Wade Mosher has made music his life since he was only 12 years old. He is known for his songwriting & guitar skills and he’s also a respected producer, singer & programmer. Starting in the early ‘80’s, Wade has toured Canada, the US & Europe playing in Rock, Country, Blues, Skiffle and Punk bands.

In 1995, Wade Mosher released his debut, self-titled CD that received airplay in Canada, Turkey & Arkansas. Promoting the album & touring followed until 1997. Sales have reached over 3500 thus far, mostly from word of mouth. This record has been likened to John Hiatt, Steve Earle, Bruce Springsteen, Dire Straits, Warren Zevon and Lyle Lovett.

Wade’s fans have been asking for recordings of his guitar playing for years, so in 2001 recording began for his next CD ‘Doesn’t Play Well With Others’. The instrumental record of 12 cuts was released in 2002. The record has gotten some great reviews & feedback. It’s been available online since 2006 and is selling well. Though Wade’s style is undeniable, nods to Danny Gatton, Brian Setzer, Mark Knopfler, Chopin, Brian May, Dick Dale & Scotty Moore can be heard throughout. As Wade humbly puts it, “I just take what those guys did, simplify the difficult parts & hope nobody notices.”

In 2003 Wade disappeared into his studio to work on his latest album. A lot of life got in the way during the making of this much anticipated CD, but in 2007 ‘Everything Will Be Just Fine’ was released. It’s more of a collection of songs than a definitive album, moving seamlessly through genres without losing momentum. Songs like ‘Canadian Folk Song’ and ‘Hollywood is Burning’ are cutthroat takes on culture & politics with sardonic humor. Great stabs at love, religion and psychosis are found in ‘Love Makes You Stupid’ & ‘Lose This Skin’. ‘She’s Got A Heart’ & ‘Don’t Let The Highway Get You Lost’ are first class country songs that will take you back to the days of Merle Haggard & Steve Earle. This is a CD that will leave its mark.

Wade Mosher has never been convicted of murder, but the night is still young.

END OF SET 3

Just A Personal Note

Hi Folks- Wade here. Thanks for stopping by and having a listen. I appreciate your time, I know how limited it can be. There are a lot of songs here, so feel free to poke around & play snippets as you please. I’ve requested that they allow the prices of the songs to come down a bit here. We’ll see what happens. In the meantime I’ll be allowing free downloads randomly so keep an eye out. Some of the genres I’ve chosen can obviously cross over into others & it’s hard to categorize your own material, but I believe I’ve gotten close with my choices. If you hear something that turns your crank, feel free to contact me. I’m very friendly, (except early in the morning.) I’ll be keeping this section as up to date as I can. Thanks again.
Take care,
Wade

• Intresting
•  Coolest Dude Alive
•  Beautiful Country

Israel Suicide was originally born in Ireland, and has gone on to travel the world finally landing in Canada.
Having toured with Chris Cornell, Audioslave, the White Stripes, the Von Bondies and many more major label bands Israel was signed by 8 Ohm Records in Vancouver.
Israel's voice has been described as "Chris Cornell meets Bono in a hellish evil nightmare." by Jeff Henning of RollingStone.
"An evil incarnation of bombastic violence starving for serenity..." says Henry Rollins.
Israel sings about pain, torment and injustice....love, guts and glory.
"It's all there in the "NEW" sound of 2008" says Paul Goebel of Metal Force magazine.
But don't take our word for it.....let Israel burn your brain at www.myspace.com/israelsuicide
Go on....I dare ya!

Music has always been at the heart and soul of award-winning musician Gary Bennett, whose first solo outing, Human Condition, was released February 21, 2006, on Landslide Records. Produced by the notable R.S. Field (Billy Joe Shaver, Allison Moorer, Webb Wilder), the album showcases a strong combination of original songs performed by a superb cast of Nashville luminaries.

Gary Bennett co-fronted and was a founding member of the critically acclaimed country music band BR549, who recorded five well-received albums (four with Arista and one with Sony), received three Grammy nominations and was hailed by music industry trade magazine Billboard as having single-handedly revived the soul of country music in Nashville. During Gary's tenure, the band sold over 500,000 albums and toured the world, headlining shows as well as opening for such artists as Bob Dylan, George Jones, Merle Haggard, the Black Crowes and Brian Setzer. BR549 was also voted "Best Country Group" in 1996 by Rolling Stone magazine.

Bennett was born October 9, 1964 in Las Vegas, Nevada to country music loving parents. After living in Conroe, Texas for the first 5 years of his life, and a year more in southern California, the family settled in
the small Northwest-logging town of Cougar, Washington, which is nestled at the foot of Mt. St. Helens. By age 16, Gary was playing bass for a gospel band and began to get a taste of the musician's life on the road.
After high school and a series of logging jobs, Bennett began performing as a solo act in hometown bars every weekend, playing the traditional country songs he had learned as a boy from his parent's record
collection, along with a growing repertoire of original songs.

In 1993, he loaded his pickup truck and headed for Nashville. Unfortunately, he arrived at a time when "real country music" had been all but forgotten.

After attending many fruitless songwriter nights, Gary began hanging out in the honky-tonks of the historic "Lower Broadway" area of downtown Nashville. "I felt that though it was a destitute scene, it was also
wide open for something to happen there," he reminisced. Within a month, Bennett took a solo gig at a bar there. Eventually, he fronted a band at Roberts' Western World, a boot store by day, honky-tonk by night. It was about this time that he met singer-songwriter Chuck Mead, and the duo quickly realized they had similar interests and styles. The chemistry was perfect for an updated approach to traditional country music.

The two formed the group, which after various personnel changes, became BR549. Less than six months after arriving in Nashville, they were on their way to becoming the darlings of Music City. BR549 graced
the cover of Billboard magazine before they even had a record deal. Shortly thereafter, the band was
hounded by every major record label in town, eventually signing with Arista Records.

After five major album releases and years of constant world wide touring, Gary felt as though the musical freedom BR549 once enjoyed had become stagnant due to the "retro" pin tagged to them. Wanting to make original & more progressive music, Bennett made a decision in to step away from the group and let his head clear. Gary Bennett left BR549 in 2002 and retreated from music for a short while, only to return to writing and performing.

"Getting back in touch with real people in the real world gave me the inspiration to start writing again," he says. A series of personal tragedies in 2004 helped reinforce that desire. "I know that music was given to us to smooth the rough, bumpy road of life," he states. "I believe that whether I'm walking down the sidewalk or on a stage, my purpose is to try to help people. Songwriting is what I have been given to achieve that."

After considerable wood shedding and a plethora of club gigs in and around Nashville, Gary succeeded in re-defining the music that's true to his heart. He's back and sounding better than ever on Human Condition. This is sincere music being made by one of country music's most distinctive voices.

Bennett first became aware of producer R.S. Field after hearing his production work on an R.B. Morris album about 10 years ago. "As I listened to the album," remembers Bennett, "it was obvious that the songs were the focus and the musicians just loved playing them. Right then, I thought that if I ever do a solo album, he's the producer I'd want."

Human Condition presents 12 new songs, most of which were written by Bennett, including one co-written with Todd Snider ("Better Than This"). "That song began - as most of mine do - as an instrumental that we used to call 'The Swamp Song' because of its feel," says Bennett. "Several years ago, I happened to catch a Todd Snider performance on TV and liked his rhythmic wording and stream of consciousness approach to writing. Shortly thereafter, we got the chance to write together and I played him this song. 'Better Than This' is about finding out what's over the next hill. When I started to write the lyrics, I was reminded of the little town that I grew up in Washington that was next to a mountain. At night, it revealed the glow of lights in the distance, which was the city of Portland, Oregon. As it turned out, Todd was growing up in Portland at the same time I was in Washington, so he could relate to what I was seeing."

Gary's studio band features some of Nashville's finest musicians, including Kenny Vaughan (Marty Stuart) on guitar, Jimmy Lester (Webb Wilder, Los Straitjackets) on drums and Mark Winchester (Emmylou Harris, Brian Setzer Orchestra) on bass. Special guests include Marty Stuart, who plays mandolin on several tracks as well as rhythm guitar on the song, "Just Wanna Be With You," legendary pedal steel guitar player Lloyd Green, and producer R.S. Field on several instruments.

As Gary begins his career as a solo artist, the opportunities - and the challenges - do not escape him. " It feels strange and exciting at the same time," he says. "When I began performing, I thought my musical strengths were as a songwriter and harmony singer. Then, with BR549, I got a chance to step out front and develop as a front man. Now, with the variety of songs I have on this album, I think I've shown maturity in both those areas. I don't agree with the saying 'it's all been done before'. I mean, lyrically, and through music, good songs will always be able to convey new thoughts or fresh opinions to people. Recording this album has been totally liberating."

•  Get ready to tap your...
•  Damn I wish I could...
•  love to hear this live
•  There's a deeper Nashville that...
•  I'm a country fan: stop...

Out of the ashes of the renowned Las Vegas band, GOD AMONG MEN, comes a unique breed of rock band. Shortly after receiving two awards from LAS VEGAS WEEKLY and becoming a Jagermeister sponsored band, GAM found Los Angeles based management and signed a Demo Deal with John Kolodner of Columbia Records. Months of negotiations ensued but due to conflicting artistic visions the group decided not to ink the deal, and pursued other projects. Soon after, Liz began writing new material with former GOD AMONG MEN guitarist Blair, and they began the search for new band members.

::: ::: :::
After several months the two met Mackenzie, former drummer of the short-lived but powerful L.A. band DEVILLE. The band included former members of Roadrunner Records band DOWNER, and made quite an impact on the L.A. scene before parting ways. Mackenzie is also known in Los Angeles for his acting resume, guest starring in numerous high profile dramas such as NYPD Blue, The Practice, The Shield, CSI, Charmed, Freaks and Geeks, City of Angels and Chicago Hope to name a few, as well as various sitcoms including Malcolm in the Middle, Three Sisters, The King of Queens and Action, and multi episode stints on Days of Our Lives and General Hospital. He also recently held leads in two feature films, The Affair and Ancient Warriors, both online and in stores now.

::: ::: :::

The search for the perfect bassist lasted for months after the initial birth of the new band. The group eventually met Jesus, who miraculously appeared from Detroit. Jesus immediately fit the bill, and the band quickly finished writing an album's worth. The new membership proved solid and inspirational, pushing each member to new creative heights.
::: ::: :::
33DEGREE may have a vocalist and guitar player in common with G.A.M., but that is where the similarities end. Adding another level of complexity and a decided sense of style to their presentation, "33DEGREE possess a magnetic stage presence bursting with intensity. Between Liz's introspective lyrics, Blair's tasty and often chaotic sounds, Jesus' deep-rooted melodies and Mackenzie's powerfully convulsive tribal beats, they stylistically combine to defy common definition." Their debut material is not metal, not emo, but rather a mix of influences that range from Deftones to Tori Amos to Radiohead, blending odd time signatures, melodic vocals and driving grooves.
::: ::: :::
They are currently recording at NRG STUDIOS in HOLLYWOOD, CA