SHERY: "LOVE IS A GHOST"

Shery is a new, passionate singer/songwriter, gifted with a voice that will forever steal your heart. She writes and performs inspired, unique songs that transcend the barriers of language.

Through her very own brand of melodic pop and pop/rock, Shery creates a true world of FEELING, celebrating the shadows, the agonies of love.

Shery was born in Guatemala, the country of Ricardo Arjona, the morning of an August 18, under the sign of Leo.

Her first album, "El Amor es un Fantasma" ("Love is a Ghost"), is expected for Spring 2007.

The album takes name from her first single, a delicious song that remained for 26 straight weeks in the Guatemalan Top 40, then climbing #1 as the most requested pop song nationwide -- the first time ever for a local female artist. You download the song for FREE at www.shery.net or www.myspace.com/shery1

Without real promotion, no record label, and no money, her debut concert (Guatemala, June 2005), was an absolute sellout.

What was intended to be an intimate night just for a small circle of close friends, became a totally crowded venue, enchanted with the passion of a young soul, brave enough to climb on stage and sing her heart out, performing in public for the first time songs she had written not for the public, but "to exorcize my own shadows", as she remarked later.

When after the show almost one out of every two people walked out with Shery's first single on hand (a quality home-made CD commissioned at the very last minute), it was obvious something unique had taken life that evening.

During her first 18 months of career, Shery has been a finalist in both the John Lennon Songwriting Contest (among 15,000 entries from all over the world) and the Unisong International Songwriting Competition. She has won a medal in the World Championship of the Performing Arts, in Los Angeles, California.

Shery has been a featured artist in all major T.V. shows in Guatemala, including Nuestro Mundo Joven, Alo Que Tal America, Con Buena Onda, Nuestro Mundo por la Mañana, Telediario, Cuestion de Minutos, Viva la Mañana and El Bingoton Millonario, and has received intense coverage from magazines and newspapers such as Siglo XXI, Prensa Libre, Nuestro Diario, Al Dia and Gee Magazine.

Azteca America described her as the "New voice from Guatemala to sweeten the world".

She has been interviewed by the leading national and local radio stations, such as Radio Mia, Exa FM, Red Deportiva, Doble Via, Radio Punto, Radio 10, Infinita, Yosi Sideral, Tropicalida, Extrema, Alfa 97.3, Galaxia, TGW La Voz de Guatemala, and was the first-ever pop artist to be interviewed by Radio Faro Cultural, the country's leading classical station.

In September 2005 Shery did her first US appearance in Washington D.C., invited by the Guatemalan Embassy.

She has performed in numerous venues, alone and with other artists, including some of the most important scenarios in her country, such as La Gala de la Cancion, Teleton, Escenarios, Mundo Navideño, Feria Nacional, and Radioteleton.

Shery has shared stage with Latin superstars the likes of Christian Castro and Manuel Mijares, as well as with local legends such as Malacates Trebol Shop, Viento en Contra, Aurum, and Radio Viejo.

Her second single, an irresistible ballad titled "Me Converti en Roca" ("I Becane a Rock"), premiered in February 2006 by Radio Mia 93.7, and has since then received intense airplay in radio stations across the country.

In August 2006 the song climbed to #1 position nationwide, while successfully making the leap from Contemporary Hit Radio to other formats (on its original version, not remixed), such as Tropical and other upbeat genres.

In September 2006 "Me Converti en Roca" was voted by the users of GarageBand.com (the largest independent band portal on the Internet) as the "#1 Best Love Song, overall, all time". The site also gave Shery awards such as "#1 Best Female Vocals in Latin, all-time", "Best Melody", "Most Original Song" and "Best Production".

Directed and produced by Daniel Rene (former member of the legendary Latin Pop band Menudo/MDO), the video of "Me Converti en Roca" was filmed in Miami, Florida, and will start to air in January 2007.

When she is not on stage singing, Shery is writing, producing or recording. She dreams on a world in peace, where no children has to grow-up in hunger, and where human kind has finally learned to live in harmony with nature.

If you like Shery, spread the world, requests her music to your favorite radio stations, and buy her music at www.cdbaby.com/shery or from the iTunes Store.

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For booking information, press / radio interviews
and to schedule a media appearance, contact:

Renato del Valle,
Creatorium Music
Phone: + (502) 5918-2705 (Guatemala)
Email:

Web: www.shery.net
MySpace: www.myspace.com/shery1
Photos: www.shery.net/galerias.html

P.O. Box 02-5289 S. 1333
Miami, Florida 33102 - USA

•  super ultra fantasico

Stacy Wray and Gus Austin are Tumble: an acoustic duo whose gutsy, mood-driven songs swing from pensive and melancholy to playful and sassy. Their music is cinematic, haunting, poetic, highly visual and gorgeous.

Tumble spent five years in Seattle searching for their niche in between post-grunge rock and neo-geek pop. In 1998, they recorded and co-produced their debut album Gravity on their own label PepperAlley Records. After years of enduring rain, mold and complaints about those damn Californians taking over the wild Pacific Northwest, it was time for a warm change and a new millennium. And so, it was time to become a damn Californian. Stacy and Gus moved to Los Angeles in the spring of 2000.

Tumble just released their new EP Sleeping Makes You Stronger on PepperAlley Records. They currently perform at very intimate venues around Los Angeles, and are busy writing music for placement in independent films.

•  Tori Amos All The Way
•  Love it
•  Great Voice
•  Shades of Mae Moore

Johnny Katchoolik is an independent musician & recording artist of many colors, personalities, sounds, and eccentricities. His sonic adventures began with the guitar but quickly progressed to include the bass, keyboard, percussion, synthesizer, various software & electronic instruments, and who knows what else Katchoolik will fancy next. Katchoolik thrives on breaking the rules, chopping up the conventional elements, inventing new concoctions, and exploring as many sonic dimensions as possible. For Katchoolik, an artist who inhales and exhales music 24/7, music is a way of life and an expression of the self. Although Katchoolik has performed with various progressive and alternative rock bands during the days of Seattle grunge, the Katchoolik of today composes and records solely in the Ghetto Sound Studio - his true playground and sanctuary, and that’s where quirky ideas and offbeat creations are surgically extracted from his cerebral cortex. Color your life with music!

Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big Band during college. After graduating from UPENN with a B.A. in Economics, Vinson came to New York City in the early 90's to study music at the Mannes College of Music in Manhattan, where he studied with Marvin "Smitty" Smith (of The Tonight Show Band), Vernel Fournier, and Norm Freeman (of the New York Philharmonic).

Vinson has performed in many clubs in the New York Metropolitan area, including the Blue Note, Smoke, Sweet Rhythm, 55 Bar, Birdland, Smalls, Detour, Cornelia Street Cafe, Cleopatra's Needle, and Trumpets of Montclair, NJ. An avid composer, Vinson also teaches privately and served on the staff of the Stanford Jazz Workshop in California from 1999-2001. He has toured throughout North America and Europe with his groups and others, and he appears on Matthew Fries' CD, Song For Today (TCB) and the Ganz Brother's release, First Steps (Extravaganza). Vinson also has three CDs out as a leader, Live@147, Consilience, and Awake.

In addition, Vinson has also worked with or played alongside with many of the great musicians in jazz, such as Grover Washington, Jr., Dakota Staton, Clarke Terry, James Williams, Donald Brown, Harold Mabern, Jr., Jamil Nasser, Ron McClure, Bob Mintzer, Russell Malone, Peter Bernstein, Mark Turner, Terell Stafford, Eric Alexander, Jim Rotundi, David Hazeltine, Joel Frahm, Dena DeRose, and Vincent Herring, and Candido Camero, among others.

RECENT 2006 STUFF@NIGHT, BOSTON INTERVIEW!

http://www.stuffatnight.com/rd0405/partying/documents/05211973.asp

DJ Dale Charles started DJ'ing around 1983 at some infamous Summer Beach House parties, playing mostly New Wave including B-52's, The Romantics, Elvis Costello, Rockpile, Buzzcocks, The Beat, The Pretenders, 999, Depeche Mode, The Go-gos and Prince. New Wave was it, a funner, fresh new scene and lifestyle had emerged, the birth era of synth-dance and the 12" remix single.

Connected by fate to the few important New England DJ's including Ed Fritz and Kevin Fennelly, Charles' interests grew stronger as the music grew more interesting. DJ Ed Fritz' "Baptism" and its parties in 1986-88 introduced Dale to the European and US' Techno, Industrial and House scenes. Kevin Fennellys excellent Summer Of 86 club "Level Vibes" also paved the way and inspired those who were lucky to be there.

But it was DJ Ed Fritz who schools all in attendance how to mix three different styles of music on three turntables (SL-1800's) at the same tempo at the same time. This was essentially the definition of "House Music", before it was so called - and the Baptism had taken place. DJ Dale Charles was formally reborn. Then in 1987, seeing it all in action again in Montreal at Club "Business" on St Laurent changed everything. This was it. The calling was about to be answered.

The East Coast residencies began in 1988 - in the small New England towns, on off nights, at first Decadence in Dover, NH, then Zoots Thursdays with Portland Maines Kris Clark. Then south to Bostons Hub Club in 1990-91, now club Felt, for a huge 1000 capacity International Night on Fridays.

On to a big move way out west in the fall of 1991 to San Diego, and the birth of the legendary SoCal and US Rave movement, at first pure in all its forms, joining music lovers together to experience exciting new music, advances in lighting technology, fine-tuned sound systems, and an uninhibited gathering of all races, religions, thinkers and do-ers, perhaps not experienced since the late 60's. It was a cultural phenomenon, a time to meet new people and stay up all hours and experience new music and expressions. DJ Dale Charles was a leading SoCal DJ in 1991-92, headlining most major events with residencies at the famous MicroRaves, Narnia, Opium, Playskool, Rubber, Evar, G.U.N. and countless other one-offs.

News of west coast Raves and its DJ's spread quickly across the US and Dale Charles started booking nationally, then to Mexico, Canada, Asia (sadly cancelled) and nearly every major US destination.

Producing several releases since 1992 as Sedona with Benny Blanco on OHM Records, Boston, and Rampant records LA, Dale Charles has maintained a MIDI synth studio since the late 80's, producing today under the names Too (Element Recordings), Sedona and Time Beings on both Syncopate and most recently Reversible Records.

DJ Dale Charles has DJ'ed with and has DEEP RESPECT for: Evar SD, Wicked SF, Primary UK, Benny Blanco, 333, Mgee, Gatherings SF, Sasha, John Digweed, Frankie Knuckles, Danny Howells, Derrick Carter, Moby, Tiga, Luc Raymond, Micheal Thomas, Tony, Paul Grogan, Barry Weaver, David Morales, Josh Wink, Anne Savage, Luv Dup, Doc Martin, Scott Hardkiss, Dominic UK, Marcus Wyatt, Dmitri from Dee-lite, Lil Louis, Frankie Bones, Adam X, Justin Johnson, Debo, Jellybean Benitez, Mark Farina, Pete Moss, Fred "kooky" Gianelli, Hector Romero, Jimmy Van M, Tin Tin, Taul Paul, Carl Cox, Rick Preston, Daeman, Mark E Quark, Jon Bishop, Thin e thin UK, Q-Bert, De La Soul, Primal Scream, Jonas Temple, Hipp-e, Armand Van Helden, Jeno, Garth, Marky, Joeski, Onionz, Ryde, Chocolate Factory NY, Felix Da Housecat, Brother Cleve, DJ Dan, Kevin Saunderson, LTJ Bukem, DJ Trixie, Misstress"... wanna come to my room and for some Kokanee...?" Barbara, Overload, Chicken Leg Crew, Caseroc, Shalako, Scott Bliss, Skye, Larry Love, Manolo, Pauloo, Deshaies, Sergio, Arturo, Mike Walsh, Pat Fontes, EB, dPl, Eli Wilkie, Steve Porter, Chris Reavey, Chris Micali, Hush & Bons, Paul Dailey, Charles Feelgood, Donald Glaude, Prima DJ and more.

Currently projects include a full Time Beings Concept LP, Sound Design, Film and Advertising scoring, along with a lifetime ahead of music production.

LEAVING, TX.

If you travel a few miles south of Alt-Country and turn right at Cow-Punk you’ll find Leaving, TX… a gritty, dusty, whiskey-soaked hell-hole somewhere just outside the gates of purgatory. Formed in late 2004 by songwriter Chris Patterson and bassist Garry Cecil, Leaving, TX has rapidly come to life in the Washington, DC music scene… Quickly and rightfully earning comparisons to Drive By Truckers, Steve Earle, and Reckless Kelly just to name a few. The bands driving alt-country sound is anchored by its original songs which seem to fill fans with hooks they just can’t seem to get out of their heads.

Patterson is a self-taught musician who after leaving the jam-band Grooved Pavement spent the next 18 months studying and writing. During this time he spent many nights on the local singer-songwriter circuit finding out which songs were working with the audience. After a visit to Austin, TX he came back with the desire to finally build the band that would showcase his music.

Patterson soon contacted bass player Garry Cecil and played several of the new tunes for him. The magic was immediate and the two set out to find the rest of the band. Thor Smith was soon brought in to fill the role of drummer, having done the same in Patterson’s former band. After several auditions with guitarists, Andrew Buhler showed up on the band’s doorstep and after one song together, he was brought into the mix and given his own keys to the city.

Chris Patterson – vocals, acoustic and electric guitars. The bands songwriter is a native of Iowa although he has called sixteen cities home over the past twenty years. Patterson received his first guitar at the age of 8 but claims he didn’t learn to play it until he was 30. He carries with him very strong Irish roots and spends a couple weeks each year in Ireland seeking out music and his ancestry. His songwriting is strongly influenced by Tim Easton, Jon Dee Graham, The Waterboys, and Hank Williams.

Garry Cecil - bass and backing vocals. Born in Edinburgh, Scotland, Cecil was raised in the “wee” village of Corstorphine. He was raised on British music but when he arrived in America he soon became schooled by Hendrix, Zappa, and Capt. Beefheart. This eventually led Cecil to the country rock movement and later to bluegrass. It was a trip back to Scotland that had him dive head first into the punk/new wave scene. He has played in numerous bands over the years, “Non- Dairy Creamers”, “Gunpoint Affection”, and “The Swinging Richards”, and most recently the highly regarded “Primitive Mind”, opening for such greats as BB King, Lunasa, Junior Brown, and Doc Watson.

Thor Smith- drums. Smith is a native of Halden, Norway. He started drum lessons in the first grade and played his first professional gig at twelve years old. After a few years in a Hawaiian show band, Smith moved to New York in the early eighties with an original new wave outfit called “Ice Nine”. He then spent almost six years with the DC group “The Smash Band”. Semi-retired from music he was coaxed back into the scene after meeting Chris Patterson and getting hooked on his draft beer at rehearsals and original tunes.

Andrew Buhler - electric and pedal steel guitars. Buhler is a proud native of Miami, Florida. He started fooling around with the guitar after his father bought him an LP of Hendrix’s “Smash Hits” at age 10. From Miami to Japan to Cuba, he’s been tormenting his family and friends with the instrument ever since.