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 <title>Project Opus - Reviews for drinking perfume</title>
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 <title>cool lo-fi dance track</title>
 <link>http://www.projectopus.com/node/12844#910</link>
 <description>This track by Toronto&#039;s Coco a lot of charm to it. Starting off with a wafer-thin edit of the drum groove and expanding with vocals barely afloat above dirty synth riffs, the track works.  &lt;br&gt;  &lt;br&gt;
&quot;We&#039;re drinking perfume&quot;--one of the few lyrics I picked up on first listen--evokes the murky headspace suited for this mysterious dance fuzz track.
&lt;br&gt;&lt;br&gt;
One tiny bit of kick drum programming brought me out of the groove-a-long though.  Just one of the bass drum hits in the loop that plays throughout the verse or &quot;A&quot; section of the track is the culprit. The chorus or &quot;B&quot; is free of this little skip, and grooves a lot harder because of it.  
&lt;br&gt;&lt;br&gt;
READ ON ONLY IF YOU ARE PREPARED FOR SOME HARD CORE DRUM PROGRAMMING GEEKERY.
&lt;br&gt;&lt;br&gt;

To be HYPERSPECIFIC: What bugs me is the bass drum sound that plays immediately following beat 2 in bar 2 of the two-bar loop.  It sounds like a little ill placed rhythmcally- (just slightly late) but that subtle problem is made worse by it&#039;s velocity (or volume) which is too high--like  equal to Seems like the kick velocity level is  for the note in question as for the hits on 1 and 3 that make this a dance-worthy groove.  In my drum programming experience the feel of a drum loop is a surprisingly intertwined relationship between a hits position in time and its velocity. This loop needs some experimenting done with both to get it JUST RIGHT, but I can tell from this distance that easing up on the level on the offending bass drum note would help a lot.  For a case in point check out the opening two bars, where the same drum loop has been put through a filter which has removed the low end (and hence most of the ooomph of the bass drum). With less juice on the low end, the same feel works nicely enough. &lt;br&gt;&lt;br&gt; Yes, by the way, I know I am making a big deal out of what most listeners and certainly review readers might consider the most minute detail imaginable.  But I love this shit.  And this is Dance music right? So the feel is where it&#039;s at.
&lt;br&gt;&lt;br&gt;
Finally, as mentioned above I can understand the lyrics only partially and only when I&#039;m working my ass off to do so... Now while I consider it part of the the lo-fi aesthetic that the vocals are nearly drowned out by synth lines and are mixed kind of fuzzy, I am not sure if so much lyrical obscurity was desired.  If so, all power to Coco--call it a tip of the hat to   Sigur Ros, who sing not in their native Icelandic as one might suspect, but in absolute jibberish of their own invention.
&lt;br&gt;&lt;br&gt;
keep it up Coco, I look forward to hearing more from you.

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