days" for major ad campaign by Lifetime Television, New York, NY
-2004 Winner, Okanagan Musician Award – “Gospel Artist of the Year”
-2004 Featured on Sonicbids compilation CD – Chosen out of 20,000 entries
-2003 Named “Best Emerging Artist” by VIBE Gospel Music
-2003 Gospel Music Association (GMA) Song Competition Regional Winner (for the song "Perhaps")
-2002 Performs with Grammy Award-winning producer David Foster as a winner in Foster’s BC -wide talent search

QUOTES:

PAUL BRANDT, AWARD WINNING COUNTRY RECORDING ARTIST
"Greg Sczebel is just one of those artists with "It". He's got that X-factor, that undefinable thing that you need to be a successful in this business. It's undeniable that God has gifted him with an incredible talent to communicate to people's hearts and minds through music. I'm glad I got to know him before the rest of the world discovers him, because someday I'll be able to brag about how I knew him before he became a superstar."

KEVIN EDELMAN, MUSIC SUPERVISOR - METALMAN MEDIA INC.
"Greg is an incredible talent. One of the best young artists I’ve heard. His style and voice are unique and inspiring."

CAROLYN ARENDS, DOVE AND SHAI AWARD WINNING SINGER/SONGWRITER
"Greg Sczebel floors me. He sings with "soul" in every sense of the word. He writes insanely hooky, deeply moving songs about important things. It’s tempting to use phrases like "Next Big Thing", but Greg Sczebel isn’t the next anything. He’s now, and his music is truly great."

DIONNE SMITH, PRESIDENT, VIBE GOSPEL MUSIC
"I do not hesitate in the least to suggest that Greg Sczebel, will not only be one of Canada’s future leading gospel artists, but that his impact will go far beyond our borders."

HEATHER CLARK, HEATHERCLARKBAND
"Greg is an extremely gifted vocalist with a great ability to write and arrange music. His devotion to his gift is strong and undivided. His musicality along with his ability to reach an audience makes him a pleasure to both listen to and experience."

JAYLENE JOHNSON, SINGER / SONGWRITER
"When Greg Sczebel plays, joy electric runs through the crowd. Here is someone who not only inspires with a fresh lyrical approach in his songwriting, but who can also deliver the goods vocally and instrumentally. Most engaging, however, is his unassuming and humble posture...here is one to watch and watch closely, because he is going to fly..."

•  Sing It Stevie Wonder!