TeachONE is an emcee who grew up in the Bay Area of Northern California. Even though he has been writing hip-hop lyrics since his early teens, he is only now at the age of 27 starting to put his music out there for others to hear. This new desire to be heard has come out of two things: First and foremost is the fact that Hip-Hop has been a lifelong passion for him, and eventually it was going to come out in a public way. Second, and probably more importantly is that as a teacher his goal is to lead and inspire through action. He is currently a teacher in what most peeps consider to be the birthplace of Hip-Hop, The South Bronx. He is fortunate enough to teach three subjects he loves with a passion; English, Social Studies, and the crowning achievement a class on writing Hip-Hop lyrics. As a teacher his goal is to model the drive and desire it takes to make it in Hip-Hop while still keeping the integrity of the art form intact.

TeachONE is humble about his skills, as he has spent much of his life pursuing many goals beyond Hip-Hop that had to come first. However, in his music you will find that his goals are clearly stated: Describe the problem, take the problem head on, and create a way to fix it. His goals are to improve the lives of people who live in what most people condescendingly call the "ghetto." A product of the "wrong side of the tracks" in a fairly affluent suburb, he makes no claims on being "ghetto," but his actions always show that he has a fairly strong understanding of the struggles of the people he works for and fights for. His first goal is taken on at the micro-level every day when he steps into a classroom in the Bronx as he strives to give students of all races, cultures, religions, socio-economic backgrounds, etc the opportunity to learn what it takes to succeed in a country where the odds are invariable stacked against those who do not fit the image of the "mainstream." His next goal is to use music to shine a light on what he thinks may be some of the answers to some of the most difficult questions we face on the Macro level.

• I love it mr. pepper
•  I can't. Stop. ...
•  Hot beats, but ...
•  There's always something ...
•  Somewhere in a dark laboratory

Tovio was born into an Athapascan Indian village in Alaska, raised partially in rural Kenya, in an 8 story commune in Chicago, at a new age retreat center in BFE Michigan, and in a poisonous factory town close to Flint, Michigan. He has dropped out of college numerous times and has traveled extensively around the world playing shows, performing in circuses and busking. He writes songs about the fallacy of the American Dream, sea life, dinosaurs and other important topics.
He is a resident artist at the Arcos Azules Gallery (http://www.arcosazules.org) in the Five Points neighborhood of Denver and is currently booking a european tour for February 2009. Accordion and tap shoes.

•  Like a bowl of chicken...

Im 14,im cool,life is boring in school,and I want to be a rapper.livinin south bronx. Alan (alegend) tryin to show people his skill and what he feels about his life, emotions, and music in his songs lyrics. He been douting himself,but concentrate of what he doing. He wants to make it to the top. Let people notice what this world is to him and that he will be here till the end as A-legend.

•  very so much potential

Biography
From Grandpa I got my storytelling. His visits were rare, as he and grandma lived in St. Catherines Ontario, and we lived just outside Calgary, Alberta. They spoiled all 8 of us children (according to my dad) but the biggest gift Grandpa always gave us was to tell us bedtime stories of the “olden days”.

Grandpa’s stories usually involved exciting stuff like runaway teams of horses, shooting at wolves, or somebody getting body parts torn off. His tales were filled with gestures and sound effects. He really had a way of bringing them to life. And he listened when a kid told him a story. He made you feel your stories were important.

From Mom and Dad I got music. My Dad and my other Grandpa were both musicians. Grandpa Hubele (of whom I knew very little) was a very good organ player. My dad played fiddle in his early years, touring around southern Alberta with a country dance band. He and Mom would, very occasionally, play duets on fiddle and piano when we were little kids.

I can remember waiting til my parents went out. Since I was the oldest, I often babysat my brothers and sisters. I would sneak into Dad’s fiddle case to take out the fiddle and play it. Except I was always trying to make it sound like a guitar, and I played it like one.

We moved back and forth across the country, from Ontario to Alberta and back many times as I grew up. Dad kept trading up for jobs, and I was in a new school almost every year. I became a loner and a rebel. I turned to humor to make up for my small size. I’d find the biggest kid in class, figure out how to make him laugh, and I didn’t have to worry about the rest of the bullies. It pays to have friends in high places.

I believe I had an undiagnosed hearing problem caused by a trauma (now confirmed as a severe hearing loss). I never could quite understand the lyrics on the radio which was always on in our house, so I made up my own.

My earliest memories were of crossing the big empty fields which made up the neighborhoods of my youth, singing at the top of my lungs and making up words as I went along. My mom says she could pick me out of the flocks of kids coming home from school. I’d be waving my arms and singing to myself as I walked across the prairie.

I started writing songs in a serious way when I was 21 years old. A friend, who had been showing me how to play guitar, and I went out to live on the beach on Vancouver Island at Pacific Rim Park. I was picking away when a simple line kept repeating itself in my head. I wrote it down, and in ten minutes I had a song. It seemed to open flood gates, and for the next 2 or 3 years I wrote a song or two a week. I average about a song a month now. But, they are better songs.

(over)

Biography, page 2

To write successfully, I usually have to be alone, have all my chores done and time on my hands. Words and melody most often develop at the same time. It takes from 10 minutes to 1 hour to write a song. It takes me two weeks to learn it. I like to wrap a song around a good story line. They always come from my own experiences.

I was fascinated with the blues from the get-go. I came in through the back door. J.J. Cale, then Hot Tuna. Then B.B. King, Freddy King, and Muddy Waters.

When I heard Bonnie Raitt play slide guitar, I was gone. I had to learn how to do that. I followed her trail back to Mississippi Fred McDowell. “You want rock, you gonna have to put me in a rockin’ chair. I plays the straight and natural blues.”

I also paid attention to the songwriters, my favorites being Paul Simon, Harry Nillson, Willie Dixon, and Tom Waits.

My interest in jazz developed through my association with other musicians like Calgary’s late Chuck Tracy, a gruff, funny, kind of crazy lounge musician. He introduced me to Tom Waits, Mose Allison, and Fats Waller amongst others.

As well, it became a habit to listen to the great Alberta radio station CKUA on Saturdays. Bill Coull’s Jazz Show was a fifteen year course in ‘Everything You Should Know About Jazz’.

I also have a life-long addiction to comedy movies and comic books. One of my Dad’s jobs was as a projectionist in a small town. Once a week on Saturday night the local community hall was turned into a theatre. I was very young (3 years til 7 years old) but those old black and white 16mm movies of the Marx Bros, Chaplin, and W.C. Fields remain deep in my psyche.

I think this was a great influence on my writing. Most of my songs have a little humor and a strange twist to them.

I have worked as a laborer and heavy equipment operator and truck driver since leaving the University of Calgary after 4 years of unrelated courses and wandering interests. Previous to that, I had worked at the CPR as a ticket clerk. I began working at age 14 at the steel mill where my father worked. I did not graduate from high school.

I have written songs for 32 years. Recording began for me in 1978 with the Acme Sausage Company with Holger Petersen broadcast on CKUA. Since then, I have been on countless radio and tv programs. I have recorded 6 albums of original material, and I just finished recording my demo for the 7th, and most exciting, CD - ‘Down In Davis Bay’.

•  Somewhere down the midnight cafe

'Soulful. Unique. Amazing.'

This is how listeners describe Heidi McCurdy’s voice.

'Sultry jazz-pop with groove and an attitude.'

This is how they describe her songs.

With hip rhythms, thick harmonies, clever lyrics and an eclectic array of influences (soul, jazz, world) Heidi’s music enchants listeners, and compels them to sing along. Her song Fickle Mind won first place in the Write On ’97 songwriting contest. In May 2004, her song Placebo earned Honorable Mention with international Song of the Year. She has won numerous awards on Garageband.com including Best Female Vocals and Track of the Day.

In the early ‘90’s, Heidi co-founded the world/funk band Yellow Belly, which released an independent CD, completed two cross-Canada tours, and had several songs top the charts on MP3.com and college radio. Yellow Belly shared stages with The Bare Naked Ladies, Papa Wemba, Steele Pulse, and 54-40.

Following that project, Heidi created her own ensemble of top musicians, and has been performing funky originals, jazz standards and neo-soul favourites ever since. She has also been a featured vocalist with the Alexander Browne Orchestra and Johnny Ferreira and the Swing Machine, and a guest with Brickhouse, Soul Stream, Jason Mitchell and Kia Kadiri. She has performed in Europe, the U.S.A., and Canada, including the Vancouver International Jazz Festival in 2005.

Audiences love Heidi for her unpretentious persona and soulful performance, her winning blend of natural talent and professional skill. Listeners everywhere are instantly transformed into long-term and loyal fans.

•  One of the best
•  Where has this girl been...
•  Poppitty pop
•  pick it up and move...
• Great Song!

Israel Suicide was originally born in Ireland, and has gone on to travel the world finally landing in Canada.
Having toured with Chris Cornell, Audioslave, the White Stripes, the Von Bondies and many more major label bands Israel was signed by 8 Ohm Records in Vancouver.
Israel's voice has been described as "Chris Cornell meets Bono in a hellish evil nightmare." by Jeff Henning of RollingStone.
"An evil incarnation of bombastic violence starving for serenity..." says Henry Rollins.
Israel sings about pain, torment and injustice....love, guts and glory.
"It's all there in the "NEW" sound of 2008" says Paul Goebel of Metal Force magazine.
But don't take our word for it.....let Israel burn your brain at www.myspace.com/israelsuicide
Go on....I dare ya!

AFTER RECEIVING 2005'S "RAP ARTIST OF THE YEAR" TITLE BY THE ATLANTA UNDERGROUND AWARDS, STARR FOUND HERSELF IN A WEB OF UNFORTUNATE EVENTS THAT WOULD EVENTUALLY CAUSE HER TO SERVE TIME IN THE COUNTY JAIL. THIS WOULD BE THE WAKE UP CALL THAT CHANGED HER OUTLOOK ON LIFE. SHE BEGAN RECORDING WITH ANTONIO "FOREVER" MOBLÉY, CREATING A CATALOGUE THAT WOULD TURN ANY SERIOUS MUSIC PUBLISHER'S HEAD.

THE MAXI-SINGLE, 151, WITH 3 BONUS TRACKS IS AVAILABLE FOR DOWNLOAD ON MYSPACE'S SNOCAP STORE JUNE 4TH AND IN STORES JULY 1, 2008 THROUGH HER COMPANY, BROADZ WAY ENTERTAINMENT. STARR VOCALS ARE A PITCH HIGHER THAN HER NORMAL LAID-BACK TONE ON 151, GIVING THE SONG A NEW SIDE TO HER PORTFOLIO. THIS RE-INTRODUCTION TO THE INDUSTRY, FOLLOWING THE UNDERGROUND SUCCESS, "DA KANDI LADI," IS MUCH ANTICIPATED AND HAS SUMMER-TIME CLASSIC WRITTEN ALL OVER IT. WHEN ASKED ABOUT HOW THE SONG CAME TO LIFE, STARR REPLIED, " WE CAME UP WITH THE CATCHY CONCEPT OF 151 DUE TO THE NEIGHBORHOOD'S MOOD- MOST PEOPLE WANT TO BRIEFLY ESCAPE... EITHER AT THE CLUB, A RIDE IN THE CAR, OR A SOCIAL SETTING WITH FRIENDS."

Lightswitch is a group of 4 brothers, making up a highly professional youth oriented Christian alternative rock band, bringing energy to the stage without compromising their music and bringing a positive message to today's youth, playing for thousands of people each year through out the USA at Festivals, Colleges, Youth groups, Public and Private schools, Rallies, Church events, Conferences, and many other special events, Through out the Midwest and beyond. Some of the bands LightSwitch has opened for are: Sanctus Real, The Afters, Steller Kart, Todd Agnew, Rush of Fools, Mainstay, etc.

Lightswitch is also known for their hit Song "WE ARE STRONG"

Why we do what we do,
Our desire to see people realize that God loves them and has a plan for them and to encourage them to live an uncompromised life for Him while living in a very compromised world. Our mission is to encourage this generation in their walk with God.

Lightswitch is now on iTunes!

Born the summer of ‘04, the Dirty Works are a 3 piece Southern Punk/Dirty Rock n Roll band out to take over the Goddamn World.
Frogwater Injection, the Band’s first E.P. came out in the fall of their first year and even though it was never officially released the band managed to sell over 400 copies of the CD.
Taking the show on the road almost immediately the Dirty Works made friends and fans all over the South and South East managing to create a Buzz around themselves.
At an especially chaotic show in a small town in TN the Dirty Works caught the eyes and ears of Atlanta Film Makers Worldstorm (Arts Lab) Productions. Long story made short, after following The Band to hell and back for over 2 years Worldstorm has a finished documentary on The Dirty Works titled Rebel Scum The Movie.
The bands first full length C.D. Biscuits and Liquor was independently released in the spring of 2006. Independent by choice as the guys stepped away from several Indie labels because of artistic differences. The Album, still selling has sold over 800 copies to date. Their next release is expected summer/fall of ‘08.
Rebel Scum The Movie is also expected for release in late ‘08 early ‘09
The Dirty Works, Piled in their totally rebuilt Ford Econoline aptly titled the Biscuit as it’s tan with Brown trim are hitting the Rd. again this march and will hopefully rumble into your city soon. If so, get out and see them, they’re definitely an act to catch!
The Dirty Works are
Steven Crime-Guitarist/Backing Vocals
B. Riot-Drums/Backing Vocals
Christopher Scum-Bass/Lead Vocals

Vocal/Guitar - Ricky Yee

....yeah that's it

With five tours under her belt, three self released albums, and another on the way, there seems to be no stopping the two-time Cammie award winning, Aubrey Debauchery. Mixing her love for indie-folk, country, bluegrass, and whiskey Aubrey is truly making a name for herself. With such bold, blunt, and upright brutally honest lyrics, you wouldn't want to find yourself the butt of one of Aubrey's songs, but instead singing along to every word, and begging for more. Her songs of heartbreak, drunken nights, sex, and young love have touched and broken hearts of all ages.

Without hesitation in the constant gigging around town, Miss Debauchery picked up Marc Anderson [lap steel] in December 2006 while he quickly picked up all the songs just in time for the recording of Aubrey Debauchery's latest efforts, In May. Now, with the new album, He's a Damn Good Liar, due out in March 2008 Aubrey and Marc joined forces with good friend, Adrian Hammons [upright bass], and local bad ass, Tino Marrufo [drums] to create a new explosive folk/country sound and release what Aubrey hopes to be their best album yet.

Kasper Martyr Phantom's Debut Solo Album "The Phantom" is out now! This 12-song Album Features Production by Jelts of Wild Life Refuge fame, Delano Sounds (PLA!N J.A.N.E.'s producer) and Yours Truly, Kasper Martyr Phantom. It features Nuze on 2 tracks as well, and includes a hidden bonus track. Clocking in at around 1 hour and including color inserts, "The Phantom" is well worth the $6.95 you will spend. Also out now is Kasper's InstruMENTAL Album "Martyr Mayhem." This 23-track experimental album will give you over an hour of tripped-out listening pleasure. Make sure to pick up both albums for a total of $14.00. These albums are available at Access and will be available at Lou's Records. You may also download the album through the opus player below.

Tunes in media player are some of DG's latest projects(NIN)
Brandon Laliberte Sr. has been playing the drums since the age of 14.
His first drumming experience began when he was asked to play in a marching group in Minneapolis.
Brandon was the first and only official "white" member of "The Children of Light".
His first teacher was a Mr. Maurice Clark.
A solid regiment of practicing, with rudimental studies, became Brandons focus.
Since a small child Brandon would watch Led Zeppelins "Song Remains The Same",whenever it aired on a public broadcast station.
Fascinated by the one they called "Bonzo",Brandon had found his calling.
His diverse musical background was attained from his family:
His father was into classic rock,while his mother listened to many country artist's.Brandon was introduced to funk/r&b/gospel..and a slight taste of jazz, by his caretaker Aunt who listened to music about 17 hours a day.The classical aspect was from his uncle,who was an artist/painter .
Years later he was introduced to drumming legend "William Berg",while in a mutual recording facility.
This opened up a whole new set of rules!
Relax/Relax/Relax... timing/swing/ were know Brandon's focus.
Brandon is a current student of drumming great "Gordy Knudtson"
Gordy's open/close technique as well as relaxation techniques/foot control and reading skills,
have opened up many new possibilities for Brandon.
Brandon has spent countless hours listening and studying drummers from the likes of:
Bonham,Neil Peart,Steve Smith,Dave Weckl,
Joe Joe Mayer,Danny Carey,Thomas Lang as well as many others.
Rock is Brandon's forte',but jazz and exotic rhythm concepts are Brandon's current escapade.
Brandon wants to become a full time session player,and would like to teach his art in the near future.
Brandon would also like to open a rec.center in Mpls.for kids,to keep them off the streets and expose them to different cultures and diverse musical backgrounds.
Traveling to as many countries is a definite must!
Working towards endorsements......
Drum kit in Studio-TAMA starclassic maple (custom brown fade finish)
10,12,13,18x22
Live kit-TAMA superstar (midnight blue finish)
10,12,13,18x24
Numerous collection of snares (variety)
DW pedals
Gibraltar & Tama pro hardware
Paiste cymbals
Evans heads
Pro Mark sticks 2b nylon tip

Current Band-Countach/Freelance session drummer

www.brandonlaliberte.com Website
www.countachrocks.com Website
www.myspace.com/chaosnmotionpart2.com Website

E-Mail
Please put a SUBJECT for replys
Dont like SPAM either!!!
Thanxs

Just some of the different artists I've worked with..... Crank,Dirty Veck,GLC,Sons Of Dogs,Hellen Killer,David Rodgers,LENNON,Aaron Neville,Mountainside,K.H.R.T.K.D.,COMATOSE,The League Of Extraordinary Genitals,Trent Reznor,Fearless,Cory Stevens,Quincy Jones,Durango,Joe Walsh,Roger Waters,EV3,Flash,Tom Petty,Tyler Dane,Micheal Mc Donald,Turbo,David Burn,Sony Playstation,DairyQueen,Tundra Trash Radio,Fleet Farm,Wal-Mart,Down In The Valley,Payless,KQ92,Home Depot,True Value,Euphorias Emporium,Mushroom Cloud Records,Interscope Records,Rock Mafia Records............many more

•  old school rock in familiar...
•  Perfect driving tune
•  Hard rock, retro cool
•  northern rock!
•  Straight up bar rock!!

Saturna is the rock ‘n’ roll band you want to listen to before, during, and after the party. Their debut EP …All Night serves up a tantalizing cocktail of ethereal guitars and riveting drums, tender harmonies and heart-ripping hooks.

With a swirl of melody and a pulsing drift of guitar, the wordless beauty of “Springboard” launches your night. You sip a vodka tonic, and you’re off. You plunge straight into the city blasting “Pop Rocks.” The tick-tock drums and fuzzed-out Love & Rockets-style vocals spark something ferocious inside you. You finish another drink and drop your glass. You lose your friends, your money, and half your senses, but the sexy bassline keeps looping through your brain. It’s not enough. You want more. More. So the night gets nastier: “Just for Thrills” slashes you with dirty riffs. You sneer and smile, blurring through bars and parties. Streets and cars and clubs and shows. The song drags you snarling through an underworld of twisted love, but then the harmonic chorus shimmers above the rumble. For a moment you can think. Where are you? What did you just do with who? Forget it. Too late. You’ve passed the turning point and begun the long glide toward dawn with “Blanket of Stars.” Finally, in the melancholic “Chasing the Unpredictable,” you face the sun and try to figure out what it all meant. One thing is certain: you want Saturna’s …All Night again.

Charismatic Ryan Carroll graces lead vocals and rhythm guitar; while Eric Block, the most unassuming rock god in America, manhandles lead guitar; and Steve Anderson, detail-crazed genius inventor, takes on drums, bass, and backup vocals.

Mixing swagger and sweetness, Saturna soundtracks your whole night—from sundown to downtown to dawn.

—Kirk Perry

Johnny Katchoolik is an independent musician & recording artist of many colors, personalities, sounds, and eccentricities. His sonic adventures began with the guitar but quickly progressed to include the bass, keyboard, percussion, synthesizer, various software & electronic instruments, and who knows what else Katchoolik will fancy next. Katchoolik thrives on breaking the rules, chopping up the conventional elements, inventing new concoctions, and exploring as many sonic dimensions as possible. For Katchoolik, an artist who inhales and exhales music 24/7, music is a way of life and an expression of the self. Although Katchoolik has performed with various progressive and alternative rock bands during the days of Seattle grunge, the Katchoolik of today composes and records solely in the Ghetto Sound Studio - his true playground and sanctuary, and that’s where quirky ideas and offbeat creations are surgically extracted from his cerebral cortex. Color your life with music!

My name is scott b. and I am the Worthing. I live in San Francisco, but thanks to sites like Insomnia Radio, LastFM, and of course Myspace I have found friends and fans in places as far away Germany & Japan. I hope to find new friends/fans here as well... Thanks for stopping by. Full bio below:

"In a world that's full of wholes…"

So states one of the lines in the Worthing's song 'The Picture Show.' To singer/songwriter Scott Basta that line means much more than just the irony it evokes. "I write songs about acceptance... And often times accepting things for how they are is a painful process. Like existing just outside the whole of life."

While the Worthing's music is rich in dark expression of emotional turmoil, upon further exploration the listener finds the songs are really more about the life within us and innocence in a world that does it's best to take it from you. Scott traveled extensively across America in his late teens and early 20's trying to find the place that he could best fit into to. "No matter where I was I always had at the very least an acoustic guitar to keep me sane. I have always felt like the odd man out in most social situations... I think my songwriting reflects that." Indeed, most of The Worthing's songs are works that anyone who has ever felt lost in life can relate to. They are songs are about dealing with a world that we truly don't understand but are doing the best we can to adapt as we move along day to day.

Scott first began writing songs at an early age and ultimately ended up in San Francisco where he met other like minded individuals and formed a band called The Innocents. As often happens in the early stages of a musical group, members came and went, but all the while Scott was writing music with the same insistent sound... After a time the name of the group changed to The Worthing but the sounds remained the same. Now, with The Worthing at a full creative throttle Scott feels he just may have found a 'Whole' that he can fit into.

Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big Band during college. After graduating from UPENN with a B.A. in Economics, Vinson came to New York City in the early 90's to study music at the Mannes College of Music in Manhattan, where he studied with Marvin "Smitty" Smith (of The Tonight Show Band), Vernel Fournier, and Norm Freeman (of the New York Philharmonic).

Vinson has performed in many clubs in the New York Metropolitan area, including the Blue Note, Smoke, Sweet Rhythm, 55 Bar, Birdland, Smalls, Detour, Cornelia Street Cafe, Cleopatra's Needle, and Trumpets of Montclair, NJ. An avid composer, Vinson also teaches privately and served on the staff of the Stanford Jazz Workshop in California from 1999-2001. He has toured throughout North America and Europe with his groups and others, and he appears on Matthew Fries' CD, Song For Today (TCB) and the Ganz Brother's release, First Steps (Extravaganza). Vinson also has three CDs out as a leader, Live@147, Consilience, and Awake.

In addition, Vinson has also worked with or played alongside with many of the great musicians in jazz, such as Grover Washington, Jr., Dakota Staton, Clarke Terry, James Williams, Donald Brown, Harold Mabern, Jr., Jamil Nasser, Ron McClure, Bob Mintzer, Russell Malone, Peter Bernstein, Mark Turner, Terell Stafford, Eric Alexander, Jim Rotundi, David Hazeltine, Joel Frahm, Dena DeRose, and Vincent Herring, and Candido Camero, among others.

It’s been a “Short And Sweet” 12 years since three barnyard hooligans known as the MCRACKINS were hatched onto the international punk scene with the release of their official debut full-length album “What Came First?” on Shredder Records in the U.S.A. Although many were at first skeptical of Vancouver, Canada’s mysterious and strange looking pop-punk trio, the 1995 album turned out to be a surprise hit from an unknown band who claimed to have been transformed from men to 2 eggs and a dog and given super pop-punk powers as the result of a freak nuclear accident. Since then, twin eggs Bil (guitar,vocals), Fil (bass) and dog Spot (drums) have continued to amaze, astound and win over music critics and fans alike while building a cult-like following around the world due to the prolific release of 11 great full-length albums,E.P’s, singles, and compilation cd’s too numerous to mention. All told over 100,000 in sales worldwide.

It is a well-known joke (or yolk if you will) that their discography reads like the rap sheet of a seasoned criminal, as they have had over 200 songs released by over 30 different record labels around the planet as approximately 70 separate releases. With sporadic touring throughout their native Canada and the U.S.A up until that point, 1996 saw the band take their hilarious and fun filled live show across the pond to Europe. Dubbed the “European Eggvasion”, the MCRACKINS destroyed 7 countries and even found time to record some live electric and acoustic sessions for the BBC. The years have also seen the band make a few music videos, which have received light to medium rotation on music channels in Canada, U.S.A and Europe, an appearance in a Molson Canadian beer television commercial, a cameo role in a feature motion picture “Downhill Willy”, and various television and radio features.

Although the band has been taking somewhat of a much-needed break from the recording studio over the last few years, they have decided to get “Back To The Crack” with a vengeance. In true MCRACKINS fashion, the band have been hard at work in the studio since October 2004 and have just finished what they have self described as a world class bubblepunk masterpiece of epic proportions. With over 14 months and countless hours invested in this opus, it promises to not disappoint. Their 12th cd which will be called “Bat Out Of Shell”, will be released worldwide later this year by the fine folks at Wynona Records, Italy and will contain 12 new ear buzzin toons with enough hooks and harmonies to make even Brian Wilson smile. A full European tour will follow in Jan/Feb 2007 in support. So “Get Crackin” the MCRACKINS are back!!!!!!!!!!

•  you guys rule

We have survived
6 albums, 2 ep's and 12 singles, 5 different vocalists, 1 major label, 2 songs in Billboard and 1 in Rolling Stone, 1 tour with Zymox and gigs with Pete Shelley, The Fixx and The Cramps, 1 AWOL singer, 1 drunk guitar player shooting a gun outside our tour bus in Tijuana, 1 album with producer John Fryer (Wire, Fad Gadget, Love & Rockets), 1 nice letter from producer Martin Hannett (Joy Division), countless samples and endless laughter.

•  Killer Track
•  80's Feel
•  I thought this was New...
•  A killer tune
•  Awesome stuff, Tom!

RECENT 2006 STUFF@NIGHT, BOSTON INTERVIEW!

http://www.stuffatnight.com/rd0405/partying/documents/05211973.asp

DJ Dale Charles started DJ'ing around 1983 at some infamous Summer Beach House parties, playing mostly New Wave including B-52's, The Romantics, Elvis Costello, Rockpile, Buzzcocks, The Beat, The Pretenders, 999, Depeche Mode, The Go-gos and Prince. New Wave was it, a funner, fresh new scene and lifestyle had emerged, the birth era of synth-dance and the 12" remix single.

Connected by fate to the few important New England DJ's including Ed Fritz and Kevin Fennelly, Charles' interests grew stronger as the music grew more interesting. DJ Ed Fritz' "Baptism" and its parties in 1986-88 introduced Dale to the European and US' Techno, Industrial and House scenes. Kevin Fennellys excellent Summer Of 86 club "Level Vibes" also paved the way and inspired those who were lucky to be there.

But it was DJ Ed Fritz who schools all in attendance how to mix three different styles of music on three turntables (SL-1800's) at the same tempo at the same time. This was essentially the definition of "House Music", before it was so called - and the Baptism had taken place. DJ Dale Charles was formally reborn. Then in 1987, seeing it all in action again in Montreal at Club "Business" on St Laurent changed everything. This was it. The calling was about to be answered.

The East Coast residencies began in 1988 - in the small New England towns, on off nights, at first Decadence in Dover, NH, then Zoots Thursdays with Portland Maines Kris Clark. Then south to Bostons Hub Club in 1990-91, now club Felt, for a huge 1000 capacity International Night on Fridays.

On to a big move way out west in the fall of 1991 to San Diego, and the birth of the legendary SoCal and US Rave movement, at first pure in all its forms, joining music lovers together to experience exciting new music, advances in lighting technology, fine-tuned sound systems, and an uninhibited gathering of all races, religions, thinkers and do-ers, perhaps not experienced since the late 60's. It was a cultural phenomenon, a time to meet new people and stay up all hours and experience new music and expressions. DJ Dale Charles was a leading SoCal DJ in 1991-92, headlining most major events with residencies at the famous MicroRaves, Narnia, Opium, Playskool, Rubber, Evar, G.U.N. and countless other one-offs.

News of west coast Raves and its DJ's spread quickly across the US and Dale Charles started booking nationally, then to Mexico, Canada, Asia (sadly cancelled) and nearly every major US destination.

Producing several releases since 1992 as Sedona with Benny Blanco on OHM Records, Boston, and Rampant records LA, Dale Charles has maintained a MIDI synth studio since the late 80's, producing today under the names Too (Element Recordings), Sedona and Time Beings on both Syncopate and most recently Reversible Records.

DJ Dale Charles has DJ'ed with and has DEEP RESPECT for: Evar SD, Wicked SF, Primary UK, Benny Blanco, 333, Mgee, Gatherings SF, Sasha, John Digweed, Frankie Knuckles, Danny Howells, Derrick Carter, Moby, Tiga, Luc Raymond, Micheal Thomas, Tony, Paul Grogan, Barry Weaver, David Morales, Josh Wink, Anne Savage, Luv Dup, Doc Martin, Scott Hardkiss, Dominic UK, Marcus Wyatt, Dmitri from Dee-lite, Lil Louis, Frankie Bones, Adam X, Justin Johnson, Debo, Jellybean Benitez, Mark Farina, Pete Moss, Fred "kooky" Gianelli, Hector Romero, Jimmy Van M, Tin Tin, Taul Paul, Carl Cox, Rick Preston, Daeman, Mark E Quark, Jon Bishop, Thin e thin UK, Q-Bert, De La Soul, Primal Scream, Jonas Temple, Hipp-e, Armand Van Helden, Jeno, Garth, Marky, Joeski, Onionz, Ryde, Chocolate Factory NY, Felix Da Housecat, Brother Cleve, DJ Dan, Kevin Saunderson, LTJ Bukem, DJ Trixie, Misstress"... wanna come to my room and for some Kokanee...?" Barbara, Overload, Chicken Leg Crew, Caseroc, Shalako, Scott Bliss, Skye, Larry Love, Manolo, Pauloo, Deshaies, Sergio, Arturo, Mike Walsh, Pat Fontes, EB, dPl, Eli Wilkie, Steve Porter, Chris Reavey, Chris Micali, Hush & Bons, Paul Dailey, Charles Feelgood, Donald Glaude, Prima DJ and more.

Currently projects include a full Time Beings Concept LP, Sound Design, Film and Advertising scoring, along with a lifetime ahead of music production.